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In the Name of the Father poster

In the Name of the Father

"In the name of truth... In the name of justice... In the name of love."

1993 2h 13m EN
🙌
7.9
BANGER
★7.9TMDB · 2,060
Drama
Synopsis
Spoiler shield

A small-time Belfast thief, Gerry Conlon, is wrongly convicted of an IRA bombing in London, along with his father and friends, and spends 15 years in prison fighting to prove his innocence.

“In the name of truth... In the name of justice... In the name of love.”

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Cast

Credits

Behind the camera

Director
Jim Sheridan
Writers
Jim Sheridan, Terry George
Languages
English
Countries
Ireland

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 8
MONEY

Did you know

Made its money back 5.1× over at the box office.

MoodPlayr · trivia#01
2 / 8
ERA

Did you know

33 years old — old enough to be someone's favourite childhood film.

MoodPlayr · trivia#02
3 / 8
DIRECTOR

Did you know

Directed by Jim Sheridan, shot by Peter Biziou. Note their partnership — DPs and directors often return to each other across a career.

MoodPlayr · trivia#03
4 / 8
DIRECTOR

Did you know

Original score by Trevor Jones. Worth a dedicated listen after — most great films lose half their impact without the score.

MoodPlayr · trivia#04
5 / 8
DIRECTOR

Did you know

Editor Gerry Hambling shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.

MoodPlayr · trivia#05
6 / 8
CAST

Did you know

Daniel Day-Lewis and Pete Postlethwaite and Emma Thompson carry the top of the cast.

MoodPlayr · trivia#06
7 / 8
FACT

Did you know

Marketing tagline: "In the name of truth... In the name of justice... In the name of love.".

MoodPlayr · trivia#07
8 / 8
WILD

Did you know

IMDB entry: tt0107207 — still the authoritative cross-reference for credits and trivia.

MoodPlayr · trivia#08

Cinephile deep dive

The take

Jim Sheridan directs. Peter Biziou behind the camera. Trevor Jones scores. Gerry Hambling cuts. Made its budget back several times over at the box office. Produced in Ireland. Dialogue in English.

Trivia

Things worth knowing

  • 1Made its money back 5.1× over at the box office.
  • 233 years old — old enough to be someone's favourite childhood film.
  • 3Directed by Jim Sheridan, shot by Peter Biziou. Note their partnership — DPs and directors often return to each other across a career.
  • 4Original score by Trevor Jones. Worth a dedicated listen after — most great films lose half their impact without the score.
  • 5Editor Gerry Hambling shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
  • 6Daniel Day-Lewis and Pete Postlethwaite and Emma Thompson carry the top of the cast.
  • 7Marketing tagline: "In the name of truth... In the name of justice... In the name of love.".
  • 8IMDB entry: tt0107207 — still the authoritative cross-reference for credits and trivia.
  • 9Classified under 32 themes, including "prison", "rebellion", "based on novel or book", "parent child relationship".
  • 10Released under 17 different titles around the world.

The technical file

Cinematography
Peter Biziou
Original score
Trevor Jones
Editing
Gerry Hambling
Production design
Caroline Amies
Costume design
Joan Bergin
Makeup / hair
Anne Dunne
Runtime
133 min · 2h 13m
Aspect ratio (typical)
1.37:1 (Academy)
Status
Released
Budget
$13,000,000
Box office
$65,796,862
Return
506% of budget
Original language
EN
Certification (US)
R

Awards

  • National Board of Review: Top Ten Films
  • Golden Bear

Individual records documented via Wikidata; the summary above may count more.

Also by

Jim Sheridan

Stills · wallpapers

Selected frames

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Trailers & featurettes

Watch the pieces

Community reviews

What people are saying

  • Shreyance Parakh
    ★ 10/10

    In the name of INNOCENCE !! Sometimes i say to myself this can't happen to me for the simple reason that it sounds really unfair to be happening..But watching a movie like this changes all perception of right and wrong, fair and unfair.. Only thing that can be fair in this world is your HEART !! Though Daniel Day Lewis' character is not your typical role model from the start, you know that the Heart within isn't black (more so from a scene just before he says 'In all my godforsaken life, I've never known what it was to kill somebody until now')..The transformation of Day Lewis' character from a man who wasn't responsible enough to take care of himself to a man who vows to fight for his father's name is brilliantly heartwarming! It just pains me to see how cruel 'WE' as a species can be to not accept our mistakes, even when we know that it can make someone's life miserable than HELL!! In all the movie is good till the time you don't think of it as someone's life being played out in front of you.As soon as you realize that,it transforms into something you cant just think of as just another brilliant movie.Instead your heart goes out to the people who actually had to go through all this.. Well directed, superbly acted, brilliant,heart breaking and heart warming at the same time !! Those who found it beautiful can go for Hillary Swank's 2010 movie Conviction as their next choice of another heartwarming 'eye treat' !

