Project Hail Mary

"Believe in the Hail Mary."

2026 2h 37m EN

🤯

8.6

MASTERPIECE

🔥

95%

CERTIFIED FRESH

👌

METACRITIC

⭐

8.2

IMDB

★8.6TMDB · 8,216🍅95%Rotten Tomatoes●77Metacritic★8.2IMDB · 433,769

Science FictionAdventure

Synopsis

Spoiler shield

Science teacher Ryland Grace wakes up on a spaceship light years from home with no recollection of who he is or how he got there. As his memory returns, he begins to uncover his mission: solve the riddle of the mysterious substance causing the sun to die out. He must call on his scientific knowledge and unorthodox ideas to save everything on Earth from extinction.

“Believe in the Hail Mary.”

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Cast

Ryan Gosling
Ryland Grace
Sandra Hüller
Eva Stratt
James Ortiz
Rocky (voice)
Lionel Boyce
Carl
Milana Vayntrub
Olesya Ilyukhina
Ken Leung
Yao
Priya Kansara
Mary (voice)
Mia Soteriou
Dr. Browne

Credits

Behind the camera

Director: Phil Lord
Writers: Joel Venti, Drew Goddard, Tracey Wilson
Languages: Mandarin, English, Japanese, Russian, Spanish
Countries: United States of America

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 8

RUNTIME

Did you know

Clocks in at 157 minutes — on the longer side of feature-length cinema.

MoodPlayr · trivia#01

2 / 8

MONEY

Did you know

Budget of $200M — blockbuster tier. Only ~1% of films ever made reach this.

MoodPlayr · trivia#02

3 / 8

MONEY

Did you know

Made its money back 3.4× over at the box office.

MoodPlayr · trivia#03

4 / 8

ERA

Did you know

Released this year — you're seeing it while it's still in the cultural conversation.

MoodPlayr · trivia#04

5 / 8

WORLD

Did you know

Dialogue crosses 5 languages: Mandarin, English, Japanese, Russian, Spanish.

MoodPlayr · trivia#05

6 / 8

CAST

Did you know

566+ people credited in cast and crew — a small city's worth of labour.

MoodPlayr · trivia#06

7 / 8

DIRECTOR

Did you know

Directed by Phil Lord, shot by Greig Fraser. Note their partnership — DPs and directors often return to each other across a career.

MoodPlayr · trivia#07

8 / 8

DIRECTOR

Did you know

Original score by Daniel Pemberton. Worth a dedicated listen after — most great films lose half their impact without the score.

MoodPlayr · trivia#08

Cinephile deep dive

The take

Phil Lord directs. Greig Fraser behind the camera. Daniel Pemberton scores. Joel Negron cuts. Made its budget back several times over at the box office. Produced in United States of America. Dialogue in Mandarin, English, Japanese, Russian, Spanish.

Trivia

Things worth knowing

1Clocks in at 157 minutes — on the longer side of feature-length cinema.
2Budget of $200M — blockbuster tier. Only ~1% of films ever made reach this.
3Made its money back 3.4× over at the box office.
4Released this year — you're seeing it while it's still in the cultural conversation.
5Dialogue crosses 5 languages: Mandarin, English, Japanese, Russian, Spanish.
6566+ people credited in cast and crew — a small city's worth of labour.
7Directed by Phil Lord, shot by Greig Fraser. Note their partnership — DPs and directors often return to each other across a career.
8Original score by Daniel Pemberton. Worth a dedicated listen after — most great films lose half their impact without the score.
9Editor Joel Negron shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
10Ryan Gosling and Sandra Hüller and James Ortiz carry the top of the cast.
11Marketing tagline: "Believe in the Hail Mary.".
12IMDB entry: tt12042730 — still the authoritative cross-reference for credits and trivia.
13The top-rated still from this film on TMDB has 5 community votes — a signal the frame composition stuck with viewers.
14Classified under 17 themes, including "friendship", "coma", "based on novel or book", "bravery".
15Released under 13 different titles around the world.

The technical file

Cinematography: Greig Fraser
Original score: Daniel Pemberton
Editing: Joel Negron
Production design: Charles Wood
Costume design: David Crossman
Makeup / hair: Candice Banks
VFX supervisor: Paul Lambert
Sound: Erik Aadahl
Stunt coordinator: Eunice Huthart
Runtime: 157 min · 2h 37m
Aspect ratio (typical): 1.37:1 (Academy)
Status: Released
Budget: $200,000,000
Box office: $684,586,806
Return: 342% of budget
Original language: EN
Certification (US): PG-13
IMDB: Project Hail Mary (2026)
Rotten Tomatoes: 95% 🍅 Fresh
Metacritic: 77/100
IMDB rating: 8.2/10 · 433,769 votes
MPAA: PG-13

Awards

7 wins & 11 nominations total

Also by

Phil Lord

Stills · wallpapers

Selected frames

Full-resolution frames — open one to save it as a wallpaper.

