Patterns

Cinephile deep dive

The take

Fielder Cook directs. Boris Kaufman behind the camera. Carl Lerner cuts. Runs lean at under 100 minutes. Produced in United States of America. Dialogue in English.

Trivia

Things worth knowing

• 183 minutes exactly — the "classic feature" runtime most directors aim for.
• 270 years old — a genuine piece of film history.
• 3Directed by Fielder Cook, shot by Boris Kaufman. Note their partnership — DPs and directors often return to each other across a career.
• 4Editor Carl Lerner shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
• 5Van Heflin and Everett Sloane and Ed Begley carry the top of the cast.
• 6Marketing tagline: "Ruthless Men And Ambitious Women... Clawing For Control Of A Billion Dollar Empire!!!".
• 7IMDB entry: tt0049601 — still the authoritative cross-reference for credits and trivia.
• 8Only 57 TMDB ratings — you're getting ahead of the curve on this one.

The technical file

Cinematography

Boris Kaufman

Editing

Carl Lerner

Production design

Duane McKinney

Costume design

Mary Merrill

Makeup / hair

Herman Buchman

Runtime

83 min · 1h 23m

Aspect ratio (typical)

1.37:1 (Academy)

Status

Released

Original language

EN

IMDB

Patterns (1956) ↗

Also by

Fielder Cook

• 
  Teacher, Teacher

  1969 · ★ 10.0
• 
  Espionage

  1963 · ★ 10.0
• 
  A Love Affair: The Eleanor and Lou Gehrig Story

  1978 · ★ 9.5
• 
  This Is the West That Was

  1974 · ★ 9.0
• 
  Enemies

  1971 · ★ 9.0
• 
  A Special Friendship

  1987 · ★ 9.0

Stills · wallpapers

Selected frames

Full-resolution frames — open one to save it as a wallpaper.

Wallpaper

Trailers & featurettes

Watch the pieces

• 

  ▶
  Patterns Trailer

  Trailer

Community reviews

What people are saying

• John Chard2020-01-22
  ★ 9/10

  I reserve the right to break your jaw. Patterns centres around the fierce and dog eat dog world of an executive conglomerate company. Written by Rod Serling (he of The Twilight Zone fame) and based on his own play, it's a stunning picture that relies (and succeeds) on spiky dialogue and a trio of superlative acting performances. Not containing any music at all and filmed primarily within the confines of an interior setting, Serling and his on form director, Fielder Cook, have crafted probably the essential picture dealing with the harsh and at times brutal realities of big business ladder climbing. Everett Sloane, Ed Begley and Van Heflin really provide the viewers with an acting tour de force. Sloane as the big boss Walter Ramsey, creates a strutting despotic character that is as memorable as it is harsh, here's a man who will not "pattern" a sacking of an employee, he would rather break him into resignation!, a totally vile and cruel "pattern" tactic. Begley (superbly playing weary emotion) plays the genial and honest William Briggs, who upon welcoming Van Heflin's Fred Staples to the company, realises it's likely to be at his own cost. This giving the film a deep emotional "pattern" as Staples (Heflin to me, donning a career high) gets conflicted about his role in this company, this leads us to a truly excellent finale as Heflin and Sloane go at each other with a gripping intensity that many modern actors could do no worse than to take note of, it really is something to behold. A fabulous movie that comes highly recommended to anyone who appreciates dialogue driven films with intelligence pouring from every frame. 9/10

  Read full review ↓
• CinemaSerf2024-05-07
  ★ 7/10

  When "Staples" (Van Heflin) arrives at the "Ramsey" building to take up his new executive job, he meets his boss "Briggs" (Ed Begley) then the guy with his name on the door (Everett Sloane), and is welcomed with open arms. Pretty quickly, though, he realises that "Briggs" - who has recently return from illness is in the firing line - and that he is to be the principal weapon used to replace him. The problem here is though "Staples" is fiercely ambitious, and his wife "Nancy" (Beatrice Straight) isn't so very far behind on that front, he actually quite likes "Briggs" and his more human approach to doing business. Indeed, when that man's secretary is arbitrarily attached to the newcomer, it would appear that the writing is on the wall so just how complicit will his scruples allow him to be? I found this to be one of Heflin's better parts, and he portrays his conflicted character really quite effectively. Begley is also on good form as a man maybe just a little past his use-by date and Sloane epitomises the family business obsessed mogul who cares only about power - and for it's own sake. What choices can "Staples" make? What choices does he want to make? This is a quickly paced look at humanity - warts and all, and for double the salary and an unlimited expense account, what might any of us do?

  Read full review ↓

Production companies

Who made it

• JE

  Jed Harris

• MI

  Michael Myerberg

• 

  United Artists

  US

Key crew

• Production ManagerMax Glandbard
• Unit ManagerJim Di Gangi
• ContinuityMarie Kenney
• Sound EngineerRichard Gramaglia
• Assistant DirectorCharles H. Maguire
• Assistant EditorJames F. Barclay
• Camera OperatorMorris Hartzband
• Production DesignDuane McKinney
• ProducerMichael Myerberg
• EditorCarl Lerner
• Art DirectionRichard Sylbert
• ProducerJed Harris
• Costume DesignMary Merrill
• EditorDave Kummins
• Makeup ArtistHerman Buchman
• Original StoryRod Serling

Themes & keywords

What it's about, really

• new york city
• ambition
• big business

Release history · US

When it landed

• Theatrical1956-03-27
• Physical2009-11-24· The Golden Age of Television - Criterion Collection

Also known as

International titles

• Morgen trifft es dichDE
• Patterns of PowerGB