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The Passion of Joan of Arc poster

The Passion of Joan of Arc

"An Immortal Screen Classic that will live Forever!"

1928 1h 21m FR
🙌
8.0
BANGER
🔥
98%
CERTIFIED FRESH
💯
98
METACRITIC
⭐
8.1
IMDB
★8.0TMDB · 1,137🍅98%Rotten Tomatoes●98Metacritic★8.1IMDB · 67,728
DramaHistory
Synopsis
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A classic of the silent age, this film tells the story of the doomed but ultimately canonized 15th-century teenage warrior. On trial for claiming she'd spoken to God, Jeanne d'Arc is subjected to inhumane treatment and scare tactics at the hands of church court officials. Initially bullied into changing her story, Jeanne eventually opts for what she sees as the truth. Her punishment, a famously brutal execution, earns her perpetual martyrdom.

“An Immortal Screen Classic that will live Forever!”

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Cast

Credits

Behind the camera

Director
Carl Theodor Dreyer
Writers
Carl Theodor Dreyer, Joseph Delteil
Languages
No Language
Countries
France

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 7
RUNTIME

Did you know

81 minutes exactly — the "classic feature" runtime most directors aim for.

MoodPlayr · trivia#01
2 / 7
ERA

Did you know

98 years old — a genuine piece of film history.

MoodPlayr · trivia#02
3 / 7
DIRECTOR

Did you know

Directed by Carl Theodor Dreyer, shot by Rudolph Maté. Note their partnership — DPs and directors often return to each other across a career.

MoodPlayr · trivia#03
4 / 7
DIRECTOR

Did you know

Editor Carl Theodor Dreyer shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.

MoodPlayr · trivia#04
5 / 7
CAST

Did you know

Maria Falconetti and Eugène Silvain and André Berley carry the top of the cast.

MoodPlayr · trivia#05
6 / 7
FACT

Did you know

Marketing tagline: "An Immortal Screen Classic that will live Forever!".

MoodPlayr · trivia#06
7 / 7
WILD

Did you know

IMDB entry: tt0019254 — still the authoritative cross-reference for credits and trivia.

MoodPlayr · trivia#07

Cinephile deep dive

The take

Carl Theodor Dreyer directs. Rudolph Maté behind the camera. Carl Theodor Dreyer cuts. Runs lean at under 100 minutes. Produced in France. Dialogue in No Language.

Trivia

Things worth knowing

  • 181 minutes exactly — the "classic feature" runtime most directors aim for.
  • 298 years old — a genuine piece of film history.
  • 3Directed by Carl Theodor Dreyer, shot by Rudolph Maté. Note their partnership — DPs and directors often return to each other across a career.
  • 4Editor Carl Theodor Dreyer shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
  • 5Maria Falconetti and Eugène Silvain and André Berley carry the top of the cast.
  • 6Marketing tagline: "An Immortal Screen Classic that will live Forever!".
  • 7IMDB entry: tt0019254 — still the authoritative cross-reference for credits and trivia.
  • 8Classified under 25 themes, including "suffering", "court case", "judge", "sentence".
  • 9Released under 17 different titles around the world.

The technical file

Cinematography
Rudolph Maté
Editing
Carl Theodor Dreyer
Costume design
Valentine Hugo
Runtime
81 min · 1h 21m
Aspect ratio (typical)
1.37:1 (Academy)
Status
Released
Box office
$18,121
Original language
FR
Certification (US)
NR
Rotten Tomatoes
98% 🍅 Fresh
Metacritic
98/100
IMDB rating
8.1/10 · 67,728 votes
MPAA
Passed

Awards

4 wins & 1 nomination total

Also by

Carl Theodor Dreyer

Stills · wallpapers

Selected frames

Full-resolution frames — open one to save it as a wallpaper.

