Excalibur

"Forged by a god. Foretold by a wizard. Found by a king."

1981 2h 21m EN

👍

7.0

SOLID

🍅

73%

FRESH

😬

METACRITIC

⭐

7.3

IMDB

★7.0TMDB · 1,207🍅73%Rotten Tomatoes●56Metacritic★7.3IMDB · 72,528

AdventureFantasy

Synopsis

Spoiler shield

Arthur fulfills his fate by bringing together the Knights of the Round Table at Camelot and unifying the country. However, this flawed monarch faces greater tests ahead in pursuit of love, the Holy Grail, and his nation's survival.

“Forged by a god. Foretold by a wizard. Found by a king.”

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Cast

Nigel Terry
King Arthur
Nicol Williamson
Merlin
Helen Mirren
Morgana
Nicholas Clay
Lancelot
Paul Geoffrey
Perceval
Cherie Lunghi
Guenevere
Robert Addie
Mordred
Gabriel Byrne
Uther

Credits

Behind the camera

Director: John Boorman
Writers: John Boorman, Rospo Pallenberg
Languages: English
Countries: United Kingdom, United States of America

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 8

MONEY

Did you know

Made its money back 3.2× over at the box office.

MoodPlayr · trivia#01

2 / 8

ERA

Did you know

45 years old — old enough to be someone's favourite childhood film.

MoodPlayr · trivia#02

3 / 8

WORLD

Did you know

International production across 2 countries: United Kingdom, United States of America.

MoodPlayr · trivia#03

4 / 8

DIRECTOR

Did you know

Directed by John Boorman, shot by Alex Thomson. Note their partnership — DPs and directors often return to each other across a career.

MoodPlayr · trivia#04

5 / 8

DIRECTOR

Did you know

Original score by Trevor Jones. Worth a dedicated listen after — most great films lose half their impact without the score.

MoodPlayr · trivia#05

6 / 8

DIRECTOR

Did you know

Editor John Merritt shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.

MoodPlayr · trivia#06

7 / 8

CAST

Did you know

Nigel Terry and Nicol Williamson and Helen Mirren carry the top of the cast.

MoodPlayr · trivia#07

8 / 8

ERA

Did you know

Marketing tagline: "Forged by a god. Foretold by a wizard. Found by a king.".

MoodPlayr · trivia#08

Cinephile deep dive

The take

John Boorman directs. Alex Thomson behind the camera. Trevor Jones scores. John Merritt cuts. Made its budget back several times over at the box office. Produced in United Kingdom, United States of America. Dialogue in English.

Trivia

Things worth knowing

1Made its money back 3.2× over at the box office.
245 years old — old enough to be someone's favourite childhood film.
3International production across 2 countries: United Kingdom, United States of America.
4Directed by John Boorman, shot by Alex Thomson. Note their partnership — DPs and directors often return to each other across a career.
5Original score by Trevor Jones. Worth a dedicated listen after — most great films lose half their impact without the score.
6Editor John Merritt shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
7Nigel Terry and Nicol Williamson and Helen Mirren carry the top of the cast.
8Marketing tagline: "Forged by a god. Foretold by a wizard. Found by a king.".
9IMDB entry: tt0082348 — still the authoritative cross-reference for credits and trivia.
10Classified under 22 themes, including "witch", "adultery", "holy grail", "love triangle".

The technical file

Cinematography: Alex Thomson
Original score: Trevor Jones
Editing: John Merritt
Production design: Anthony Pratt
Costume design: Bob Ringwood
Makeup / hair: Anna Dryhurst
Runtime: 141 min · 2h 21m
Aspect ratio (typical): 1.37:1 (Academy)
Status: Released
Budget: $11,000,000
Box office: $35,000,000
Return: 318% of budget
Original language: EN
Certification (US): R
IMDB: Excalibur (1981)
Rotten Tomatoes: 73% 🍅 Fresh
Metacritic: 56/100
IMDB rating: 7.3/10 · 72,528 votes
MPAA: PG

Awards

Nominated for 1 Oscar. 2 wins & 11 nominations total

Also by

John Boorman

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Selected frames

Full-resolution frames — open one to save it as a wallpaper.

