Still Time

"Soon..."

2023 1h 48m IT

👍

6.7

SOLID

★6.7TMDB · 371

RomanceComedyDrama

Synopsis

Spoiler shield

Dante accidentally kisses Alice and they get engaged. After a surprise party for his 40th birthday, he wakes up a year later, not remembering what happened. Not only does he discover that Alice is pregnant... He feels time is passing too quickly and he starts forgetting some of the most important moments of his life.

“Soon...”

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Where to watch · US

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Cast

Edoardo Leo
Dante
Barbara Ronchi
Alice
Mario Sgueglia
Valerio
Francesca Cavallin
Francesca
Raz Degan
Omar
Massimo Wertmüller
Marcello
Stella Trotta
Galadriel (5 - 7 Anni)
Andrea Purgatori
Terapeuta

Credits

Behind the camera

Director: Alessandro Aronadio
Writers: Alessandro Aronadio, Renato Sannio, Cristiano Donzelli
Languages: Italian
Countries: Italy

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 6

ERA

Did you know

Released 3 years ago.

MoodPlayr · trivia#01

2 / 6

DIRECTOR

Did you know

Directed by Alessandro Aronadio, shot by Roberto Forza. Note their partnership — DPs and directors often return to each other across a career.

MoodPlayr · trivia#02

3 / 6

DIRECTOR

Did you know

Editor Roberto Di Tanna shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.

MoodPlayr · trivia#03

4 / 6

CAST

Did you know

Edoardo Leo and Barbara Ronchi and Mario Sgueglia carry the top of the cast.

MoodPlayr · trivia#04

5 / 6

FACT

Did you know

Marketing tagline: "Soon...".

MoodPlayr · trivia#05

6 / 6

WILD

Did you know

IMDB entry: tt15654800 — still the authoritative cross-reference for credits and trivia.

MoodPlayr · trivia#06

Cinephile deep dive

The take

Alessandro Aronadio directs. Roberto Forza behind the camera. Roberto Di Tanna cuts. Produced in Italy. Dialogue in Italian.

Trivia

Things worth knowing

1Released 3 years ago.
2Directed by Alessandro Aronadio, shot by Roberto Forza. Note their partnership — DPs and directors often return to each other across a career.
3Editor Roberto Di Tanna shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
4Edoardo Leo and Barbara Ronchi and Mario Sgueglia carry the top of the cast.
5Marketing tagline: "Soon...".
6IMDB entry: tt15654800 — still the authoritative cross-reference for credits and trivia.

The technical file

Cinematography: Roberto Forza
Editing: Roberto Di Tanna
Production design: Daniele Frabetti
Costume design: Elena Minesso
Makeup / hair: Martina Tamburri
VFX supervisor: Luca Auletta
Sound: Cristiano Ciccone
Stunt coordinator: Alessandro Novelli
Runtime: 108 min · 1h 48m
Status: Released
Original language: IT
Certification (US): PG-13
IMDB: Still Time (2023)

Also by

Alessandro Aronadio

Community reviews

What people are saying

Marco-Hugo Landeta Vacas2026-01-22
★ 7/10
(CASTELLANO) Hay algo muy reconocible en Ya era hora: esa sensación de ir siempre con prisa, de vivir con la cabeza en lo siguiente mientras la vida real pasa por el rabillo del ojo. La película juega con una idea conocida y nada revolucionaria, pero lo hace con una calidez que termina ganándote. No pretende reinventar nada, y quizá por eso funciona mejor cuando se limita a contar su historia sin grandes alardes. Es una tragicomedia italiana con moralina, sí, pero también con cierto encanto. El mensaje es claro desde muy pronto y no se esfuerza demasiado en ocultarlo, aunque tampoco resulta especialmente molesto. Hay humor, hay tristeza y hay momentos que, sin ser brillantes, conectan porque hablan de algo muy cotidiano: el tiempo que se nos escapa mientras creemos tenerlo todo bajo control. Es verdad que la película recuerda mucho a otros relatos similares y que la originalidad no es precisamente su punto fuerte. En algunos tramos se vuelve algo repetitiva y uno puede anticipar hacia dónde va todo. Aun así, tiene buen corazón y una mirada bastante honesta sobre el desgaste personal, el trabajo y las relaciones que se van descuidando casi sin darnos cuenta. Las interpretaciones cumplen, sin deslumbrar, pero con la naturalidad suficiente para que los personajes resulten cercanos. No hay grandes escenas memorables, pero sí pequeños momentos que funcionan por acumulación, como si la película avanzara más por insistencia emocional que por impacto narrativo. Al final, Ya era hora es una de esas películas que no dejan huella profunda, pero tampoco molestan. Se ve con agrado, invita a bajar un poco el ritmo y, aunque no descubra nada nuevo, recuerda algo que a veces hace falta escuchar. A veces, con eso, ya es suficiente. (ENGLISH) There is something very recognizable in Still Time: that feeling of always being in a rush, of living with your mind set on what comes next while real life slips by out of the corner of your eye. The film plays with a familiar idea and is far from revolutionary, but it does so with a warmth that eventually wins you over. It doesn’t try to reinvent anything, and perhaps that’s why it works best when it simply tells its story without big flourishes. It’s an Italian tragicomedy with a clear moral, yes, but also with a certain charm. The message is evident quite early on and doesn’t make much effort to hide it, although it never becomes especially irritating. There is humor, there is sadness, and there are moments that, without being brilliant, connect because they speak about something very everyday: the time that slips away while we believe we have everything under control. It’s true that the film strongly recalls other similar stories and that originality is not its strongest point. At times it becomes a bit repetitive, and it’s easy to anticipate where everything is heading. Even so, it has a good heart and a fairly honest look at personal exhaustion, work, and relationships that slowly get neglected almost without us noticing. The performances do their job, without dazzling, but with enough naturalness for the characters to feel close and recognizable. There are no major unforgettable scenes, but rather small moments that work through accumulation, as if the film moved forward more through emotional insistence than narrative impact. In the end, Still Time is one of those films that doesn’t leave a deep mark, but doesn’t bother either. It’s an easy, pleasant watch that invites you to slow down a little and, even if it doesn’t discover anything new, reminds you of something that sometimes needs to be said. And sometimes, that is more than enough.

Production companies