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Grossed $108M — a 13.6× return. The kind of profit studios chase for a decade.

"Come to laugh, come to cry, come to care, come to terms."
Aurora, a finicky woman, is in search of true love while her daughter faces marital issues. Together, they help each other deal with problems and find reasons to live a joyful life.
“Come to laugh, come to cry, come to care, come to terms.”
Where to watch · US

Shirley MacLaine
Aurora Greenway

Debra Winger
Emma Greenway Horton

Jack Nicholson
Garrett Breedlove

Danny DeVito
Vernon Dahlart

Jeff Daniels
Flap Horton

John Lithgow
Sam Burns

Lisa Hart Carroll
Patsy Clark
Betty King
Rosie Dunlop
Credits
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James L. Brooks directs. Andrzej Bartkowiak behind the camera. Michael Gore scores. Richard Marks cuts. Made its budget back several times over at the box office. Produced in United States of America. Dialogue in English.
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Awards
Individual records documented via Wikidata; the summary above may count more.
Part of
Terms of Endearment is a 1983 American family comedy-drama film directed, written, and produced by James L. Brooks, adapted from Larry McMurtry's 1975 novel of the same name. It stars Debra Winger, Shirley MacLaine, Jack Nicholson, Danny DeVito, Jeff Daniels, and John Lithgow. The film covers 30 years of the relationship between Aurora Greenway (MacLaine) and her daughter Emma (Winger). Terms of Endearment received critical acclaim and was a major commercial success, grossing $164.2 million worldwide, becoming the 2nd highest grossing film of 1983 worldwide. The film received a leading eleven nominations at the 56th Academy Awards, and won five (more than any other film nominated that year): Best Picture, Best Director, Best Actress (for MacLaine), Best Adapted Screenplay, and Best Supporting Actor (for Nicholson). A sequel to the film, The Evening Star (1996), in which MacLaine and Nicholson reprised their roles, was a critical and commercial failure.
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I hated the story, let's get that out of the way first. This film is about character acting at it's best, though, and Shirley MacLaine ("Aurora") and Jack Nicholson ("Garrett") bring us charisma and entertainment in spades which thankfully rescues the really pedestrian plot from abject mediocrity. Since her birth, "Aurora" has fussed over her daughter "Emma" (Debra Winger) and upon the death of her husband, settles down to a rather vicarious existence living life through her daughter, her husband "Flap" (Jeff Daniels) and their children. She is a strong willed woman, with love that can be gentle and kindly, or that can be rude and interfering with much of the frequently sardonic humour emanating from her disinclination to let them live their own lives. Next door we find "Garrett", a somewhat disreputable womaniser. A former astronaut who trades well on his erstwhile status, but who takes a bit of a shine to "Aurora" - and that's another source of lively comedy as the two clash with engaging regularity. The last hour descends rather quickly into melancholy, though, as the young "Emma" has to deal with her own problem husband, and an illness that starts to focus the attention from all concerned onto what really matters with their relationships. MacLaine is always good with these rough-round-the-edges roles and here there is plenty of chemistry on the sparing occasions in which she and Nicholson feature. Sadly, for me anyway, the rest of this hovers way too close to melodrama and though at its best it is really good, for the most part I was rather underwhelmed by the family antics that underpinned so much of the (over-long) story.
Production companies

Paramount Pictures
US
Themes & keywords
Release history · US
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