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Troy

"For passion. For honor. For destiny. For victory. For love."

2004 2h 43m EN
👍
7.2
SOLID
★7.2TMDB · 11,587
ActionAdventure
Synopsis
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In year 1250 B.C. during the late Bronze age, two emerging nations begin to clash. Paris, the Trojan prince, convinces Helen, Queen of Sparta, to leave her husband Menelaus, and sail with him back to Troy. After Menelaus finds out that his wife was taken by the Trojans, he asks his brother Agamemnon to help him get her back. Agamemnon sees this as an opportunity for power. They set off with 1,000 ships holding 50,000 Greeks to Troy.

“For passion. For honor. For destiny. For victory. For love.”

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Cast

Credits

Behind the camera

Director
Wolfgang Petersen
Writers
David Benioff, Martin Asbury
Languages
English
Countries
United Kingdom, United States of America

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 8
RUNTIME

Did you know

Clocks in at 163 minutes — on the longer side of feature-length cinema.

MoodPlayr · trivia#01
2 / 8
MONEY

Did you know

$175M budget — tentpole studio territory.

MoodPlayr · trivia#02
3 / 8
ERA

Did you know

Released 22 years ago.

MoodPlayr · trivia#03
4 / 8
WORLD

Did you know

International production across 2 countries: United Kingdom, United States of America.

MoodPlayr · trivia#04
5 / 8
CAST

Did you know

325+ people credited in cast and crew — a small city's worth of labour.

MoodPlayr · trivia#05
6 / 8
DIRECTOR

Did you know

Directed by Wolfgang Petersen, shot by Roger Pratt. Note their partnership — DPs and directors often return to each other across a career.

MoodPlayr · trivia#06
7 / 8
DIRECTOR

Did you know

Original score by James Horner. Worth a dedicated listen after — most great films lose half their impact without the score.

MoodPlayr · trivia#07
8 / 8
DIRECTOR

Did you know

Editor Peter Honess shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.

MoodPlayr · trivia#08

Cinephile deep dive

The take

Wolfgang Petersen directs. Roger Pratt behind the camera. James Horner scores. Peter Honess cuts. A long sit — settle in. Profitable at the box office. Produced in United Kingdom, United States of America. Dialogue in English.

Trivia

Things worth knowing

  • 1Clocks in at 163 minutes — on the longer side of feature-length cinema.
  • 2$175M budget — tentpole studio territory.
  • 3Released 22 years ago.
  • 4International production across 2 countries: United Kingdom, United States of America.
  • 5325+ people credited in cast and crew — a small city's worth of labour.
  • 6Directed by Wolfgang Petersen, shot by Roger Pratt. Note their partnership — DPs and directors often return to each other across a career.
  • 7Original score by James Horner. Worth a dedicated listen after — most great films lose half their impact without the score.
  • 8Editor Peter Honess shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
  • 9Brad Pitt and Orlando Bloom and Eric Bana carry the top of the cast.
  • 10Marketing tagline: "For passion. For honor. For destiny. For victory. For love.".
  • 11IMDB entry: tt0332452 — still the authoritative cross-reference for credits and trivia.
  • 1211,587 TMDB user ratings logged — serious cultural footprint.
  • 13Classified under 25 themes, including "adultery", "sibling relationship", "hostility", "bravery".

The technical file

Cinematography
Roger Pratt
Original score
James Horner
Editing
Peter Honess
Production design
Nigel Phelps
Costume design
Bob Ringwood
Makeup / hair
Lynda Armstrong
VFX supervisor
Huseyin Caner
Sound
David E. Campbell
Stunt coordinator
Simon Crane
Runtime
163 min · 2h 43m
Aspect ratio (typical)
1.37:1 (Academy)
Status
Released
Budget
$175,000,000
Box office
$497,409,852
Return
284% of budget
Original language
EN
Certification (US)
R