Trailers & featurettes

Watch the pieces

Community reviews

What people are saying

  • CinemaSerf
    ★ 7/10

    Maria Falconetti is superb as the eponymous tortured soul betrayed and tried for heresy in 15th century France. The history is well known, and Carl Theodor Dreyer sticks fairly faithfully to the more established, traditional, chronology which leaves us, the audience, to focus much more on the wonderfully emotive, gritty and poignant efforts from the cast and the wonderfully creative talent behind the camera. The combination of innovative, intimate and intense photography coupled with the beautifully expressive facial expressions from Miss Falconetti; the subtle but potent brutality of her persecutors - personified well by Eugene Silvain's Bishop Cauchon but also well exemplified by the cold and soul-less panel of judges all make this an effective and chilling film. The score - semi angelic, frequently intimidating but always powerful helps create an atmosphere that genuinely makes you feel fear and trepidation for this young woman, a pawn in things she little understands, but sticking faithfully to her beliefs of divine intervention and pureness of spirit. That emotional link is contagious, and even as a man of little faith myself, I found myself feeling an overwhelming pity for this person caught up in a trap of very much earthly ambition and deceit. It's a tough watch at times, especially as the chronicles remove even the slightest of chances for this woman. It is also pretty short - and that helps keep that momentum moving really well; there is no time for extended and sprawling cinematography to lessen the impact - it's a film about humanity, trauma and fear; and takes some beating...

  • cyberflixgold
    ★ 10/10

    There are a few different versions of this movie with different audio tracks. Dreyer himself criticized a bastardized version in the 1950s that changed the vignettes and audio to better fit for audiences of the time. I saw this movie long ago from a poor reproduction with what I assume was the original score and it was pretty good. Years later showed it to someone else and we saw the remastered Voices of Light version. It had been elevated to a true masterpiece. The higher video quality really lets us see Dreyer's decision to not use the extremely common heavy makeup found in the silent film era. The missing puzzle piece was found in the form of perfectly fitting vocals. Dreyer will simply have to excuse us for modifying his film.

  • TkA
    ★ 10/10

    This is a perfect film I love Jeanne d'Arc, the patron saint of soldiers.\ \ Before I saw this film, I had always considered 'The Messenger: The Story of Joan of Arc' to be the epitome of Jeanne d'Arc's story on film.\ \ When I found out about this film a few years later, I only watched it because of my love for Jeanne d'Arc. But I didn't think a silent black and white film from the 1920s would be able to stand up to a modern film. When it was over, I stood corrected, because The Passion of Joan of Arc proved to be one of the most powerful and moving films of all time.\ \ The incredible performances of Maria Falconetti (Jeanne), and every actor in the film was beyond perfect. The way they conveyed emotion through expression, and used their body language to speak volumes in this silent film, took hold of and captivated me. The camera work and settings were obviously far beyond their time. The director was truly a visionary. I completely fell in love with the film, and, for me at least, it became the pinnacle of Jeanne d'Arc's story on film.\ \ When I researched about the history of this film, it turns out we're very fortunate to have this film with us today. As It was almost lost to history. Thankfully by the grace of God, and the love and dedication of others who cherished this film, today we can still view this wonderful masterpiece.\ \ I highly recommend you give this a watch if you want to see a perfect film, especially if you love Jeanne d'Arc.\ \ 10//10.

Production companies

Who made it

  • SO

    Société générale des films

    FR

Key crew

  • EditorCarl Theodor Dreyer
  • Costume DesignValentine Hugo
  • EditorMarguerite Beaugé
  • Title GraphicsCarl Theodor Dreyer
  • Assistant DirectorPaul La Cour
  • MusicOle Schmidt
  • Assistant DirectorRalph Christian Holm
  • MusicJesper Kyd
  • Art DirectionJean Hugo
  • MusicVictor Alix
  • Art DirectionHermann Warm
  • MusicLéo Pouget

Themes & keywords

What it's about, really

  • suffering
  • court case
  • judge
  • sentence
  • woman martyr
  • heresy
  • trial
  • religion
  • torture chamber
  • black and white
  • saint
  • martyrdom
  • dove
  • silent film
  • catholicism
  • martyr
  • joan of arc
  • forgery
  • judiciary
  • 15th century
  • burning at stake
  • holy communion
  • bloodletting
  • inspirational
  • jeanne d'arc

Release history · US

When it landed

  • Theatrical1929-03-28NR· New York City, New York

Also known as

International titles

  • Die Passion der Jungfrau von OrléansDE
  • A Paixão de Joana d'ArcPT
  • Johanna von OrléansAT
  • Jeanne d'Arcs lidelse og dødDK
  • Страсти Жанны д'АркRU
  • La passione di Giovanna d'ArcoIT
  • La pasión de Juana de ArcoES
  • Męczeństwo Joanny d'ArcPL
  • Patimile Ioanei d'ArcRO
  • 裁かるるジャンヌJP
  • Τα πάθη της Ζαν Ντ’ ΑρκGR
  • Utrpení Panny orleánskéCZ
  • O Martírio de Joana D'ArcBR
  • 잔 다르크의 열정KR
  • 裁かるゝジャンヌJP

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