Koyaanisqatsi

"Life out of balance"

1983 1h 26m EN

🙌

7.9

BANGER

🔥

91%

CERTIFIED FRESH

👌

METACRITIC

⭐

8.2

IMDB

★7.9TMDB · 805🍅91%Rotten Tomatoes●72Metacritic★8.2IMDB · 44,387

DocumentaryMusic

Synopsis

Spoiler shield

Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.

“Life out of balance”

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Cast

Ed Asner
Self (archive footage)
Pat Benatar
Self
Johnny Carson
Self (archive footage)
Dick Cavett
Self (archive footage)
Marilyn Chambers
Self (archive footage)
Sammy Davis Jr.
Self (archive footage)
Lou Dobbs
Self (archive footage)
Linda Ellerbee
Self (archive footage)

Credits

Behind the camera

Director: Godfrey Reggio
Writers: Ron Fricke, Godfrey Reggio, Michael Hoenig
Languages: No Language
Countries: United States of America

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 8

RUNTIME

Did you know

86 minutes exactly — the "classic feature" runtime most directors aim for.

MoodPlayr · trivia#01

2 / 8

MONEY

Did you know

Shot for just $0.6M — micro-budget by Hollywood standards.

MoodPlayr · trivia#02

3 / 8

MONEY

Did you know

Made its money back 5.3× over at the box office.

MoodPlayr · trivia#03

4 / 8

ERA

Did you know

43 years old — old enough to be someone's favourite childhood film.

MoodPlayr · trivia#04

5 / 8

CINEMA

Did you know

Part of the "Qatsi Collection" — so the characters or world continue elsewhere.

MoodPlayr · trivia#05

6 / 8

DIRECTOR

Did you know

Directed by Godfrey Reggio, shot by Ron Fricke. Note their partnership — DPs and directors often return to each other across a career.

MoodPlayr · trivia#06

7 / 8

DIRECTOR

Did you know

Original score by Philip Glass. Worth a dedicated listen after — most great films lose half their impact without the score.

MoodPlayr · trivia#07

8 / 8

DIRECTOR

Did you know

Editor Ron Fricke shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.

MoodPlayr · trivia#08

Cinephile deep dive

The take

Godfrey Reggio directs. Ron Fricke behind the camera. Philip Glass scores. Ron Fricke cuts. Runs lean at under 100 minutes. Made its budget back several times over at the box office. Produced in United States of America. Dialogue in No Language.

Trivia

Things worth knowing

186 minutes exactly — the "classic feature" runtime most directors aim for.
2Shot for just $0.6M — micro-budget by Hollywood standards.
3Made its money back 5.3× over at the box office.
443 years old — old enough to be someone's favourite childhood film.
5Part of the "Qatsi Collection" — so the characters or world continue elsewhere.
6Directed by Godfrey Reggio, shot by Ron Fricke. Note their partnership — DPs and directors often return to each other across a career.
7Original score by Philip Glass. Worth a dedicated listen after — most great films lose half their impact without the score.
8Editor Ron Fricke shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
9Ed Asner and Pat Benatar and Johnny Carson carry the top of the cast.
10Marketing tagline: "Life out of balance".
11IMDB entry: tt0085809 — still the authoritative cross-reference for credits and trivia.
12Classified under 24 themes, including "human vs nature", "technology", "civilization", "social commentary".

The technical file

Cinematography: Ron Fricke
Original score: Philip Glass
Editing: Ron Fricke
Sound: Steve Maslow
Runtime: 86 min · 1h 26m
Status: Released
Budget: $600,000
Box office: $3,200,000
Return: 533% of budget
Original language: EN
Certification (US): NR
IMDB: Koyaanisqatsi (1983)
Rotten Tomatoes: 91% 🍅 Fresh
Metacritic: 72/100
IMDB rating: 8.2/10 · 44,387 votes
MPAA: Not Rated

Awards

6 wins & 1 nomination total

Part of

Qatsi Collection

A series of three films produced by Godfrey Reggio and scored by Philip Glass. The titles of all three films are words from the language of the Hopi people, in which the word "qatsi" means "life".