Also by

Wolfgang Petersen

Stills · wallpapers

Selected frames

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Trailers & featurettes

Watch the pieces

Community reviews

What people are saying

  • Wuchak
    ★ 10/10

    "Where does it end?" -- "It never ends." If Homer's mythical epic "The Iliad" is based on a factual story, that story is magnificently depicted in Wolfgang Petersen's 2004 epic "Troy." In other words, don't expect any goofy 'gods' or 'goddesses' like Athena popping out of thin air because "Troy" is a realistic portrayal of the Trojan war. More than that, "Troy" is arguably the best sword & sandal epic ever put to film. You name the picture -- "Samson and Delilah," "Spartacus," "Ben-Hur," "Ulysses," "The Viking Queen," “Conan the Barbarian,” "Braveheart," "Attila," "The Odyssey," "Gladiator," etc. -- "Troy" is superior. At the very least it’s as good as some of the better flicks just noted, like "Ben-Hur," and far edges out "Spartacus" and "Samson and Delilah." As for more recent sword & sandal epics, like the overrated "Braveheart" or "Gladiator," "Troy" blows 'em out of the water. Roger Ebert is a great writer and critic, but his mediocre review of "Troy" is all wrong. Ebert's major criticisms, believe it or not, are the main reasons I have such high respect for this film: He complains that Petersen omitted the many Greek 'gods' & 'goddesses' and gripes that the actors perform their roles as believable people and not larger-than-life caricatures. This can, of course, be respectably done, as in the 1955 film "Ulysses," but this is not what Petersen was shooting for in "Troy." His goal, as already noted, was to depict the actual Trojan War on which Homer's myth is based. (Even if it never really took place, wars LIKE IT did). Regarding Brad Pitt's heavily criticized performance as Achilles, I couldn’t care less about Pitt until seeing this movie as he does an outstanding job portraying Greece's greatest warrior. No, he's not the bulkiest warrior to ever grace the earth, but he's fast as lightning, confident, expertly skilled and deadly accurate. Even his voice completely fits the role. Eric Bana (from "Hulk") is also great as Hector, Achilles' Trojan counterpart, who's sick of war and just wants to live a life of peace with his family. These two have a showdown in the film and it is without a doubt the greatest mano-a-mano sword & sandal duel ever filmed. What's interesting about the picture is that you never really end up rooting for one side or the other. When Achilles and Hector have their powerful face-off, my wife and I couldn't decide for whom to root. Maybe that's the point. Don't get me wrong, Agamemnon could be viewed as the villain in this picture, and I wasn't rooting for Menelaus when he fights Paris (Orlando Bloom, who seduces Helen, Menelaus' wife), but neither the Greeks nor the Trojans are painted as the 'good guys' or 'bad guys.' They're just people at war, and in war there's no real glory, as Hector points out... and it never ends, as Achilles states. An additional point is that living in a state of war is a JOYLESS existence. And both Bana and Pitt get this across well. As for beautiful women, there are only a couple mentionable: Diane Kruger plays Helen, "the face that launched a thousand ships." Some have complained that she's too plain for the role, but I disagree. I’m not a fan of hers or anything, but she looks pretty dang sharp to me (not to mention has an impressive behind shot). Besides, beauty is in the eyes of the beholder. If Paris deems her worthy of starting a war, who are we to disagree? Also on hand is cutie Rose Byrne who plays Briseis, the virgin priestess whom Achilles converts to the pleasures of the flesh. I should point out that "Troy" was one of the most expensive pictures ever made at the time and it definitely SHOWS on the screen. Make no mistake, "Troy" is breath-taking just to WATCH -- the colossal armies, ships and battles are awe-inspiring to behold, not to mention the Maltan and Mexican locations. And the CGI effects are outstanding for the time, not fake-looking like the Rome & Coliseum scenes in "Gladiator." Another complaint by Ebert is that the dialogue is lousy; nothing could be further from the truth. There are great pieces of dialogue interspersed throughout, including Achilles' comment that the 'gods' envy people because we're mortal and "Everything's beautiful because we're doomed." Thankfully, there's not one goofy one-liner anywhere to be found. James Horner's score should also be mentioned. If you enjoyed the soundtrack of "The Passion of the Christ" you'll love this one because it's just as good/serious/reverent/powerful. For instance, the intense percussion during Achilles and Hector's showdown is magnificent. Interestingly, Brad Pitt, who plays Achilles, injured his Achilles tendon during shooting. Fitting, no? FINAL WORD: If you're in the mood for a sword & sandal epic, "Troy" more than fills the bill. The story captivates from the get-to and never lets up the entire 2.5 hour runtime (technically 2 hours, 42 minutes, with credits). It extravagantly visualizes the Trojan War for you, something I never did until seeing this mind-blowing, outstanding piece of cinema. GRADE: A+

