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Released last year.

In 1900, the mysterious murder of a white woman and a Native American man in San Francisco's Chinatown triggers a race against time as the Chinese suspect and the Native American's adopted Chinese son work to uncover the truth while a politician seeks to leverage the Chinese Exclusion Bill as well as the prevailing xenophobia and racism to close down Chinatown and elect himself as the mayor.
“Some stories are better left unspoiled.”

Wang Baoqiang
Ah Gui

Liu Haoran
Qin Fu

Chow Yun-Fat
Bai Xuanling

Bai Ke
Zheng Shiliang

Zhang Xincheng
Bai Zhenbang

Yue Yunpeng
Fei Yanggu

John Cusack
Grant

Tai Bo
Uncle Si
Credits
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Chen Sicheng directs. Du Jie behind the camera. Nathan Wang scores. Tang Hongjia cuts. Produced in China, Hong Kong. Dialogue in English, Mandarin, Navajo.
Trivia
Part of
After failing to become a cop, a mystery enthusiast goes to visit his hapless cousin in Thailand. One is a brainiac and the other a twitchy loser, but together they're going to solve a murder.
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Community reviews
At times this is actually quite a fun spoof along the lines of "Sherlock Holmes" meets "Charlie Chan" by way of "High Noon" but for the most part it's a mess of a film that goes on for far too long. With the Manchu court facing the great powers we saw in "55 Days at Peking" (1963) the Empress Dowager dispatches her finest officer to San Francisco to track down a traitor. As it happens, the Holmesian "Fu" (Haoran Liu) is also in that very city on a quest for the killer of the daughter of senator "Grant" (John Cusack). Quite swiftly his investigation and the imperial mission start to overlap as the enthusiastic "Fu" and his newfound spiritual Indian guide "Gui" (Baoqiang Wang) discover that the prime suspect in the killing (Steven Zhang) is the son of local entrepreneur "Bai" (Chow Yun-Fat) and that the senator is using this to stir anti-Chinese sentiment to the point where he can force them out and seize their property. What now ensues delivers a series of rather randomly assembled escapades that mix murder mystery with western with romance and add a good dose of skullduggery to boot as they try to prove the young "Bai" was framed. Fu and Wang make for a decent enough double act at times, but the story loses it's way way too often and after a while the characterisations - especially "Bai" and "Grant" become light-weight and strained parodies. Fortunately, after about two hours, auteur Sicheng Chen must have felt he was running out of file space and so decided he'd better wrap things up - and for that last quarter of an hour the story knits together things we knew with things we didn't and presents us with a rather feeble denouement that did sort of suggest that there could be more adventures to come for the likeable "Gui" and "Fu". What is potent is the closing statement from the elder "Bai" about remembering the importance of immigrant labour in establishing a country that was all too quick to shun that working community later when it suited it, but it's made in a cack-handed and over-the-top fashion and drowned out by an overpowering score and thus loses much of an impact that might actually resonate in an USA that's still unsure how to recognise those who do/did the work but perhaps didn't all have the same/right skin colour or paperwork. It has it's moments, just nowhere near enough of them.
Production companies

As One Production
CN
Tianjin Maoyan Weiying Culture Media 天津猫眼微影文化传媒
CN
Shanghai Ruyi Film & TV Production 上海儒意影视制作
CN
北京乐开花影业有限公司

Wanda Pictures
CN

China Film Group Corporation
CN
Themes & keywords
Release history · US
Also known as
Movie2019
Movie1986
Movie2022
Movie2026
Movie2024
Movie2025
Movie2001
Movie1980
Movie1980
Movie2024