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Of Mice and Men poster

Of Mice and Men

"We have a dream. Someday, we'll have a little house and a couple of acres. A place to call home."

1992 1h 51m EN
👍
7.2
SOLID
🔥
97%
CERTIFIED FRESH
👌
73
METACRITIC
⭐
7.4
IMDB
★7.2TMDB · 744🍅97%Rotten Tomatoes●73Metacritic★7.4IMDB · 49,550
Drama
Synopsis
Spoiler shield

Two drifters, one a gentle but slow giant, try to make money working the fields during the Depression so they can fulfill their dreams.

“We have a dream. Someday, we'll have a little house and a couple of acres. A place to call home.”

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Cast

Credits

Behind the camera

Director
Gary Sinise
Writers
Horton Foote
Languages
English
Countries
United States of America

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 7
ERA

Did you know

34 years old — old enough to be someone's favourite childhood film.

MoodPlayr · trivia#01
2 / 7
DIRECTOR

Did you know

Directed by Gary Sinise, shot by Kenneth MacMillan. Note their partnership — DPs and directors often return to each other across a career.

MoodPlayr · trivia#02
3 / 7
DIRECTOR

Did you know

Original score by Mark Isham. Worth a dedicated listen after — most great films lose half their impact without the score.

MoodPlayr · trivia#03
4 / 7
DIRECTOR

Did you know

Editor Robert L. Sinise shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.

MoodPlayr · trivia#04
5 / 7
CAST

Did you know

John Malkovich and Gary Sinise and Ray Walston carry the top of the cast.

MoodPlayr · trivia#05
6 / 7
FACT

Did you know

Marketing tagline: "We have a dream. Someday, we'll have a little house and a couple of acres. A place to call home.".

MoodPlayr · trivia#06
7 / 7
WILD

Did you know

IMDB entry: tt0105046 — still the authoritative cross-reference for credits and trivia.

MoodPlayr · trivia#07

Cinephile deep dive

The take

Gary Sinise directs. Kenneth MacMillan behind the camera. Mark Isham scores. Robert L. Sinise cuts. Produced in United States of America. Dialogue in English.

Trivia

Things worth knowing

  • 134 years old — old enough to be someone's favourite childhood film.
  • 2Directed by Gary Sinise, shot by Kenneth MacMillan. Note their partnership — DPs and directors often return to each other across a career.
  • 3Original score by Mark Isham. Worth a dedicated listen after — most great films lose half their impact without the score.
  • 4Editor Robert L. Sinise shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
  • 5John Malkovich and Gary Sinise and Ray Walston carry the top of the cast.
  • 6Marketing tagline: "We have a dream. Someday, we'll have a little house and a couple of acres. A place to call home.".
  • 7IMDB entry: tt0105046 — still the authoritative cross-reference for credits and trivia.

The technical file

Cinematography
Kenneth MacMillan
Original score
Mark Isham
Editing
Robert L. Sinise
Makeup / hair
Bonita DeHaven
Stunt coordinator
Charles Croughwell
Runtime
111 min · 1h 51m
Aspect ratio (typical)
1.37:1 (Academy)
Status
Released
Box office
$5,500,000
Original language
EN
Certification (US)
PG-13
Rotten Tomatoes
97% 🍅 Fresh
Metacritic
73/100
IMDB rating
7.4/10 · 49,550 votes
MPAA
PG-13

Awards

1 nomination total

Also by

Gary Sinise

Stills · wallpapers

Selected frames

Full-resolution frames — open one to save it as a wallpaper.

