Dog Day Afternoon

"Anything can happen during the dog days of summer. On August 22nd, 1972, everything did."

1975 2h 4m EN

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7.9

BANGER

★7.9TMDB · 3,531

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Synopsis

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Based on the true story of would-be Brooklyn bank robbers John Wojtowicz and Salvatore Naturile. Sonny and Sal attempt a bank heist which quickly turns sour and escalates into a hostage situation and stand-off with the police. As Sonny's motives for the robbery are slowly revealed and things become more complicated, the heist turns into a media circus.

“Anything can happen during the dog days of summer. On August 22nd, 1972, everything did.”

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Cast

Al Pacino
Sonny
John Cazale
Sal
Charles Durning
Moretti
Chris Sarandon
Leon
James Broderick
Sheldon
Penelope Allen
Sylvia
Sully Boyar
Mulvaney
Beulah Garrick
Margaret

Credits

Behind the camera

Director: Sidney Lumet
Writers: Frank Pierson
Languages: English
Countries: United States of America

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 8

MONEY

Did you know

Shot for just $1.8M — micro-budget by Hollywood standards.

MoodPlayr · trivia#01

2 / 8

MONEY

Did you know

Grossed $57M — a 31.5× return. The kind of profit studios chase for a decade.

MoodPlayr · trivia#02

3 / 8

ERA

Did you know

51 years old — a genuine piece of film history.

MoodPlayr · trivia#03

4 / 8

DIRECTOR

Did you know

Directed by Sidney Lumet, shot by Victor J. Kemper. Note their partnership — DPs and directors often return to each other across a career.

MoodPlayr · trivia#04

5 / 8

DIRECTOR

Did you know

Editor Dede Allen shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.

MoodPlayr · trivia#05

6 / 8

CAST

Did you know

Al Pacino and John Cazale and Charles Durning carry the top of the cast.

MoodPlayr · trivia#06

7 / 8

FACT

Did you know

Marketing tagline: "Anything can happen during the dog days of summer. On August 22nd, 1972, everything did.".

MoodPlayr · trivia#07

8 / 8

WILD

Did you know

IMDB entry: tt0072890 — still the authoritative cross-reference for credits and trivia.

MoodPlayr · trivia#08

Cinephile deep dive

The take

Sidney Lumet directs. Victor J. Kemper behind the camera. Dede Allen cuts. Made its budget back several times over at the box office. Produced in United States of America. Dialogue in English.

Trivia

Things worth knowing

1Shot for just $1.8M — micro-budget by Hollywood standards.
2Grossed $57M — a 31.5× return. The kind of profit studios chase for a decade.
351 years old — a genuine piece of film history.
4Directed by Sidney Lumet, shot by Victor J. Kemper. Note their partnership — DPs and directors often return to each other across a career.
5Editor Dede Allen shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
6Al Pacino and John Cazale and Charles Durning carry the top of the cast.
7Marketing tagline: "Anything can happen during the dog days of summer. On August 22nd, 1972, everything did.".
8IMDB entry: tt0072890 — still the authoritative cross-reference for credits and trivia.
9Classified under 20 themes, including "new york city", "airport", "police", "hostage".
10Released under 18 different titles around the world.

The technical file

Cinematography: Victor J. Kemper
Editing: Dede Allen
Production design: Charles Bailey
Costume design: Anna Hill Johnstone
Makeup / hair: Philip Leto
Runtime: 124 min · 2h 4m
Aspect ratio (typical): 1.37:1 (Academy)
Status: Released
Budget: $1,800,000
Box office: $56,665,856
Return: 3148% of budget
Original language: EN
Certification (US): R
IMDB: Dog Day Afternoon (1975)

Awards

National Board of Review: Top Ten Films
Academy Award for Best Writing, Original Screenplay

Individual records documented via Wikidata; the summary above may count more.

Also by

Sidney Lumet

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Community reviews

What people are saying

talisencrw2016-08-23
★ 10/10
Recently I have gotten on kicks for both watching and appreciating the works of director Sidney Lumet and the classic (i.e., 70's) performances of Al Pacino. Thus I came across this film, which I had on DVD forever. It'll interesting to watch the recent documentary on the character Pacino portrays, 'The Dog'--just found out about it earlier today. I loved Lumet's films he made before this that I've seen--'12 Angry Men', 'The Fugitive Kind', 'The Hill', 'The Anderson Tapes' and 'Murder on the Orient Express'--and he's superb at getting the gradual self-destruction of his characters that just seethes through the screen. At this point, Pacino could do no wrong in his work--he had that firm grasp on his immense talent and just what he needed from it to do remarkable work, some of the finest characterizations in contemporary cinema. Do both he and yourself a favour and don't bother with anything he's made since 'Heat'.
Filipe Manuel Neto2024-04-14
★ 7/10
A good film, but not as memorable as some people say. Director Sidney Lumet created this film based on a true incident that is still the subject of study by police cadets today: a homosexual who decides to rob a bank to pay for his partner's sex change, but who takes the manager and the employees as hostages when things get complicated, and desperately tries not to be killed or arrested by the policemen, who surround the place and try to control a maddened crowd, who are not sympathetic to the authorities. The film was made and released in 1975, and it could not be more appropriate to the time in which it was made: the great decade of civil disobedience, of challenge to authorities and the affirmation of the gay movement. I confess that I'm not quite aware of the real incident behind the script. For that reason, I prefer to focus on this very well done dramatization. In addition to the design of sets and costumes, and an intelligent choice of the filming location, the cinematography is very well executed, and the film has very good visual qualities. The pleasant pace is reasonably fast at first, but slows down midway through, perhaps emulating the back and forth of negotiations between the authorities and the clumsy robbers. And if history is a mirror of its time, the same can be said of the dialogues, where swear words are used with a liberality previously unthinkable. Although many consider this film a must-see, I honestly disagree. It's a must-see for fans of Al Pacino or Lumet, it will certainly be a good suggestion for a 70s film cycle, but that's basically it. It's a pretty good film, but it can hardly be classified as memorable. Al Pacino is a great actor and is experiencing a particularly happy moment in his career when he makes this film, but I have to recognize that he made several better films, before and after. Just think of “Godfather 3”, “Scent of a Woman” or “Devil’s Advocate”, to name a few. John Cazale is good in a more understated role, and Charles Durning and Chris Sarandon both deserve praise for a job well done.