
Did you know
89 minutes exactly — the "classic feature" runtime most directors aim for.

A gritty mind-bending thriller about three twenty-somethings who find themselves in an impossible time labyrinth, where each day they awaken to the same terrifying day as the preceding one.
“Some stories are better left unspoiled.”

Dustin Milligan
Kyle Halsted

Amanda Crew
Sonia Logan

Richard de Klerk
Michael Weeks

Alexia Fast
Charlotte Halsted

Anja Savcic
Michelle

Gabrielle Rose
Peg Halsted

Hrothgar Mathews
Ed Logan

Ben Immanuel
Bob Simpson
Credits
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Cinephile deep dive
Carl Bessai directs. Carl Bessai behind the camera. Mark Shearer cuts. Runs lean at under 100 minutes. Produced in Canada. Dialogue in English.
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Community reviews
Good watch at best, probably won't watch again, but can recommend for time-shift loop fans ("Groundhog's Day"). I was all excited to stumble into another tim-shift loop movie, with Amanda Palmer no less. She's wildly underrated as an actress, mostly to having (probably) the worst role written on "Silicon Valley". This movie is basically "Groundhog's Day" for drug addicts. While the protagonist in the other movie was an egotistical jerk, he wasn't an evil person, but this movie decides to "Chronicle" with it and go with a "might makes right attitude" with one of the characters. The idea of an infinite war is actually pretty boring, and I think getting up everyday to run around shooting and raping people would grow old pretty fast. Usually the "high" of doing things like that is that you're taking agency to overcome rules and you're "special" because you're getting away with something other people won't. Usually there is also only one protagonist experiencing the loop because it gets funny when multiple people are looping ("Paradise Falls" actually does a good version of it.), and this movie doesn't make it fun. In fact, what could have been a fun, hilarious, and impressive movie actually really takes a hit for wanting to be dark and dirty when it really didn't need to be. Normally something like that adds substance and power to the movie, but I felt like it was just taxing to deal with. It didn't play into the plot heavily enough that it would have been a different movie without it, and it cheaply uses rape as a throwaway to example the character's removal from civil behavior. Those points aside, I really think this is a good movie, and I'm just more upset that it isn't a great movie.
Production companies
Rampart Films

Raven West Films
CA
Resonance Films
CA
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Release history · US
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