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Guy Ritchie's The Covenant poster

Guy Ritchie's The Covenant

"A bond. A pledge. A commitment."

2023 2h 3m EN
🙌
7.7
BANGER
★7.7TMDB · 3,397
WarActionThriller
Synopsis
Spoiler shield

After an ambush, Afghan interpreter Ahmed goes to Herculean lengths to save US Army Sergeant John Kinley's life. When Kinley learns that Ahmed and his family were not given safe passage to America as promised, he must return to the war zone and repay his debt.

“A bond. A pledge. A commitment.”

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Cast

Credits

Behind the camera

Director
Guy Ritchie
Writers
Guy Ritchie, Ivan Atkinson, Marn Davies
Languages
English, German, Persian
Countries
United Kingdom, United States of America

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 8
MONEY

Did you know

Mid-budget at $55M — the now-extinct middle tier of Hollywood.

MoodPlayr · trivia#01
2 / 8
MONEY

Did you know

Earned back only 40% of its budget on initial theatrical — a commercial disappointment on release.

MoodPlayr · trivia#02
3 / 8
ERA

Did you know

Released 3 years ago.

MoodPlayr · trivia#03
4 / 8
WORLD

Did you know

Dialogue crosses 3 languages: English, German, Persian.

MoodPlayr · trivia#04
5 / 8
WORLD

Did you know

International production across 2 countries: United Kingdom, United States of America.

MoodPlayr · trivia#05
6 / 8
DIRECTOR

Did you know

Directed by Guy Ritchie, shot by Ed Wild. Note their partnership — DPs and directors often return to each other across a career.

MoodPlayr · trivia#06
7 / 8
DIRECTOR

Did you know

Original score by Chris Benstead. Worth a dedicated listen after — most great films lose half their impact without the score.

MoodPlayr · trivia#07
8 / 8
DIRECTOR

Did you know

Editor James Herbert shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.

MoodPlayr · trivia#08

Cinephile deep dive

The take

Guy Ritchie directs. Ed Wild behind the camera. Chris Benstead scores. James Herbert cuts. A commercial under-performer on release. Produced in United Kingdom, United States of America. Dialogue in English, German, Persian.

Trivia

Things worth knowing

  • 1Mid-budget at $55M — the now-extinct middle tier of Hollywood.
  • 2Earned back only 40% of its budget on initial theatrical — a commercial disappointment on release.
  • 3Released 3 years ago.
  • 4Dialogue crosses 3 languages: English, German, Persian.
  • 5International production across 2 countries: United Kingdom, United States of America.
  • 6Directed by Guy Ritchie, shot by Ed Wild. Note their partnership — DPs and directors often return to each other across a career.
  • 7Original score by Chris Benstead. Worth a dedicated listen after — most great films lose half their impact without the score.
  • 8Editor James Herbert shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
  • 9Jake Gyllenhaal and Dar Salim and Sean Sagar carry the top of the cast.
  • 10Marketing tagline: "A bond. A pledge. A commitment.".
  • 11IMDB entry: tt4873118 — still the authoritative cross-reference for credits and trivia.
  • 12Classified under 10 themes, including "ambush", "interpreter", "afghanistan", "rescue mission".
  • 13Released under 20 different titles around the world.

The technical file

Cinematography
Ed Wild
Original score
Chris Benstead
Editing
James Herbert
Production design
Martyn John
Costume design
Loulou Bontemps
Makeup / hair
Rúben Samos
VFX supervisor
Ben Cowell-Thomas
Stunt coordinator
William Monrabal Cook
Runtime
123 min · 2h 3m
Aspect ratio (typical)
1.37:1 (Academy)
Status
Released
Budget
$55,000,000
Box office
$21,948,551
Return
40% of budget
Original language
EN
Certification (US)
R