  • Filipe Manuel Neto
    ★ 6/10

    A low-key, much-forgotten but well-executed film. This movie is totally forgotten these days. Well, actually, if you're not native or very close to Ireland, I think the very existence and action of the IRA seems like something that ended many years ago, and it doesn't. It was a recent thing, and it still has marks on people and society. The film focuses, in particular, on the case of the “Guildford Four” and the “Maguire Seven”, which was a group of people who were accused of a bomb attack and of collaborating with the IRA, later proving to be if they were all innocent. The acquittal, however, came too late for the family patriarch, who died in prison. The accused were, almost all, related to each other, family or friendship. I don't know the facts very well, although I did read something about the attack and the real case the film was based on, in order to better prepare myself to understand the film and be able to talk about it. As far as I can tell, the film obviously took a lot of liberties to make the story more appealing and dramatic, but nothing that is shockingly out of line with what happened. Daniel Day Lewis was still relatively young here, but he was already showing signs of great talent. He is a focused actor and very responsible with his work, who dedicates himself to what he does and commits himself to the character. And we can see how he adapts to the character, and makes it real and believable and human. I also really enjoyed Pete Postlethwaite's work. I think it's particularly notable the way he allowed himself to age in order to play an older, physically impaired character. Technically, the film is very worthy in its effort to portray the ordeal to which the convicts were subjected, and it does so in a very convincing and credible way. The choice of sets, filming locations and costumes contribute a lot to this. The film works very well on the environment and psyche of the characters, resulting in a dense drama, which may not please those who want a lighter film, but which works very well. The opening credits were well-introduced, even though I don't like the theme song.

  • Andre Wilfred Sanders
    ★ 9/10

    Oscar for Best Duo Daniel Day-Lewis and Pete Postlethwaitestrong text The movie tries to convey the horrors of injustice, investigation, and rulings under the pretext of emergency laws and terrorism, but the details of these laws make us laugh by today's standards, even not when the film was shown in 1993. The film exposes us to the shock that the terrorism law at this time could have exposed any innocent person for 7 days without charge, and I believe that it is still present in many countless countries on the globe. The film talks about the true story of the Quartet of Guildford and the Seven of Maguire, a very painful human rights story whose chapters begin with the arrest of the Irish young man Gerry Conlon in England and accusing him, along with three others, of carrying out a terrorist attack to bomb a bar in Guildford. Although Jerry is reckless and has criminal tendencies already, but through the events of the film we realize that Jerry and those with him are innocent, but the investigation and interrogation process shows that it has many impurities and corruption in how to accuse these innocent people. In the Name of the Father, on the surface, talks about justice and the feeling of oppression in the face of injustice. The events of the film are dramatic, revolving around other topics, the most important of which is the relationship between the son and the father and how it develops, as well as how an ugly place such as prison can constitute an opportunity for Jerry to mature in a way that would not have happened if he had not been subjected to injustice. The multiplicity and diversity of the dimensions of the film, in addition to manifestations outside the capabilities of the planet in two scenes and the performance of two actors, who gave the film great importance and a special place for me. If there was an Oscar for best acting duo, the Daniel Day-Lewis and Pete Postlethwaite partnership would have given them blindfolded. The character of Giuseppe Conlon has no faults. Even the story of his name, which allowed a wonderful scene to be told, was charming and incredible. He had a strange state of coherence in light of the circumstances in which he was, and in light of his background full of downwardness, which made him follow the rules and laws strictly so as not to violate the law. This flatness made his son Jerry view him as a weakness. But when Jerry realized when he tested himself in facing the same challenges his father faced, he saw his father, Giuseppe Conlon, gain ground and respect in every situation. This movie is incredibly wonderful. It dazzled me and made me follow the events without getting bored.

Production companies

Who made it

  • Hell's Kitchen

    Hell's Kitchen

    IE

Key crew

  • ProducerJim Sheridan
  • EditorGerry Hambling
  • Production DesignCaroline Amies
  • StuntsGreg Powell
  • Executive ProducerGabriel Byrne
  • CastingNuala Moiselle
  • CastingPatsy Pollock
  • Art DirectionRick Butler
  • Costume DesignJoan Bergin
  • Production ManagerMary Alleguen
  • Visual EffectsKent Houston
  • Stunts CoordinatorBill Weston
  • StuntsPatrick Condren
  • HairstylistAnne Dunne
  • Construction CoordinatorRuss Bailey
  • Sound EditorRon Davis
  • Sound mixerKieran Horgan
  • Special EffectsGerry Johnston
  • StuntsAlan Walsh
  • GafferLouis Conroy
  • ElectricianNoel Cullen
  • Still PhotographerJonathan Hession
  • GripJohn Murphy
  • Camera OperatorDes Whelan

Themes & keywords

What it's about, really

  • prison
  • rebellion
  • based on novel or book
  • parent child relationship
  • faith
  • 1970s
  • biography
  • northern ireland
  • trial
  • thief
  • police corruption
  • torture
  • terrorism
  • ira (irish republican army)
  • ireland
  • courtroom
  • prison riot
  • belfast, north ireland
  • terrorist bombing
  • english police
  • father son conflict
  • innocent in jail
  • father son relationship
  • innocent man
  • irish history
  • irish
  • corrupt legal system
  • corrupt district attorney
  • irish resistance
  • irish writer
  • british injustice
  • british crimes

Release history · US

When it landed

  • Theatrical1994-02-25R

Also known as

International titles

  • Au Nom du PèreFR
  • Em Nome do PaiBR
  • En el nombre del padreES
  • W Imię OjcaPL
  • 以父亲的名义CN
  • В името на ОтцаBG
  • Ve jménu otceCZ
  • Isa nimelEE
  • Isän nimeenFI
  • Εις Το Όνομα Του ΠατρόςGR
  • 아버지의 이름으로KR
  • I faderns namnSE
  • Em Nome do PaiPT
  • Im Namen des VatersDE
  • Հորս ՀամարAM

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