  • John Chard

    It's yours, take it. Trojan prince Paris is not only having an affair with Spartan Menelaus' woman, Helen. He also lures her away to live with him in Troy. Thus giving the global domination obsessed King Agamenon the launch pad to war with Troy. Which in turn brings into conflict Spartan hero Achilles and Hector of Troy, two of the greatest warriors that ever lived. Troy, budgeted at $175 million, and given to director Wolfgang Petersen with orders to craft a swordplay epic based on Homer's Illiad, is not the truly great picture it really should have been. It is, however, a spectacle of sorts, that by way of the extended directors cut, becomes a fine enough addition to the genre it so clearly wanted to crown. The problems are evident from the off. The casting of Brad Pitt as Achilles always looked to have been based purely on looks. Nicely toned body and brooding close ups do not a warrior make, and thus, as good an actor as Pitt definitely is, this is a role (and genre) too far. Diane Kruger as Helen is under written, which since at the time was a poor actress yet to bloom turns out to be a bonus here, and Orlando Bloom playing the wimp like Lothario Paris the way he should do - still gets out acted and swamped by all around him. The other main problem is how uneven the story telling is. Petersen looks confused as how to condense the Trojan war in the running time, whilst also juggling the emphasis of the two great warriors at its core. That Eric Bana's excellent portrayal of Hector comes through the jumble is a testament to Bana's ability and nothing else. The good is, well, rather good though. Agamemnon, courtesy of a nasty turn from Brian Cox, is well formed. It gives the picture a reason for being outside of it being a war about some bloke stealing a woman from another bloke. Imperial cravings and a genuine thirst for blood helps lift Troy out of the rocky waters it had found itself in. Peter O'Toole, Brendan Gleeson and Sean Bean do fine work with what little they have got, and the production values on offer are hugely impressive. The fight sequences impact and are full of gusto. The fight off between Hector and Achilles is superbly choreographed (fought out to a score that James Horner has lifted from the one Danny Elfman used for Planet Of The Apes three years earlier) and the battle between the armies outside the walls of troy sits with the best in the genre. CGI is often called the bane of cinema, but when used so well as it is here (see the ships approaching Troy for instance) it proves to be an effective and entertaining tool. Troy has problems, of that there is no doubt. But come the end one knows that it has been entertained, one knows that this was a time of heroes. So with that, and the knowledge that the film made a profit of just over £320 million worldwide, Petersen can smugly sit in his chair musing it was job done. 7/10

  • r96sk
    ★ 8/10

    A long watch, but just about a worthwhile one. I enjoyed <em>'Troy'</em>, in short. A film, interestingly given his recent exploits, written by a certain David Benioff. It definitely has more than a few pacing issues, but they only affect the enjoyment factor minorly - at least to me. The score is a little lacklustre, mind. The casting is outstanding, even if I don't think all the performances are anything to truly shout about. I found Brad Pitt and Eric Bana, although entertaining, a bit wooden in parts. Elsewhere, Orlando Bloom and Sean Bean are arguably underused from an acting viewpoint - though their characters play huge parts, of course. You also have a load of other familiar faces, from Peter O'Toole to Brendan Gleeson to Rose Byrne to Diane Kruger. The definition of an ensemble. The action helps keep things moving, the battle sequences are very nicely done. The film takes an age to reach the event that everyone knows about, but when it finally does it's excellent. The cast and the action are my big takeaways from this. I couldn't comment on its accuracy on the original work. As a film, for me, it's very good.

Production companies

Who made it

  • Warner Bros. Pictures

    Warner Bros. Pictures

    US

  • Plan B Entertainment

    Plan B Entertainment

    US

  • RA

    Radiant Productions

    US

  • HE

    Helena Productions

    GB

Key crew

  • Set DecorationPeter Young
  • ProducerColin Wilson
  • Costume DesignBob Ringwood
  • Art DirectionAdam O'Neill
  • Art DirectionMarco Niro
  • Art DirectionJulian Ashby
  • Art DirectionAndy Nicholson
  • ProducerDiana Rathbun
  • CastingLucinda Syson
  • EditorPeter Honess
  • Set DecorationAnna Pinnock
  • ProducerWolfgang Petersen
  • Production DesignNigel Phelps
  • Art DirectionJon Billington
  • StuntsTony Tomlinson
  • StuntsAmie Stephenson
  • StuntsNeville Strydom
  • StuntsMark Mottram
  • StuntsGuy List
  • StuntsBret Yount
  • StuntsJiří Kraus
  • StuntsWolfgang Raach
  • StuntsAttila Móra
  • StuntsDavid Lištván

Themes & keywords

What it's about, really

  • adultery
  • sibling relationship
  • hostility
  • bravery
  • mythology
  • beauty
  • trojan war
  • wall
  • fraud
  • sword fight
  • battlefield
  • historical fiction
  • ancient world
  • based on song, poem or rhyme
  • pyre
  • ancient greece
  • peplum
  • trojan horse
  • bronze age
  • sparta greece
  • ships
  • sword and sandal
  • 12th century bc
  • achilles
  • helen of troy

Release history · US

When it landed

  • Theatrical2004-05-14R
  • Physical2005-01-04R· DVD / VHS

Also known as

International titles

  • Untitled 'The Illiad' ProjectUS
  • ترویIR
  • 特洛伊CN
  • ՏռոյաAM
  • 特洛伊:木马屠城CN
  • मोहब्बत की जंगIN
  • TróiaBR
  • TroyaAZ

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