Also by

Guy Ritchie

Stills · wallpapers

Selected frames

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Trailers & featurettes

Watch the pieces

Community reviews

What people are saying

  • Louisa Moore - Screen Zealots
    ★ 8/10

    Director Guy Ritchie is no stranger to crafting exciting action films, but his latest project is quite different than his previous work. The narrative is linear, there aren’t any montages, and the story isn’t about criminals, gangsters, or Brits. Fans of Ritchie will absolutely still recognize his visual style (hello, overhead shots) and testosterone-fueled themes, but “The Covenant” is a more dramatic, mature, and restrained work from the legendary director. Set during the war in Afghanistan in 2018, the film tells the story of U.S. Army sergeant John Kinley (Jake Gyllenhaal) and his local Afghan interpreter, Ahmed (Dar Salim). Called a traitor by his people for helping the Americans, Ahmed has volunteered to seek revenge against the Taliban that killed his son. He has also been promised visas for his service so his family can flee to safety in America. After a lethal ambush in the desert, Kinley is gravely injured by enemy fire. With his platoon gone, Ahmed refuses to leave a fellow soldier behind to die, so he drags Kinley through the mountainous terrain in order to get him back to the base for medical help. The film tells the story of their 100 mile journey, but then pivots to Kinley’s return to the United States. It’s months after he gets home that Kinley learns Ahmed and his family were not given safe passage as promised and, as a way to repay the debt he owes his friend, he returns to Afghanistan to retrieve them. It won’t be easy, because Ahmed has been placed at the top of the Taliban’s most wanted hit list. It’s a meaningful story of honor and brotherhood wrapped up in an intense wartime thriller. The story is told in three major acts, from the early days Ahmed and Kinley spent chasing IEDs, to their dangerous journey, to the red tape of getting a man what he’s owed. There are plenty of thrilling acting sequences throughout, and they will keep you on the edge of your seat. Ritchie has an extraordinary sense of timing and instincts for shooting action scenes, and the brutal, graphic wartime violence puts you in the be-or-be-killed survival mind of a front line solider. The director’s visual storytelling is terrific here, as he switches between handheld shots with uneven movements to dizzying aerial shots to sweeping tracking shots seamlessly within one action scene. It creates a greater sense of immediacy and danger, expressing the gravity of the situation at hand. Some of the scenes are so distressing that I found my heart pounding throughout, and Ritchie’s use of harsh close-ups adds to the intensity. There’s a lot of cat-and-mouse content that adds to the tension, but it doesn’t feel gimmicky because this is a film that is unafraid to kill off characters at any time (so don’t get too attached to anyone). Gyllenhaal and Salim make a dynamic onscreen duo, and both men have a natural chemistry that is the highlight of the film. Salim’s performance is dynamic and genuine, and Gyllenhaal proves yet again that he’s a formidable leading man. He’s in his natural habitat here, playing a rugged everyman with a non-threatening masculinity that gives him a broad, universal appeal. The performances from the supporting cast are also top-notch. The story is one of integrity, loyalty, and respect, and these men have an incredible amount of honor. Ahmed and Kinley are forced to make tough decisions, but they never shy away from doing the right thing, even when it’s the harder option. These guys are still combat killers and trained soldiers, but their friendship takes center stage. This is such a great story of brotherhood that you’ll wish it was true (sorry folks, this is a work of fiction). The film only makes a couple of missteps, and there are two major things that bothered me. First, the alpha male dialogue among the soldiers is openly homophobic. It’s laughed off and never challenged. I found this to be a bit problematic, but the way these guys talk is also likely accurate and authentic. Second, the grand finale shootout feels a bit like military propaganda, where the brawny American saviors must step in and become the heroes. It’s a sequence that’s thrilling, but feels stuffed in as a way to appease the hyper-patriotic “U.S.A.! U.S.A.!” crowd. But here’s where it gets interesting: the film is also highly critical of the U.S. government and the heads of the military. The soldiers may have honor, but those at a higher level do not. The film offers a scathing criticism that applies to the many ways the U.S. abandons its veterans too, from dismissing allegations of sexual assault, making it difficult to obtain proper healthcare, crafting vague promises, and flat-out lying. It’s a profound theme that may be lost on the majority of audiences (but I hope not). “The Covenant” is an extremely well made wartime action film, and those looking for a thrill will find it. Go and enjoy the entertainment value, but don’t lose sight of the small, emotional story that’s at the heart of it all. By: Louisa Moore / SCREEN ZEALOTS / www.ScreenZealots.com

