
Did you know
Shot for just $3.1M — micro-budget by Hollywood standards.

"Her life is no fairy tale."
Following the arrest of her mother, Ramona, young Vanessa Lutz decides to go in search of her estranged grandmother. On the way, she is given a ride by school counselor Bob Wolverton. During the journey, Lutz begins to realize that Bob is the notorious I-5 Killer and manages to escape by shooting him several times. Wounded but still very much alive, Bob pursues Lutz across the state in this modern retelling of Little Red Riding Hood.
“Her life is no fairy tale.”

Kiefer Sutherland
Bob Wolverton

Reese Witherspoon
Vanessa Lutz

Wolfgang Bodison
Detective Breer

Dan Hedaya
Detective Wallace

Amanda Plummer
Ramona Lutz

Brooke Shields
Mrs. Wolverton

Michael T. Weiss
Larry

Bokeem Woodbine
Chopper
Credits
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Matthew Bright directs. John Thomas behind the camera. Danny Elfman scores. Maysie Hoy cuts. A commercial under-performer on release. Produced in United States of America, France. Dialogue in English.
Trivia
Part of
Freeway is a 1996 American dark comedy crime film written and directed by Matthew Bright and starring Kiefer Sutherland, Reese Witherspoon and Brooke Shields. This was followed by a sequel in 1996 entitled Freeway II: Confessions of a Trickbaby. The sequel stars Natasha Lyonne as Crystal "White Girl" Van Meter and María Celedonio as Angela "Cyclona" Garcia. While the first film was partly inspired by "Little Red Riding Hood," the second film is somewhat based on "Hansel and Gretel."
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Community reviews
Vulgar, violent, darkly satirical updating of Lil’ Red Riding Hood I’ve seen two of writer/director Matthew Bright’s movies before seeing this: The enlightening and moving “Dark Angel: The Ascent” from two years earlier and the well-done “Ted Bundy” from six years later. (He wrote the former and wrote/directed the latter). With “Freeway” he had way more money in which to work and it could’ve been his ticket to a bigtime filmmaker, yet it bombed at the box office. However, critics tended to laud it (Siskel & Ebert, for instance, gave it a ‘thumbs up’); and it went on to develop a cult following. It’s a crime thriller meshed with hard-edged dark comedy. Despite the title, it’s not a road movie and the second half becomes a women-in-prison flick for the most part. If you can roll with its wild audaciousness and sexually explicit verbiage, it can be fun and amusing, but I was disappointed after seeing Bright’s aforementioned “Dark Angel,” which had nine-times LESS the budget. “Freeway” is technically proficient and the actors do a fine job; it just wallows in foulness to the point of being an unpleasant experience. I’m sure Mark Bright was aiming for a Tarantino film, but he forgot to include meaty themes, as well as interesting characters and dialogues. Don’t get me wrong, there are some interesting bits here and there, they’re just overshadowed by an unrelenting spirit of filth. Reese Witherspoon was 20 years-old during shooting while Kiefer Sutherland was 29. For a similar film involving the latter that’s superior, check out “Desert Saints.” It runs 1h 44m and was shot in the heart of summer 1995 in Los Angeles, as well as just north of there in Sylmar (Vanessa’s house) and Castaic (the interrogation). GRADE: D+
Production companies

The Kushner-Locke Company
US
August Entertainment
US

Davis Films
FR
Illusion Entertainment Group
US

Muse Productions
US
Brad Wyman Productions
US
Themes & keywords
Release history · US
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