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Released this year — you're seeing it while it's still in the cultural conversation.

Years have passed since his last adventure, but José Luis Torrente, the most politically incorrect former cop in Spain, still sees himself as a national hero.
“Some stories are better left unspoiled.”

Santiago Segura
José Luis Torrente

Gabino Diego
Cuco

Carlos Areces
Pelayo

Ramón Langa
Jacobo Carrascal

Francisco Nicolás
Franki

Willy Bárcenas
Santi

Cañita Brava
Antoñito

José María Rubio
Manolito
Credits
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Cinephile deep dive
Santiago Segura directs. Javier Salmones behind the camera. Roque Baños scores. Fran Amaro cuts. Produced in Spain. Dialogue in Spanish.
Trivia
Part of
This series of films centers on Torrente, a self-proclaimed private detective known for his arrogance, ignorance, and racism. Despite his flaws, Torrente often saves the day, typically with the help of a younger, more tech-savvy partner. The series starts with Torrente taking down a drug trafficking operation, followed by various cases often linked to political corruption. These films blend slapstick comedy with action, gaining a cult following due to Torrente's underdog status. The appeal lies in the mix of humor, action, and subtle societal critique, particularly of contemporary Spanish politics. Torrente’s incompetence and eventual success, despite his bigotry and idiocy, make for an endearing narrative. The series cleverly satirizes Spanish culture, balancing between absurd comedy and insightful commentary, establishing Torrente as a unique, morally ambiguous hero in the private detective genre.
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Community reviews
The danger of cynicism The existence of “Torrente for President” manifests itself as a symptom of creative exhaustion, confusing transgression with anachronism. In a political landscape like Spain's, where polarization is already a caricature in itself, Santiago Segura's character has lost its capacity as a paradigm of the critique, becoming instead a redundant and whitewashing echo. While the strength of the first Torrente lay in its ability to unsettle a society aspiring to European modernity, revealing the sediment of a Spain that refused to disappear, today, that antiquated Spain doesn't hide in dark alleys or seedy bars, but has become professionalized on social media, in the mainstream media, and, of course, within the very institutions of the State. Attempting to parody this lack of inhibition with crude jokes is exhausting and highly dangerous. Let's not forget that in Spain there are TV presenters who are also comedians, and who shamelessly claim that "you can't say anything anymore because of President Sánchez's dictatorship." And then, these same charlatans use their media power to censor, denounce, and silence other comedians or actors who dare to joke about the ultra-conservative underbelly of their professional environment. The plot of "Torrente for President" constantly stalls to make way for viral figures whose presence expires as quickly as a trending topic. The crude humor based on scatology, which previously served to underscore the protagonist's moral decay, now seems like a desperate attempt to pad out a script that lumps all politicians together. In a climate of international tension like the present, fiction should aspire to wit or subversive absurdity, and “Torrente for President” is, quite simply, a work that is already outdated, a relic of a cinema that believes that remaining vulgar is synonymous with bravery. And the truth is, if we follow Spanish political reality, we will see that this vulgarity has become pure pornography at the service of a citizenry anesthetized by Artificial Intelligence and the corresponding disinformation. The appearance of far-right media figures in mass-market products like this becomes a risky mechanism of ideological normalization, because when actors, politicians, or journalists known for spreading hate speech or disinformation appear in a light comedy, their image is “humanized,” and the context of the joke and satire acts as a varnish that softens the aggressive edge of their actual discourse.
Production companies

Bowfinger
ES

Atresmedia Cine
ES

Amiguetes Entertainment
ES
Themes & keywords
Release history · US
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