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81 years old — a genuine piece of film history.

"Having a wonderful time In Tokyo!"
Nick Condon, an American journalist in 20s Tokyo, publishes the Japanese master plan for world domination. Reaction from the understandably upset Japanese provides the action, but this is overshadowed by the propaganda of the time.
“Having a wonderful time In Tokyo!”
Where to watch · US

James Cagney
Nick Condon

Sylvia Sidney
Iris Hilliard

Porter Hall
Arthur Bickett

John Emery
Premier Gilchi Tanaka

Robert Armstrong
Col Hideki Tojo

Wallace Ford
Ollie Miller

Rosemary DeCamp
Edith Miller

John Halloran
Capt. Oshima
Credits
Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.
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Cinephile deep dive
Frank Lloyd directs. Theodor Sparkuhl behind the camera. Miklós Rózsa scores. Truman K. Wood cuts. Runs lean at under 100 minutes. Produced in United States of America. Dialogue in English, Japanese.
Trivia
Awards
Individual records documented via Wikidata; the summary above may count more.
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Trailers & featurettes
Community reviews
James Cagney is a journalist in pre-war Tokyo who gets embroiled in a tussle between the forces of Imperial aggression led by John Emery ("Tanaka") and those of peaceful conciliation headed by "Prince Tatsugu" (Frank Puglia). When the expansionists realise that Cagney is not going to play along - after bribery/threats and blackmail all fail to convince him; his very life is soon in peril - made worse once he is given a letter from the Prince that his opponents need back at all costs. Made at the end of WWII, it is a pretty obvious slice of propaganda, though it is tempered by some respect for the decent Japanese who did not want war, and it reflects their sense of "honour" in quite an interesting fashion - is it to the glory of the ancestors or just glorified cowardice? Cagney carries this pretty much single handedly. Marvin Miller is quite menacing as the dastardly "Yamada" too, but Sylvia Sidney as the plotting "Iris" doesn't remotely carry off her task as a scheming double-dealer and Rhys Williams ought to have stuck to his more jovial roles - he never could carry off meatier parts. The budget went on the star, the technical aspects of this leave quite a bit to be desired. It's a straight-up goodies v baddies film and nothing more complex than that...
Production companies
William Cagney Productions
US

United Artists
US
Themes & keywords
Release history · US
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