Trailers & featurettes

Watch the pieces

Community reviews

What people are saying

  • Wuchak
    ★ 8/10

    Steinbeck's classic book comes to life with Gary Sinise and John Malkovich Based on the classic John Steinbeck novel and released in 1992, the story focuses on two traveling companions desperate for work in rural California during the Depression: George (Gary Sinise) is of average stature and smart whereas Lennie (John Malkovich) is big and mentally challenged. They get a gig at a big ranch while dreaming of owning their own one day when the opportunity suddenly presents itself. Unfortunately, the arrogant son of the owner, Curley (Casey Siemaszko), and his flirtatious wife (Sherilyn Fenn) complicate matters. John Terry is on hand as Slim, Ray Walston plays Candy and Joe Morton plays Crooks. I've been a fan of this potent Western drama/tragedy ever since I read the book as a teenager and both this version and the 1939 version are worthy film adaptions (I have yet to see the 1981 TV production with Robert Blake and Randy Quaid, which I've heard is good). It seems that you just cannot do a 'bad' "Of Mice and Men," as long as you have decent actors and filmmakers. Some people scoff at the moral of the story, as if it all comes down to shooting your aged, useless dog yourself, but it's way more than this. It's a commentary on the nature of companionship and loneliness: Whereas George and Lennie compliment each other many of the other characters languish in isolation, like Candy, Curley's wife and Crooks, even Slim. Questions of strength, weakness, usefulness, reality and utopia are explored as the story leaves you scratching your head. Comparing the two versions, I slightly prefer the newer rendition because it's in color and is just overall better made with a superior score and cast with the exception of Lon Chaney as Lennie. Malkovich is very effective in the more recent version, but Chaney's Lennie is just more likable. While I don't like the addition of cussing in the 1992 rendition, it's probably more realistic and it isn't so bad that it makes the movie unwatchable (for me anyway). In any case, Sherilyn Fenn is a vast improvement over the original's Betty Field, who's annoying and not desirable enough to pull off the part (but, then again, she might be desirable to male ranch hands with no other females within a dozen miles). The film runs 115 minutes and was shot in California. GRADE: A- EXTRA COMMENTARY SPOILER ALERT (Don't read further unless you know the story) Curley's wife has only ever been valued for her sexuality, which she has learned to use to attract attention. Not only is she the only female character, she's also the only character not to be given a name in the book and the 1992 version, which emphasizes that she's a sexual plaything, currently owned by Curley. She was repressed by her mother and taken advantage of by men who made her empty promises. She prefers to believe that her mother stole her letters from the "Hollywood" man who used her, instead of accepting reality. She is married to a boor who places little value on her and so she seeks the only attention she can get from the men on the ranch as the only woman there: sexual attention. The contact with Lennie in the barn is as far as sexual as it gets. When she says "It feels good" to have her hair stroked, she isn't speaking sexually. She is enjoying the only nonsexual attention and affectionate touch she has had in a very long time, if ever. It is almost a meeting of children between this woman who long ago lost her sexual innocence but remains hopelessly naïve, and Lennie, who also longs for soft things in his life. It is a beautiful, tragic scene. Someone argued that Curley's wife wanted to get Lennie on her side so that he would kill Curley and she would be free to leave. If Lennie killed him, no one would believe him if he ever said that she told him to do it; and since she didn't do the deed herself, she could easily leave and start her life over, hopefully as a movie star. While an interesting theory, the young woman doesn't come across this devious or cunning in the story where her actions are more natural and naïve. Similar to Lennie, she was a child in an adult body, albeit not mentally challenged. She was starving for companionship, but none of the other men would hang out with her due to Curley and the threat of losing their job. Lennie was alone in the barn and so she just took advantage of the occasion to converse with someone. Add to this the fact that Lennie was the only man on the ranch to humble (conquer) her arrogant SOB husband, whom she hated. Plus, she noticed earlier how Lennie appraised her with obvious awe. So there was a subconscious attraction and she wanted the gentle giant to touch her, stroke her hair; perhaps to "reward" him.

Production companies

Who made it

  • Metro-Goldwyn-Mayer

    Metro-Goldwyn-Mayer

    US

  • RU

    Russ Smith/Gary Sinise Productions

Key crew

  • NovelJohn Steinbeck
  • ProducerGary Sinise
  • ProducerRussell Smith
  • Executive ProducerAlan C. Blomquist
  • EditorRobert L. Sinise
  • Unit Production ManagerAlan C. Blomquist
  • First Assistant DirectorCara Giallanza
  • Second Assistant DirectorMichele Panelli-Venetis
  • Art DirectionDan Davis
  • Set DecorationKaren Schulz Gropman
  • Set DecorationJoyce Anne Gilstrap
  • Makeup ArtistBonita DeHaven
  • Key Hair StylistFríða Aradóttir
  • Assistant Makeup ArtistAnn Pala
  • Assistant HairstylistPeggy Hannaman
  • Supervising Sound EditorJohn Phillips
  • Supervising Sound EditorBill Phillips
  • Special EffectsHoward Jensen
  • Stunt CoordinatorCharles Croughwell
  • StuntsKerrie Cullen

Themes & keywords

What it's about, really

  • farm
  • worker
  • dreams
  • country life
  • farm worker
  • great depression
  • error

Release history · US

When it landed

  • Theatrical1992-10-02PG-13

Also known as

International titles

  • Siçanlar və İnsanlarAZ

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