Also by

Godfrey Reggio

Trailers & featurettes

Watch the pieces

Community reviews

What people are saying

Peter McGinn2020-09-20
★ 5/10
This is an art film of sorts, eschewing dialogue or narration or a recognizable plot for a visual and musical banquet of images and scenes. So if you are into art films (or want to appear like you are), this is the film for you. The photographic techniques remind me of nature films, which may not be a coincidence since the subject matter seems to Focus on what is seen as being against nature. So it is all here: explosions and collapsing of buildings, a bridge, about five times, even what looked like a nuclear blast; then time lapse photography of city and highway traffic and masses of people walking; plus slow motion clips of masses of people walking; and shots of tenements and abandoned building and kids playing in water from fire hydrants — well, you get the idea. I like Philip Glass’s music, but there were times I didn’t think what they used quite fit what was being shown on the screen. But like he apparently told the producers more than once before they convinced him to take it on, movie scores weren’t his thing. So as the William Hurt character says in The Big Chill, just let the art flow over you. If nothing else, check out the dress and hair styles of folks in the wacky 1980s!
Filipe Manuel Neto2023-10-06
★ 1/10
For the general public, this film is uninteresting. However, it will have merits if displayed within the most correct context. I've heard of this film as a documentary, but I honestly don't know if Godfrey Reggio really wanted to document anything. This was the director's debut, and for a first work we can say that there is quality, even though it is a somewhat strange film because it has nothing more than a soundtrack and successive images, which do not seem to have a relationship with each other. If this is an experimental film, I also can't understand what this director really wanted to experiment with. Making a film without a script and without a story? Honestly, this film looks a lot like those successive images that are sometimes shown in waiting rooms, for whoever is sitting there. And what about the film's title? I honestly thought it was some Croatian or Balkan film before I read something about the film and ventured out to see it. Only then did I discover that it was a term from the Hopi language, and that it means living in an unbalanced way. Without a defined script, without any actor, without a spoken word (the title is sung in a threatening Gregorian tone at the beginning and at the end, but I consider this part of the soundtrack pure and simple), we just see all the images and the sound of the music. In short, the film seems like a mute critique of the modern way of life, in contrast to what was lived in the past, before industrialization. It's what I think. And a good movie? It will be good as an introduction to the environmental debate, as a reflection film. For the general public who are not interested in debating these issues, it is not worth it.
CinemaSerf2025-02-06
★ 7/10
In the Hopi language, this means a mess or a melée and that’s a pretty good description of this ultimate in observational documentaries. It starts and finishes showing us some of the most stunning and striking natural phenomena from the North American continent before gradually dipping its toe into the world of human endeavour. From some of the most impressive features nature created over millennia to some almost as remarkable creations mankind has erected in a tiny percentage of that time. Whilst not on the scale of the Grand Canyon, there are some human feats that are worth acclaiming here as Philip Glass’s score takes us on this tour. Now I didn’t always love that musical commentary. At times it borders on the soporific, but for the most part it goes hand in hand with some cleverly edited imagery depicting how we can be complementary to our planet and how we can be downright hostile to it. A great deal of creative care has gone into the chronology and the photography here as light, shadow, clouds, glass and some effective time-lapse cinematography shows an evolution of the natural, the industrial and the destructive. You do have to wonder if we’d only take greater care of what we have created and live in a less disposable society, then so much of what we see here that is excessive could be eradicated and our place within the environment of the planet less devastating. It’s a surprisingly effortless watch for ninety minutes and maybe if more saw it, it’s powerful message of striving for greater compatibility might have more impact. I’m not sure the title actually helps on that front. I’ve no idea how to pronounce it, let alone tell folks to watch it - but if you’re reading this and you enjoy big scale drama, then this is hard to beat.