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The Full Monty poster

The Full Monty

"The year's most revealing comedy."

1997 1h 31m EN
πŸ‘
7.0
SOLID
β˜…7.0TMDB Β· 1,862
Comedy
Synopsis
Spoiler shield

Sheffield, England. Gaz, a jobless steelworker in need of quick cash persuades his mates to bare it all in a one-night-only strip show.

β€œThe year's most revealing comedy.”

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Cast

Credits

Behind the camera

Director
Peter Cattaneo
Writers
Simon Beaufoy
Languages
English
Countries
United Kingdom

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 8
MONEY

Did you know

Shot for just $3.5M β€” micro-budget by Hollywood standards.

MoodPlayr Β· trivia#01
2 / 8
MONEY

Did you know

Grossed $258M β€” a 73.7Γ— return. The kind of profit studios chase for a decade.

MoodPlayr Β· trivia#02
3 / 8
ERA

Did you know

29 years old β€” old enough to be someone's favourite childhood film.

MoodPlayr Β· trivia#03
4 / 8
DIRECTOR

Did you know

Directed by Peter Cattaneo, shot by John de Borman. Note their partnership β€” DPs and directors often return to each other across a career.

MoodPlayr Β· trivia#04
5 / 8
DIRECTOR

Did you know

Original score by Anne Dudley. Worth a dedicated listen after β€” most great films lose half their impact without the score.

MoodPlayr Β· trivia#05
6 / 8
DIRECTOR

Did you know

Editor David Freeman shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.

MoodPlayr Β· trivia#06
7 / 8
CAST

Did you know

Robert Carlyle and Mark Addy and Wim Snape carry the top of the cast.

MoodPlayr Β· trivia#07
8 / 8
ERA

Did you know

Marketing tagline: "The year's most revealing comedy.".

MoodPlayr Β· trivia#08

Cinephile deep dive

The take

Peter Cattaneo directs. John de Borman behind the camera. Anne Dudley scores. David Freeman cuts. Runs lean at under 100 minutes. Made its budget back several times over at the box office. Produced in United Kingdom. Dialogue in English.

Trivia

Things worth knowing

  • 1Shot for just $3.5M β€” micro-budget by Hollywood standards.
  • 2Grossed $258M β€” a 73.7Γ— return. The kind of profit studios chase for a decade.
  • 329 years old β€” old enough to be someone's favourite childhood film.
  • 4Directed by Peter Cattaneo, shot by John de Borman. Note their partnership β€” DPs and directors often return to each other across a career.
  • 5Original score by Anne Dudley. Worth a dedicated listen after β€” most great films lose half their impact without the score.
  • 6Editor David Freeman shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
  • 7Robert Carlyle and Mark Addy and Wim Snape carry the top of the cast.
  • 8Marketing tagline: "The year's most revealing comedy.".
  • 9IMDB entry: tt0119164 β€” still the authoritative cross-reference for credits and trivia.
  • 10Classified under 17 themes, including "northern england", "police", "suicide attempt", "job interview".

The technical file

Cinematography
John de Borman
Original score
Anne Dudley
Editing
David Freeman
Production design
Max Gottlieb
Costume design
Jill Taylor
Makeup / hair
Christine Blundell
Runtime
91 min Β· 1h 31m
Aspect ratio (typical)
1.37:1 (Academy)
Status
Released
Budget
$3,500,000
Box office
$257,850,122
Return
7367% of budget
Original language
EN
Certification (US)
R

Awards

  • National Board of Review: Top Ten Films
  • European Film Award for Best Film
  • European Film Award – People's Choice Award for Best European Film
  • Academy Award for Best Original Musical or Comedy Score

Individual records documented via Wikidata; the summary above may count more.

Also by

Peter Cattaneo

Stills Β· wallpapers

Selected frames

Full-resolution frames β€” open one to save it as a wallpaper.

Trailers & featurettes

Watch the pieces

Community reviews

What people are saying

  • John Chard
    β˜… 8/10

    Nobody said anything to me about The Full Monty! When male strip show act The Chippendales come to Sheffield and the local women pay in their droves to see the show, Gaz and the rest of his unemployed pals pick up on an idea to make some cash. They will do a one off show where they themselves will strip on the stage, with the difference being that this lot will go for the "Full Monty" - totally naked dancing! The Full Monty is a very winning comedy, it's preposterous in premise of course, but in amongst the frivolity and outright daftness, lies a very clever and functional tale of personal relationships. In spite of what some American reviewers have said over the years, the picture is awash with very funny gags, it's just perhaps that the untrained none British eye isn't seeing the jokes? For instance, during the famous dole queue dancing sequence, have a look at the guy standing behind Tom Wilkinson, who after witnessing Wilkinson do his Fred Astaire act, merely puffs out his cheeks and carries on waiting his turn! It's little touches like that that say so much about the divide between British and American comedy. As I alluded to earlier, The Full Monty isn't just a comedy about unsightly men doing a strip tease. We have a group of men who each strive for something in their lives, be it the strain of home life or sexual identity, these guys are given sensitive emotional themes from which to regain some dignity. If there is a criticism here, then it would have been nice to give the female characters a bit more flesh on their bones, but ultimately this really is about the boys after all. Backed up by a foot tapping soundtrack and boasting excellent performances from the cast, The Full Monty is a hugely enjoyable picture that rewards on repeat viewings. So just keep your eyes peeled for sight gags you just may have missed the last time you viewed it. 8/10

