
Did you know
84 minutes exactly β the "classic feature" runtime most directors aim for.

A resourceful 12-year-old, who secretly lives alone in her flat in a working-class suburb of London, makes money stealing bikes with her best friend Ali and keeps the social workers off her back by pretending to live with an uncle. But when her estranged father turns up out of the blue, she's forced to confront reality.
βSome stories are better left unspoiled.β

Lola Campbell
Georgie

Harris Dickinson
Jason

Alin Uzun
Ali

Laura Aikman
Kaye

Ambreen Razia
Zeph

Asheq Akhtar
Youseff

Olivia Brady
Vicky

Sam Buchanan
Henry
Credits
Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.
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Cinephile deep dive
Charlotte Regan directs. Molly Manning Walker behind the camera. Patrick Jonsson scores. Matteo Bini cuts. Runs lean at under 100 minutes. Produced in United Kingdom. Dialogue in English.
Trivia
Awards
Individual records documented via Wikidata; the summary above may count more.
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Trailers & featurettes
Community reviews
"Georgie" (Lola Campbell) ingeniously manages to hoodwink social services following the death of her mother, and so lives on her own and makes a living running an unique cycle recycling programme with her friend "Ali" (Ali Uzun) that keeps them in ready cash. One afternoon, a guy leaps the back fence and introduces himself as her absentee father "Jason" (Harris Dickinson). She wants nothing to do with him, but he's no quitter and over the next hour or so we see the pair gradually realise what they have been missing in the years they spent apart. There isn't really much jeopardy here but what there is, is chemistry, The young Campbell is hugely charismatic and her mischievous but decent characterisation of a latter day urchin is really quite engaging. It's also one of Dickinson's more characterful efforts too. He doesn't rely on his looks and his musculature - he is also delivering us an enjoyable performance to watch as their relationship evolves - and not always smoothly. The writing offers us a dialogue that comes across as genuine, funny and for a low-ish budget effort this really is well worth a watch. I saw it at the cinema, but I'm not sure you need that - television will do fine.
Production companies

DMC Film
GB

BFI
GB

BBC Film
GB

Great Point Media
GB
Themes & keywords
Release history Β· US
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