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Trailers & featurettes

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Community reviews

What people are saying

Wuchak2018-11-25
★ 6/10
Eccentric depiction of the medieval myths surrounding King Arthur In the late 400s Merlin the sorcerer of Britain takes advantage of the lust of King Uther (Gabriel Byrne) for a Duke’s wife, Ingrayne (Katrine Boorman), to grant him a boy who becomes King Arthur of Camelot (Nigel Terry) when he pulls Excalibur from the stone, a magical sword. Arthur marries Guenevere (Cherie Lunghi), but when Lancelot (Nicholas Clay) joins the Knights of the Round Table the two experience a profound affinity for each other. Meanwhile, Arthur’s half-sister, Morgana (Helen Mirren) is intent on incestuous deception to produce a son, Mordred. The script to this acclaimed 1981 film by John Boorman was adapted from Sir Thomas Malory's “Le Morte d'Arthur” (“The Death of Arthur”), published in 1485. The Arthurian folklores are used as an allegory of the succession of birth, life, decline, and renewal. The resulting film is reminiscent of works of mythography and is therefore episodic in nature. For instance, the sequence where the concept of the Round Table is established comes and goes in an awkward way. Another example is at the 95-minute mark where the story switches to the Knights’ search for the Holy Grail, which focuses on a heretofore unknown knight. Needless to say, the story’s not consistently compelling because the movie’s too segmented. The middle part detailing the romance between Guenevere and Lancelot, and the ramifications thereof, is the best part as far as that goes. The first half hour is a little convoluted, story-wise, and I suggest using the subtitles to discern accented dialogue and to keep track of the odd names. The search for the Holy Grail in the last 45 minutes breaks the film’s momentum because it feels tacked on. Nevertheless, if you can roll with the hammy acting, the melodrama and the episodic framework, there are a lot of positives to enjoy. Some good examples include: the beautiful sylvan locations, the fairy tale-like castles & sets, the imaginative costumes (e.g. the armor), the lovely ladies and the lush colors. Also, the soundtrack/score, which greatly utilizes “O Fortuna” by Carl Orff and a few pieces by Richard Wagner, is notable. Meanwhile, watch out for a young Liam Neeson as the knight Gawain. The big flaw here is that the story lacks steady thrust. For that, check out the more reality-oriented “First Knight” (1995) and “King Arthur” (2004). The film runs 2 hours, 20 minutes and was shot entirely in Ireland. GRADE: B-/C+
ekaari2024-06-10
★ 9/10
A fun “retro dark fantasy” movie with applaudable historical accuracy, peak 80s visuals, with some campy moments. A gem of the 80s that holds up well today
CinemaSerf2026-06-18
★ 7/10
I think that of all the King Arthur films, this must be the most "authentic". That's largely down to the stylish cinematography and to Nicol Williamson's portrayal of the legendary sorcerer "Merlin". There aren't any whizzy visual effects or bodies morphing into dragons here; this is a much more cerebral chronology of the rise of a young boy (Nigel Terry) from the result of an illicit tryst between the king and the wife of his greatest foe to establishing the famed round table and uniting England to bring peace and prosperity for his beleaguered peoples. If you've read the Malory book, then you'll know the gist of the plot and about the pivotal characters who each get a moment in the sun during the rise and fall of this monarch. Lancelot (Nicholas Clay) perhaps isn't the best as the dashing and honourable Lancelot, but Helen Mirren's Morgana exudes a certain depraved megalomania; Cherie Lunghi delivers the fickle Guinevere competently and the surprise performance comes from Paul Geoffrey as his Sir Perceval embarks on a crucial mission to obtain the Holy Grail. It's Williamson who dominates proceedings, though, with a very less is more approach to his role using ancient enchantments and his sheer stage presence to suggest a character who isn't to be messed with. The combat scenes make good use of the surroundings (Irish, though, not English!) and I felt this as far removed a tale from "Knights of the Round Table" (1953) as you're likely to get. It's dark and moody; is rooted in more subtle fantasy and it takes it's time with an entertaining sinisterness to it that I felt worked well.