  • CinemaSerf
    β˜… 7/10

    Robert Carlyle ("Gaz") and Mark Addy ("Dave") are great in this role reversal comedy set amidst Margaret Thatcher's "recalibration" of Britain's manufacturing industries and communities. Sheffield is bearing the brunt of these changes, and unemployment is rife - with little hope of any of the former steel workers escaping their new found poverty. Even the foreman "Gerald" (Tom Wilkinson) is struggling to feed his voracious population of gnomes (and his extravagant wife). Walking past their local working men's club one day, they notice that a famous troupe of male strippers are selling it out, and so they decide that there's no reason why they can't do it too! Helped by his rather sceptical young son "Nathan" (Wim Snape) the dancer recruitment process amusingly starts the ball rolling in this darkly humorous story of aspiration and sheer bloody-mindedness that takes quite a fun swipe at gender roles and stereotypes. Trying to keep their plans under wraps, they clandestinely develop and rehearse their routine with plenty of Hot Chocolate and Donna Summer to get the hips swaying and the toes tapping. It's well paced and pithily written - even if some of the language wouldn't pass any political correctness tests twenty-five years later. The characterisations are largely left to develop the story without too much familial clutter and the diverse nature of the characters offers us an enjoyable and optimistic look at what the human spirit can do when it's challenged. It packs loads into ninety minutes and it's nice to see a British film that doesn't rely on national treasures or stately homes.

  • Filipe Manuel Neto
    β˜… 7/10

    An excellent comedy, with intelligent and creative humor. This is an interesting comedy that shows that British cinema sometimes surprises with small gems of quality. I don't know exactly how the film was received in its country of origin (it was a time when the British were in shock due to the death of Diana Spencer, ex-wife of the current King Charles III), but, in my country, the film received little attention due to the film β€œTitanic”, a box office phenomenon. Still, as far as I know, the film was profitable overall, and was well reviewed by critics. At the 1998 Oscars, it was nominated for four awards, but only won Best Soundtrack for a Comedy or Musical, a category that only existed for a few years. The story takes place in Sheffield, a British city famous for its steel industry, but which was greatly affected by the economic recession and the closure of many factories, similar to what happened in Detroit with the automobile industry and in Matosinhos, in my country, with canning factories. To try to earn money, six men join forces to become a group of male strippers. They have to overcome their own prejudices and then public ridicule, when everything becomes known. The film has lots of moments of intelligent, well-constructed humor, and the dialogue is quality. Contrary to what some professional critics said at the time, I thought the use of slang and specifically British words was good, as it added authenticity to the dialogue. There are also some touching moments of understanding and mutual help. The film was very well directed by Peter Cattaneo, and was edited effectively, with a sense of rhythm that allows the film to be engaging and entertaining without wasting time or dispersing into subplots that would lead to nothing. On a technical level, the film has a good set of sets and the filming locations were very well selected, but what deserves the most attention, in my opinion, is the soundtrack, which is virtually a beautiful collection of memorable hits from the 70s. and 80s, including β€œYou Sexy Thing”, β€œYou Can Leave Your Hat On” and other well-known songs. This luxurious soundtrack was one of the aspects that I most enjoyed about the film. Another strong point of the film is the general performance of the cast led by Robert Carlyle, a creative protagonist who gives us an inspired and spirited performance. Alongside him, we also have some great British actors such as Tom Wilkinson (in one of the best comic efforts of his career), Hugo Speer and Mark Addy. Each of them is truly good at what they do and have been given very competent material to work with.

Production companies

Who made it

  • RE

    Redwave Films

    GB

  • Channel Four Films

    Channel Four Films

    GB

Key crew

  • EditorDavid Freeman
  • ProducerUberto Pasolini
  • EditorNick Moore
  • Co-ProducerPaul Bucknor
  • Co-ProducerPolly Leys
  • Art DirectionChris Roope
  • CastingSusie Figgis
  • Associate ProducerLesley Stewart
  • Production DesignMax Gottlieb
  • SoundIan Wilson
  • SoundAdrian Rhodes
  • Costume DesignJill Taylor
  • Makeup ArtistChristine Blundell
  • HairstylistChristine Blundell
  • Foley ArtistJack Stew

Themes & keywords

What it's about, really

  • northern england
  • police
  • suicide attempt
  • job interview
  • son
  • striptease
  • father
  • yorkshire
  • obesity
  • unemployment
  • burlesque
  • steel worker
  • repossession
  • male stripper
  • gay theme
  • inspirational
  • admiring

Release history Β· US

When it landed

  • Theatrical1997-08-13R

Also known as

International titles

  • Le grand jeuFR
  • I blanke messingenNO
  • The Full Monty - Le Grand JeuFR
  • Todo o nadaAR

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