
Did you know
33 years old β old enough to be someone's favourite childhood film.

"She's got a little secret and a lot of explaining to do."
Sharon Curley is a 20-year-old living with her parents and many brothers and sisters in Dublin. When she gets pregnant and refuses to name the father, she becomes the talk of the town.
βShe's got a little secret and a lot of explaining to do.β

Colm Meaney
Dessie Curley

Tina Kellegher
Sharon Curley

Ruth McCabe
Kay Curley

Eanna MacLiam
Craig Curley
Peter Rowen
Sonny Curley
Joanne Gerrard
Lisa Curley
Colm O'Byrne
Darren Curley
Ciara Duffy
Kimberley Curley
Credits
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Cinephile deep dive
Stephen Frears directs. Oliver Stapleton behind the camera. Stanley Myers scores. Mick Audsley cuts. Runs lean at under 100 minutes. Produced in United Kingdom, Ireland. Dialogue in English.
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Awards
Individual records documented via Wikidata; the summary above may count more.
Part of
The Barrytown Trilogy is an Irish comedy-drama media franchise centered on the Rabbittes, a working-class family from Barrytown, Dublin. It began in 1988 when Beacon Pictures and 20th Century Fox bought the rights to the 1987 novel The Commitments by Roddy Doyle shortly after it was published. The book was successful, as was Alan Parker's 1991 film adaptation. The film received cult status and is regarded as one of the best Irish films ever made. In 1999, the British Film Institute ranked the film at number 38 on its list of the "100 best British films of the century", based on votes from 1,000 leading figures of the film industry. A sequel novel, The Snapper, was published in 1990, followed by a film adaptation in 1993. A third novel, The Van, was published and shortlisted for the 1991 Booker Prize, followed by a film adaptation in 1996.
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Community reviews
The Snpper is certainly a lively and boisterous movie. Nobody is the least bit shy about expressing their opinion loudly and often. I have watched a lot of British and Irish movies over the years, but because of the emotional delivery and spreed of their talking, I missed a lot of details in the dialogue. But also because of the emotions displayed, I always had an idea about the tenor of the conversations. I thought a few of the subplots could have been given more screen time, but then again, they were almost always talking about the titular baby-to-be so I guess that is fair. Plus, the person who wrote the novel adapted it to the screenplay, so hr must have imported what he thought was important. (Hopefully future mothers watching the movie wonβt come away thinking binge drinking during pregnancy is good for the baby and realize that yes, this is just a movie.) But The Snapper was entertaining and that is what counts.
Production companies

BBC Film
GB
Themes & keywords
Release history Β· US
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