  • Nathan
    ★ 8/10

    After Guy Ritchie’s last film, Operation Fortune: Ruse de Guerre, was an absolute disaster, I seriously considered skipping his most recent outing, The Covenant. However, I'm very happy I didn't because it's become one of my favorite films of the year so far. The direction is excellent, with amazing up-close shots and zooms that really add to the intense nature of the film. The first hour flew by with fantastic build-up and character development. The action was superb and brutally realistic, showcasing the true horrors of the War in Afghanistan in a respectable way. However, after this first act, the movie does slow down a bit, with a pretty substantial lull that lasted about 20 minutes in the middle of the film. It was not terrible, but something I definitely noticed. Performances were excellent, particularly from Dar Salim, who was a standout in the film. His grueling journey across the Afghanistan terrain was one of the most stressful and inspiring segments in any film so far this year and had me at the edge of my seat. Overall, The Covenant is a pretty straightforward war story, told with excellent direction, performances, and visuals. It handles the source material with incredible care, showcasing the environment of Afghanistan in a way I have never seen before. Score: 85% ✅ Verdict: Great

  • Ritesh Mohapatra

    A staggering tale of an unhinged perseverance which is backed by a captivating screenplay. Air is a story so frivolous and flat , that the courage of Ben Affleck should be lauded with our hats down. A simple plot which would fit within 3 lines of a page is magically presented to us as a fascinating and appealing peace of history which changed the strature of business in sports in America and revolutionized a global culture, Nike's collaboration with the greatest basketball player in the history of the game, "Michael Jordan". The 2 hours doesn't feel long when you have a dazzling screenplay & a marvelous ensemble cast with their pragmatic conversations. Ben Affleck really puts in a fine effort to yield such sensational performances for the star studded cast. Brilliant is an understatement for the ensemble cast. I have never seen a better grounded performance of Matt Damon than this. He is sensational. Jason Bateman and Viola Davis add the much needed spark with their magnetic performances. Good to see Chris Tucker back and boy he just gets his sense of humor right each time. The banters between Matt and Chris Messina is the highlight for me. Ben Affleck is a master in terms of direction, the way he manages veterans into building such a collaboration is astounding. Overall, If you believe in uplifting stories behind sports and redefining moments of history which changed the world we live in today then Air is a great addition to your watchlist. Instagram @streamgenx

Production companies

Who made it

  • STXfilms

    STXfilms

    US

  • Toff Guy Films

    Toff Guy Films

    GB

Key crew

  • EditorJames Herbert
  • First Assistant DirectorMax Keene
  • Sound AssistantLorenzo Mastrocinque
  • WigmakerJean Carlos de Blas
  • Special EffectsRicardo Coelho
  • Production ManagerMarco Calabrese
  • Second Assistant DirectorPaul Bennett
  • Third Assistant DirectorPaula Leiva
  • Production ManagerMelele Sánchez
  • Art DirectionFlorian Müller
  • Standby Art DirectorHazel Keane
  • Makeup ArtistRúben Samos
  • Unit Production ManagerSamantha Waite
  • Special Effects CoordinatorClara Diaz
  • Set DecorationLinda Wilson
  • CablemanBenjamin Schweimler Ricca
  • Makeup & HairDonald Mowat
  • First Assistant DirectorJairo Murray
  • Special EffectsConor Coughlan
  • Assistant DirectorIrene Díaz
  • Costume DesignLoulou Bontemps
  • Makeup SupervisorDiana Estrada Hudson
  • Post Production SupervisorSiobhan Boyes
  • Art DirectionDavid Temprano

Themes & keywords

What it's about, really

  • ambush
  • interpreter
  • afghanistan
  • rescue mission
  • afghanistan war (2001-2021)
  • taliban
  • behind enemy lines
  • wounded soldier
  • war trauma
  • covenant

Release history · US

When it landed

  • Theatrical2023-04-21R
  • Digital2023-05-09R
  • Digital2023-09-22R· Prime Video
  • Digital2025-12-10R· Netflix

Also known as

International titles

  • Interpreters WantedUS
  • The InterpreterUS
  • เดอะ โคเวแนนท์TH
  • เดอะ โคเวแนนท์ โดย กาย ริชชี่TH
  • Guy Ritchie's the CovenantUS
  • The CovenantUS
  • Tugev seljataguneEE
  • 가이 리치스 더 커버넌트KR
  • ПереводчикRU
  • Guy Ritchie's The Covenant (The Covenant)US
  • El pacto (The Covenant)ES
  • Khế ƯớcVN
  • Der PaktDE
  • Guy Richie's Der PaktDE
  • پیمان گای ریچیIR

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