Michael

Cinephile deep dive

The take

Markus Schleinzer directs. Gerald Kerkletz behind the camera. Lorenz Dangel scores. Wolfgang Widerhofer cuts. Runs lean at under 100 minutes. Produced in Austria, France. Dialogue in German.

Trivia

Things worth knowing

• 1Released 15 years ago.
• 2International production across 2 countries: Austria, France.
• 3Lean credit list — fewer than 30 people officially credited.
• 4Directed by Markus Schleinzer, shot by Gerald Kerkletz. Note their partnership — DPs and directors often return to each other across a career.
• 5Original score by Lorenz Dangel. Worth a dedicated listen after — most great films lose half their impact without the score.
• 6Editor Wolfgang Widerhofer shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
• 7Michael Fuith and David Rauchenberger and Christine Kain carry the top of the cast.
• 8IMDB entry: tt1906426 — still the authoritative cross-reference for credits and trivia.

The technical file

Cinematography

Gerald Kerkletz

Original score

Lorenz Dangel

Editing

Wolfgang Widerhofer

Production design

Katrin Huber

Costume design

Hanya Barakat

Runtime

96 min · 1h 36m

Status

Released

Box office

$15,714

Original language

DE

IMDB

Michael (2011) ↗

Rotten Tomatoes

78% 🍅 Fresh

Metacritic

64/100

IMDB rating

6.9/10 · 5,507 votes

MPAA

Not Rated

Also by

Markus Schleinzer

• 
  Rose

  2026 · ★ 7.7
• 
  Angelo

  2019 · ★ 3.5

Trailers & featurettes

Watch the pieces

• 

  ▶
  Michael trailer - out now on DVD, Blu-ray & on demand

  Trailer · Official
• 

  ▶
  MICHAEL - Trailer

  Trailer · Official

Community reviews

What people are saying

• John Chard2014-11-13
  ★ 8/10

  Tough to recommend, but very much a quality piece of work. The subject of paedophilia is naturally never going to be a topic that has people rushing out to theatres. It is what it is and it rightly induces horror and repulsion in straight thinking adults. Yet to simply stick our heads in the sand and ignore the issue is never the way to go, thankfully some directors are prepared to take up the hot baton and produce pictures to trouble and provoke thought in equal measure. Austrian film maker Markus Schleinzer has produced one such film, which is incredibly bold for his debut feature. Story explores the relationship between a middle aged paedophile played by Michael Fuith and the young boy he keeps locked in a secret basement room at his home, the youngster played by David Rauchenberger. The youngster is not held in some dark and damp room with no light, he is not chained up, Michael has in his own mind provided a loving and healthy home for his captive. He clearly loves the boy, watches TV with him, cooks him meals that they then eat together as if a "normal" couple. It's this banality that is so chilling, where coupled with how we see Michael functioning as a normal hard working man by day, really gnaws away at the senses. Thankfully, and rightly, the sexual abuse side of things is not shown, nobody wants to see that. The horror comes in the implications, or the aftermath and preludes to what our mind's eye is being prompted to create. There are extended periods of silence throughout the picture, often dialogue is clipped and kept to minimum to urge the viewers to piece together what is going through Michael's mind. This is the strength of Schleinzer's movie, he's not judging or sermonising, he's presenting a scenario that on the surface to the people outside of Michael's basement secret, is normality, and it's that that is harrowing. Monsters live and move amongst us, fact! But how come we never notice them? It's this that Schleinzer so subtlety has his film prod us with. A bunk bed construction scene has never been so chilling as it is here, and you may - like me - never be able to listen to Boney M again without your mind wandering elsewhere. It's a tough film, it has to be, but it's expertly crafted without exploitation tendencies by the director and performed with skill by the two principles. To simply call it sick and disgusting is a cop out, the makers deserve a bit more credit than that. It's intelligent and balanced and does a fine job of provoking reaction from the audience. 8/10

  Read full review ↓

Production companies

Who made it

• 

  Nikolaus Geyrhalter Filmproduktion

  AT

• 

  OFI

  AT

• 

  ORF

  AT

• CI

  Cine Tirol

  AT

• 

  Les Films du Losange

  FR

Key crew

• ProducerWolfgang Widerhofer
• ProducerMarkus Glaser
• ProducerNikolaus Geyrhalter
• ProducerMichael Kitzberger
• Production ManagerLouis Oellerer
• EditorWolfgang Widerhofer
• Co-DirectorKathrin Resetarits
• Production DesignKatrin Huber
• Costume DesignHanya Barakat
• Production DesignGerhard Dohr
• CastingCarmen Loley
• Assistant DirectorHanuš Polak jr.

Themes & keywords

What it's about, really

• kidnapping
• cellar
• young boy
• pedophile
• child kidnapping

Release history · US

When it landed

• Theatrical (limited)2011-09-14· Toronto International Film Festival

Also known as

International titles

• МихаэльRU