Passages

2023 1h 32m FR

😐

6.3

MID

★6.3TMDB · 253

RomanceDrama

Synopsis

Spoiler shield

Tomas and Martin are a gay couple living in Paris whose marriage is thrown into crisis when Tomas impulsively begins a passionate affair with young schoolteacher Agathe. But when Martin begins an affair of his own, Tomas must confront life decisions he may be unprepared—or unwilling—to deal with.

“Some stories are better left unspoiled.”

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Where to watch · US

Cast

Franz Rogowski
Tomas
Ben Whishaw
Martin
Adèle Exarchopoulos
Agathe
Erwan Kepoa Falé
Amad
Théo Cholbi
Jérémie
Arcadi Radeff
Dimo
Léa Boublil
Erica
Thibault Carterot
Thibault

Credits

Behind the camera

Director: Ira Sachs
Writers: Ira Sachs, Mauricio Zacharias
Languages: French, English
Countries: France

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 6

ERA

Did you know

Released 3 years ago.

MoodPlayr · trivia#01

2 / 6

WORLD

Did you know

Dialogue crosses 2 languages: French, English.

MoodPlayr · trivia#02

3 / 6

DIRECTOR

Did you know

Directed by Ira Sachs, shot by Josée Deshaies. Note their partnership — DPs and directors often return to each other across a career.

MoodPlayr · trivia#03

4 / 6

DIRECTOR

Did you know

Editor Sophie Reine shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.

MoodPlayr · trivia#04

5 / 6

CAST

Did you know

Franz Rogowski and Ben Whishaw and Adèle Exarchopoulos carry the top of the cast.

MoodPlayr · trivia#05

6 / 6

WILD

Did you know

IMDB entry: tt16252698 — still the authoritative cross-reference for credits and trivia.

MoodPlayr · trivia#06

Cinephile deep dive

The take

Ira Sachs directs. Josée Deshaies behind the camera. Sophie Reine cuts. Runs lean at under 100 minutes. Produced in France. Dialogue in French, English.

Trivia

Things worth knowing

1Released 3 years ago.
2Dialogue crosses 2 languages: French, English.
3Directed by Ira Sachs, shot by Josée Deshaies. Note their partnership — DPs and directors often return to each other across a career.
4Editor Sophie Reine shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
5Franz Rogowski and Ben Whishaw and Adèle Exarchopoulos carry the top of the cast.
6IMDB entry: tt16252698 — still the authoritative cross-reference for credits and trivia.
7Classified under 24 themes, including "infidelity", "paris, france", "love triangle", "pregnancy".
8Released under 12 different titles around the world.

The technical file

Cinematography: Josée Deshaies
Editing: Sophie Reine
Production design: Pascale Consigny
Costume design: Khadija Zeggaï
Makeup / hair: Laurent Bozzi
Sound: Cyril Holtz
Runtime: 92 min · 1h 32m
Status: Released
Box office: $1,103,374
Original language: FR
Certification (US): NR
IMDB: Passages (2023)

Also by

Ira Sachs

Trailers & featurettes

Watch the pieces

Community reviews

What people are saying

Brent Marchant2023-08-17
★ 7/10
Intimacy can be a beautiful thing. However, it can also become something messy, hurtful and emotionally devastating when tainted by self-serving agendas, irresponsible intentions, or reckless, short-sighted experimentation, influences that can purposely or unwittingly end up wreaking widespread havoc. Such is the case in writer-director Ira Sachs’s new domestic drama about a flamboyant, free-spirited gay male filmmaker, Tomas (Franz Rogowski), who impulsively jumps into an impromptu fling with a woman, Agathe (Adèle Exarchopoulos), a relationship that leaves his longtime husband, Martin (Ben Whishaw), unsure of what the couple’s future might hold. As time passes, circumstances grow increasingly complicated as each member of this unlikely trio tries to sort out what lies ahead, particularly with the emergence of Tomas’s ever-growing thoughtless capriciousness. Some viewers may look upon the story’s shockingly reprehensible developments as improbable and appalling, but, sadly, as anyone who has ever watched tabloid TV can probably attest, the events depicted here might not appear as far-fetched as one might think. In that respect, this offering presents a bold, courageous, honest look at what can go awry in situations like this, an account loaded with incensed outrage, unbridled ire, biting humor and more than a little cynicism. It’s a narrative that some audience members may find offensive, even deplorable, but, like a horrific car accident, it’s also something that many viewers might find difficult to look away from, thanks in large part to the wholly convincing performances of the three protagonists. Sensitive viewers should be aware that the film includes a fair amount of explicit and provocative sexual content, so those easily offended by such material may not want to put this one on their watch lists. However, for those who appreciate domestic dramas that hold nothing back and that aren’t afraid to get down and dirty in their portrayals of what can happen, this release is about as good as any out there. Just be prepared to be left with your jaw agape – and your head spinning.
CinemaSerf2023-08-24
★ 6/10
"Tomas" (Franz Rogowski) and husband "Martin" (Ben Whishaw) find their marriage severley tested when the former man starts to fall for "Agathe" (Adèle Exarchopoulos) and that passion drives "Martin" into the arms of "Amad" (Erwan Kepoa Falé). What now ensues is, frankly, a rather dull introspective of characters that didn't really leap off the screen at me. Rogowski can be a charismatic actor, but here he offers us a rather unremarkable characterisation of a horny man who wants to have his cake and eat it. Whishaw is, routinely these days on screen, just a bit weedy and presents another weakly constructed individual who seems content not to fight for the man he's supposed to love. It's all just rolls along without really catching fire, it's over-scripted and though it may well have a visual authenticity to it, it's all just a bit so what? The production and pacing all contribute to the general ennui of the whole thing and to be honest, I was just a bit disappointed with this rather lacklustre enterprise. I saw it at the cinema this week, but I suspect even the most ardent fans of these three can wait for a television screening.