QT8: The First Eight

Cinephile deep dive

The take

Tara Wood directs. Jake Zortman behind the camera. Doran Danoff scores. Eric Myerson cuts. Produced in United States of America. Dialogue in English.

Trivia

Things worth knowing

• 1Released 7 years ago.
• 2Directed by Tara Wood, shot by Jake Zortman. Note their partnership — DPs and directors often return to each other across a career.
• 3Original score by Doran Danoff. Worth a dedicated listen after — most great films lose half their impact without the score.
• 4Editor Eric Myerson shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
• 5Quentin Tarantino and Zoë Bell and Louis Black carry the top of the cast.
• 6Marketing tagline: "There will always be blood, brilliance and controversy.".
• 7IMDB entry: tt4329810 — still the authoritative cross-reference for credits and trivia.
• 8Classified under 15 themes, including "movie business", "pop culture", "biography", "director".

The technical file

Cinematography

Jake Zortman

Original score

Doran Danoff

Editing

Eric Myerson

Sound

Alex Weiss

Runtime

103 min · 1h 43m

Aspect ratio (typical)

1.37:1 (Academy)

Status

Released

Box office

$101,346

Original language

EN

IMDB

QT8: The First Eight (2019) ↗

Also by

Tara Wood

• 
  Tim Burton: Life in the Line

  2025 · ★ 10.0

Stills · wallpapers

Selected frames

Full-resolution frames — open one to save it as a wallpaper.

Wallpaper Wallpaper Wallpaper Wallpaper

Trailers & featurettes

Watch the pieces

• 

  ▶
  Official Trailer

  Trailer · Official
• 

  ▶
  Official UK Trailer

  Trailer · Official

Community reviews

What people are saying

• tmdb280390232022-08-29
  ★ 1/10

  QT8: The First Eight is the wrong title for this documentary/hagiography of Quentin Tarantino. Never mind the cacophony of of having two 'eights' (even if it is, as I suspect, a reference to the Crazy 88, it’s still pretty lame); a more accurate title would be The First Three That Actually Matter and the Six (counting Once Upon a Time in Hollywood) Bloated, Masturbatory, Overrated Ego Trips that Followed. Like it or lump it, there is a 'before and after' Jackie Brown. Tarantino’s transition from genius to raving lunatic began with Kill Bill, and reached an apex with the pointless exercises in historic revisionism that are Inglorious Basterds and Once Upon a Time in Hollywood. Back to QT8, I would normally dismiss a documentary about a living person wherein that person is conspicuous by his absence as nothing more than a fucking waste of everybody’s time — in this case, however, I’ll file it under 'addition by subtraction.' Arguably the best thing about this movie is that Tarantino is nowhere to be seen or heard. The second best thing about about the film are the contributions of Michael Madsen, Sam Jackson, and Christoph Waltz (and, to a lesser extent, Tim Roth, Bruce Dern, Kurt Russell, and Jamie Foxx). Their interventions are entertaining and insightful, and carry the weight of credibility. In contrast, when I hear some nobody saying "Watching [Reservoir Dogs] with enough audiences ... [Tarantino] realized that he needed to give the audience permission to laugh," I’m like, you’re not telling me what he thought; at best, you’re telling me what you think he though — then again, that’s par for the course in a documentary where everything, regardless of whether the source is trustworthy or not, is secondhand information. In consequence, Tarantino is not there to explain the actions that led him to almost killing Uma Thurman and apologize for them — not that he needs to, though; since this is a Quentin lovefest, the blame somehow gets shifted to Harvey Weinstein, which is a bad move even if Weinstein is bad himself; blame the man, and rightfully so, for the crap he’s done (god knows there’s plenty of that), nor for the crap he didn’t do just, especially not just so you can get your golden boy off the hook. At one point, to illustrate Tarantino’s infectious enthusiasm, Waltz says "It's like going to a whore house to get infected with the syphilis." I’m sure it sounded better in his head, but this ill-conceived simile unwittingly makes a good point. I’m reminded of Doctor Faustus, a novel by Waltz’s compatriot Thomas Mann, whose hero literally and willingly contracts syphilis because he equates madness with artistic genius; the ensuing progressive disease reduces him to an infantile state in which he lives out the remainder of his short life under the care of his relatives. I’m going to go out on a limb and assume that Tarantino doesn’t have syphilis — but then, what’s his excuse?

  Read full review ↓

Production companies

Who made it

• WO

  Wood Entertainment

  US

Key crew

• ProducerTara Wood
• ProducerJake Zortman
• Executive ProducerAllen Gilmer
• Executive ProducerKatelyn Lieber
• Executive ProducerAdam Marino
• Executive ProducerKarma Cloud Montagne
• Executive ProducerRiki Rushing
• EditorEric Myerson
• EditorJeremy Ward
• Sound MixerKen Pries
• Sound SupervisorDan Snow
• Animation DirectorBrad Graeber
• Animation DirectorShane Minshew
• Sound Re-Recording MixerAlex Weiss

Themes & keywords

What it's about, really

• movie business
• pop culture
• biography
• director
• hollywood star
• rise to fame
• semi-biographical
• film director
• famous people
• portrait of a filmmaker
• documentary
• true cinema
• art documentary
• harvey weinstein
• creative director

Release history · US

When it landed

• Theatrical (limited)2019-10-21

Also known as

International titles

• 21 Years: Quentin TarantinoUS
• 21 год: Квентин ТарантиноRU
• Tarantino totalES
• QT 8 : Quentin Tarantino en 8 filmsFR
• クエンティン･タランティーノ 映画に愛された男JP
• QT8 Quentin Tarantino - The First EightUS
• Quentin Tarantino - The First Eight (2019)DE