Peaky Blinders: The Immortal Man

"It will all come to this."

2026 1h 52m EN

👍

7.2

SOLID

★7.2TMDB · 1,258

CrimeDrama

Synopsis

Spoiler shield

After his estranged son gets embroiled in a Nazi plot, self-exiled gangster Tommy Shelby must return to Birmingham to save his family — and his nation.

“It will all come to this.”

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Where to watch · US

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Cast

Cillian Murphy
Tommy Shelby
Barry Keoghan
Duke Shelby
Rebecca Ferguson
Kaulo / Zelda
Tim Roth
John Beckett
Stephen Graham
Hayden Stagg
Sophie Rundle
Ada Shelby
Ned Dennehy
Charlie Strong
Packy Lee
Johnny Dogs

Credits

Behind the camera

Director: Tom Harper
Writers: Steven Knight
Languages: English
Countries: United Kingdom

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 7

ERA

Did you know

Released this year — you're seeing it while it's still in the cultural conversation.

MoodPlayr · trivia#01

2 / 7

DIRECTOR

Did you know

Directed by Tom Harper, shot by George Steel. Note their partnership — DPs and directors often return to each other across a career.

MoodPlayr · trivia#02

3 / 7

DIRECTOR

Did you know

Original score by Antony Genn. Worth a dedicated listen after — most great films lose half their impact without the score.

MoodPlayr · trivia#03

4 / 7

DIRECTOR

Did you know

Editor Mark Eckersley shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.

MoodPlayr · trivia#04

5 / 7

CAST

Did you know

Cillian Murphy and Barry Keoghan and Rebecca Ferguson carry the top of the cast.

MoodPlayr · trivia#05

6 / 7

FACT

Did you know

Marketing tagline: "It will all come to this.".

MoodPlayr · trivia#06

7 / 7

WILD

Did you know

IMDB entry: tt15574124 — still the authoritative cross-reference for credits and trivia.

MoodPlayr · trivia#07

Cinephile deep dive

The take

Tom Harper directs. George Steel behind the camera. Antony Genn scores. Mark Eckersley cuts. Produced in United Kingdom. Dialogue in English.

Trivia

Things worth knowing

1Released this year — you're seeing it while it's still in the cultural conversation.
2Directed by Tom Harper, shot by George Steel. Note their partnership — DPs and directors often return to each other across a career.
3Original score by Antony Genn. Worth a dedicated listen after — most great films lose half their impact without the score.
4Editor Mark Eckersley shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
5Cillian Murphy and Barry Keoghan and Rebecca Ferguson carry the top of the cast.
6Marketing tagline: "It will all come to this.".
7IMDB entry: tt15574124 — still the authoritative cross-reference for credits and trivia.
8Classified under 17 themes, including "england", "gangster", "betrayal", "organized crime".

The technical file

Cinematography: George Steel
Original score: Antony Genn
Editing: Mark Eckersley
Production design: Jacqueline Abrahams
Costume design: Alison McCosh
Makeup / hair: Nadia Stacey
VFX supervisor: Theo Demiris
Stunt coordinator: Jo McLaren
Runtime: 112 min · 1h 52m
Aspect ratio (typical): 1.37:1 (Academy)
Status: Released
Original language: EN
Certification (US): R
IMDB: Peaky Blinders: The Immortal Man (2026)

Also by

Tom Harper

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Trailers & featurettes

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Community reviews

What people are saying

CinemaSerf2026-03-12
★ 7/10
Anyone remember Michael Elphick’s “Private Schultz” (1981)? The nasty Nazis have counterfeited millions of Bank of England notes and plan to flood, and thereby ruin, the British economy and shrewdly shorten the war. “Beckett” (Tim Roth) is their agent and he determines to recruit “Duke” (Barry Keoghan) to help him smuggle and distribute some £70m of it. The increasingly audacious “Duke” has taken over the “Peaky Blinders” after his dad “Tommy” (Cillian Murphy) retired to a ramshackle country pile to write his memoirs, and is becoming more out of control. Anxious about his excesses, his aunt “Ada” (Sophie Rundle) decides she has to alert her brother to the dangers of his continuing absence. Moreover, she then uses her position as an MP to collect information on her nephew that should she get to the military police could see him swing. That prospect doesn’t appeal to “Beckett” but to what lengths will he go; will Duke” actually go to get his hands on the loot and what will it take to prize “Tommy” from his self-imposed exile? Murphy himself makes it clear to us at the start that we are not to say any more to the potential television viewers, so I’d better stop there - but suffice to say this is a worthy successor to the gritty television series’ on which it is based. That said, though, you don’t need to have seen those to pick this up. It’s a stand-alone drama that stylishly captures the poverty, violence and divided loyalties of a time where family and country were not necessarily on the same side. The more I see Keoghan act, the more limited I reckon his skills are - but here he is a perfect fit for the slightly maniacal but conflicted son of a father whom Murphy has characterised with just the right degree of menace and humanity. Roth, Ferguson and the always reliable Ned Dennehy all contribute well to a solid story that mixes the mystical Romany with the practical brutalities of modern warfare and, of course, some good old-fashioned greed. The production looks great and the whole film slides (sometimes quite muddily) along enjoyably for the best part of two hours. I even got a special bonnet at the screening, too!

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