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88 minutes exactly — the "classic feature" runtime most directors aim for.

"First it controls your mind. Then it destroys your body."
As the president of a trashy TV channel, Max Renn is desperate for new programming to attract viewers. When he happens upon "Videodrome," a TV show dedicated to gratuitous torture and punishment, Max sees a potential hit and broadcasts the show on his channel. However, after his girlfriend auditions for the show and never returns, Max investigates the truth behind Videodrome and discovers that the graphic violence may not be as fake as he thought.
“First it controls your mind. Then it destroys your body.”

James Woods
Max Renn

Debbie Harry
Nicki Brand

Sonja Smits
Bianca O'Blivion

Peter Dvorsky
Harlan

Leslie Carlson
Barry Convex
Jack Creley
Brian O'Blivion

Lynne Gorman
Masha

Julie Khaner
Bridey
Credits
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David Cronenberg directs. Mark Irwin behind the camera. Howard Shore scores. Ronald Sanders cuts. Runs lean at under 100 minutes. A commercial under-performer on release. Produced in Canada. Dialogue in English, Japanese.
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"Max" (James Woods) runs a television channel that specialises in adult content. Always on the look out for new and more innovative and shocking content, he stumbles upon a brief series of satellite images that tantalise him. It's on a television talk show that he meets "Nicki" (Debbie Harry) who has a penchant for sex with a twist - and that not only turns them both on, but furthers his desire to obtain his newly found (and pretty violent) content for his Channel 83 output. The other guest on that show is the renowned "Prof. Oblivion" (Jack Creley) who prognosticates that one day the reality of television and video will replace the "real" reality. These threads slowly all tie together when "Nicki" decides that she is going to star in this new "Videodrome" enterprise and "Renn" must now reconcile his concern for her safety with his mounting need to acquire the show. This film is surreal and bizarre and yet it's still quite effective at illustrating the most visceral aspects of human nature - sex, venality, lust - even pain; and the visual effects (particularly towards the last fifteen minutes) must have been particularly effective. It's a bit on the sordid side - not that that's necessarily a bad thing, but at times the seaminess of it all is distracting from the more interesting and provocative aspects of the narrative. Time hasn't been very kind to it either, the effects have lost much of their potency now and the acting is mediocre at best. It is well worth a watch, but I'm not sure that will be the case for very much longer.
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Filmplan International
CA
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Release history · US
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