Wallpaper

Trailers & featurettes

Watch the pieces

Community reviews

What people are saying

Brent Marchant2026-03-14
★ 6/10
When times are tough and world-weary souls have looked for an avenue of escapism to retreat from their woes, worries and weltschmerz, they’ve often flocked to the movies to relieve that pent-up pressure. And, at a time when it feels like the world is going to you-know-where in a you-know-what (like now), that’s true more than ever. So it’s with that in mind that this much-anticipated sci-fi space adventure from directors Phil Lord and Christopher Miller enters the picture, a release promulgated with the hope of providing that much-needed and much-hoped-for entertainment remedy. Unfortunately, it comes up seriously short of the mark. When once-famous but now-discredited scientist Ryland Grace (Ryan Gosling) redeems himself by discovering the cause of a space-based catastrophe lying in wait with the potential to devastate the Earth, he’s “recruited” by an international panel of investigators (led by a regrettably miscast Sandra Hüller) to participate in a mission to resolve the issue. He’s reluctant to go, given personal misgivings and his lack of experience as an astronaut, apprehensions that are unsurprisingly confirmed when he wakes up from hibernation to find he’s the only member of his crew to survive. He’s thus left to teach himself how to pilot his spacecraft on his own and to look for a solution to the impending calamity, one that has apparently affected all of our neighboring solar systems but one. And, upon his arrival at that sole surviving locale, he encounters a stone-faced alien whom he names “Rocky” (voiced by James Ortiz) who has been dispatched from his home world to this same location for the same purpose. Perhaps working together will yield an answer for this unlikely duo, but first these two very different beings must learn how to communicate if they’re to collaborate successfully, a challenge almost as big as their scientific dilemma. While this may sound like a plausible premise for an escapist fantasy offering, problems arise not so much in the nature of the story but in its error-filled execution. For starters, at a runtime of 2:36:00, it’s too long to maintain viewer interest with what it has to work with. That’s because the treatment never takes itself seriously enough to make audience members want to care about the characters or the outcome. Instead of creating a thrilling and engaging space adventure, the film becomes more of a lightweight buddy movie (and a very silly, almost juvenile, one at that). Comic relief is one thing, but this production carries this idea way too far, and this ends up becoming a chief source of the picture’s desperate need for editing. On top of this, the narrative isn’t especially original, combining tropes found in releases like “Interstellar” (2014), “The Martian” (2015), and, even as unlikely as it may sound, “Cast Away” (2000), with visual elements that look like they were plucked from “2001: A Space Odyssey” (1968) and “2010: The Year We Make Contact” (1984). And, speaking of visuals, the special effects are a decidedly mixed bag of images, with some stunningly beautiful and others that unbelievably look like they’re 40 years out of date (talk about continuity issues). Then there’s the lead performance by Gosling, who carries much of the picture by himself, again portraying (or attempting to portray) his signature supposedly soft-spoken everyman, but who, in this instance, routinely steps out of character and goes over the top with displays that are unmitigatedly hammy and cloying (much like his extraterrestrial co-star). Consequently, when all is said and done, “Project Hail Mary” comes up an unexpected disappointment, failing to deliver the goods that its marketing team so fervently promised. I realize that I probably sound cantankerous and curmudgeonly in my assessment and that this will likely end up being an unpopular opinion that goes against what most critics and viewers say about it, but I truthfully came away from this one feeling unsatisfied. Nevertheless, if you’re still compelled to see this one any way, at least do yourself the favor of watching it on an IMAX screen for best effect. But, if I were you, I’d wait for it to come to streaming instead.
CinemaSerf2026-03-15
★ 8/10
I think this might be my favourite sci-fi film since “Galaxy Quest” (1999) and like that, this is a solid and entertaining story led by an actor who is quite possibly getting better looking and more charismatic as he gets older. “Grace” (Ryan Gosling) is the kind of interactive science teacher that I’d have loved. Few text books, just gadgets, gizmos and beanbag factoids that appear to keep his teenage students interested and enthusiastic. When he leaves one afternoon he encounters the enigmatic "Eva” (Sandra Hüller) who knows of his more rebellious past amongst the scientific community and who invites him to participate in a crucial and global project. The sun is dying, and rapidly, and they have identified what they think might be the cause. Quickly identifying what he calls the “astrophage”, he is soon aboard an aircraft carrier in the middle of the ocean working on an antidote that might be sourced from a star light years from earth. A scientist he wants to be - an astronaut, well that's a different matter - and so after an unfortunate explosion that’s where “Eva” has a difficult decision to make. Running in parallel to this thread is one on a spaceship in a galaxy far, far, away - and where it’s lone astronaut has met and befriended another wanderer looking for a solution to this intergalactic plague. The two are pretty much polar opposites. They’ve no language in common and they don’t even breathe the same air - but some technical legerdemain, sign language, model making and good old-fashioned goodwill might just help them find a solution in time? Aside from a couple of quite sparing interventions from Hüller - and a mean bit of her karaoke, this is really just Gosling demonstrating that cardigans are cool as he hurtles through space. The writing provides him with some quite witty dialogue a well as just an hint or two of actual science; the visual effects are impressive too but ultimately it’s his amiable characterisation that makes us smile and tugs at our heartstrings almost simultaneously as their story races along for a couple of hours mixing jeopardy, humour and the power of friendship into it as it goes. It looks great on a big screen and I'd certainly be up for a sequel.
nick_0122026-03-19
★ 10/10
Incredible movie. So heartwarming and funny. The cinematography is gorgeous, the story is so entertaining and you get so emotionally invested to the characters. Ryan Gosling will never disappoint me.