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My Salinger Year poster

My Salinger Year

"The true story of a literary education."

2020 1h 41m EN
😐
6.3
MID
★6.3TMDB · 208
Drama
Synopsis
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A college grad takes a clerical job working for the literary agent of the renowned, reclusive writer J.D. Salinger.

“The true story of a literary education.”

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Cast

Credits

Behind the camera

Director
Philippe Falardeau
Writers
Philippe Falardeau
Languages
English, French, Spanish
Countries
Canada, Ireland

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 8
ERA

Did you know

Released 6 years ago.

MoodPlayr · trivia#01
2 / 8
WORLD

Did you know

Dialogue crosses 3 languages: English, French, Spanish.

MoodPlayr · trivia#02
3 / 8
WORLD

Did you know

International production across 2 countries: Canada, Ireland.

MoodPlayr · trivia#03
4 / 8
CAST

Did you know

291+ people credited in cast and crew — a small city's worth of labour.

MoodPlayr · trivia#04
5 / 8
DIRECTOR

Did you know

Directed by Philippe Falardeau, shot by Sara Mishara. Note their partnership — DPs and directors often return to each other across a career.

MoodPlayr · trivia#05
6 / 8
DIRECTOR

Did you know

Original score by Martin Léon. Worth a dedicated listen after — most great films lose half their impact without the score.

MoodPlayr · trivia#06
7 / 8
DIRECTOR

Did you know

Editor Mary Finlay shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.

MoodPlayr · trivia#07
8 / 8
CAST

Did you know

Margaret Qualley and Sigourney Weaver and Douglas Booth carry the top of the cast.

MoodPlayr · trivia#08

Cinephile deep dive

The take

Philippe Falardeau directs. Sara Mishara behind the camera. Martin Léon scores. Mary Finlay cuts. Produced in Canada, Ireland. Dialogue in English, French, Spanish.

Trivia

Things worth knowing

  • 1Released 6 years ago.
  • 2Dialogue crosses 3 languages: English, French, Spanish.
  • 3International production across 2 countries: Canada, Ireland.
  • 4291+ people credited in cast and crew — a small city's worth of labour.
  • 5Directed by Philippe Falardeau, shot by Sara Mishara. Note their partnership — DPs and directors often return to each other across a career.
  • 6Original score by Martin Léon. Worth a dedicated listen after — most great films lose half their impact without the score.
  • 7Editor Mary Finlay shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
  • 8Margaret Qualley and Sigourney Weaver and Douglas Booth carry the top of the cast.
  • 9Marketing tagline: "The true story of a literary education.".
  • 10IMDB entry: tt2222052 — still the authoritative cross-reference for credits and trivia.
  • 11Classified under 19 themes, including "new york city", "based on novel or book", "roommates", "romance".

The technical file

Cinematography
Sara Mishara
Original score
Martin Léon
Editing
Mary Finlay
Production design
Elise de Blois
Costume design
Ann Roth
Makeup / hair
Joan Patricia Parris
Sound
Fionn Higgins
Runtime
101 min · 1h 41m
Aspect ratio (typical)
1.37:1 (Academy)
Status
Released
Box office
$236,653
Original language
EN
Certification (US)
R

Also by

Philippe Falardeau

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Community reviews

What people are saying

  • tmdb28039023
    ★ 1/10

    J.D. Salinger didn’t write to be read – or seen. The author of The Catcher in the Rye stopped publishing in 1965 – but continued writing until his death 45 years later –, and long before that he had made up his mind to refuse to allow film adaptations of his work (a non-acceptance that has miraculously survived him). As a result, the lazy and the uncreative have had to find alternative avenues for profiting from Salinger's work. The most recent example of this is My Salinger Year, a drama written and directed by Philippe Falardeau, based on Joanna Rakoff's memoir of the same name. In 1995, Joanna (Margaret Qualley), an aspiring writer and poet, moves to New York, where she gets a job at one of New York's oldest literary agencies. Unbeknownst to Joanna, the agency looks after the interests of notoriously reclusive writer J. D. Salinger (additionally, she moves into an apartment with her new boyfriend, who is writing a novel, which, when finished, fits perfectly inside a thin manila envelope; I’d venture that perhaps the envelope contains a flash drive with the book in it, but this is the mid-90s, after all). Joanna's duties include responding to Salinger's voluminous fan mail. According to agency policy, Joanna replies with a generic formula explaining that Salinger does not read fan letters (and if the letters were anything like the ones in the movie, he wasn't missing much – and neither were we). She, however, becomes tempted to write back something with a little more substance to certain Salinger fans – though not having read any of his work (not even Catcher), it’s hard to tell what led her to believe she was qualified to become Salinger’s self-appointed mouthpiece. The only reason the writer's last name appears in the title of this movie is to lure unsuspecting viewers into watching it in hopes of learning something valuable about Salinger. As it turns out, though, the plot has little or nothing to do with the author (and it isn’t even clever enough to be a pastiche like Igby Goes Down) except a perverse eagerness to pry into and exploit his two most valued possessions: his privacy and his art. Consider this: in May 1986, Salinger discovered that British writer Ian Hamilton intended to publish a biography that made extensive use of letters Salinger had written to other authors and friends. Salinger sued to stop publication of the book, and in Salinger v. Random House, the court ruled that Hamilton's extensive use of the letters, including quoting and paraphrasing, was not acceptable as the author's right to control publication overrode the right of fair use. It doesn't take a genius to conclude that Salinger wouldn't be much happier with a book and film based on correspondence that he didn't read – let alone replied to –, starring a character who has deliberately avoided the author’s oeuvre, because she wants to be “provoked,” not “entertained.” All things considered, My Salinger Year is neither provocative nor entertaining.

Production companies

Who made it

  • micro_scope

    micro_scope

    CA

  • PA

    Parallel Films

    IE

Key crew

  • BookJoanna Rakoff
  • Art DirectionClaude Tremblay
  • Sound DesignerFionn Higgins
  • Sound Re-Recording MixerBernard Gariépy Strobl
  • Casting DirectorRosina Bucci
  • Casting DirectorNadia Rona
  • Post Production SupervisorErik Daniel
  • First Assistant DirectorMichel Marrec
  • Second Assistant DirectorFanny Hudon
  • Script SupervisorMona Medawar
  • Extras CastingJulie Breton
  • Extras Casting AssistantMelissa Nepton
  • Additional EditingFrédérique Broos
  • Location ManagerPatricia Durocher
  • Production CoordinatorHélène Muller
  • Production CoordinatorKathy Ann Thomas
  • Production SecretaryMary-Anne Awori
  • Travel CoordinatorMary-Anne Awori
  • Third Assistant DirectorFlorelle Del Burgo
  • Third Assistant DirectorAnik Drapeau
  • First Assistant "A" CameraMartin Lebel
  • Second Assistant "A" CameraMarie-Pierre Gratton
  • Camera TraineeJonathan Auger
  • Camera TraineeOlivia Nikolayenko

Themes & keywords

What it's about, really

  • new york city
  • based on novel or book
  • roommates
  • romance
  • coming of age
  • flashback
  • author
  • memory
  • literary agent
  • typewriter
  • novelist
  • poetry reading
  • boyfriend girlfriend relationship
  • aspiring writer
  • 1990s
  • fan mail
  • jd salinger
  • admiring
  • adoring

Release history · US

When it landed

  • Theatrical (limited)2021-03-05R

Also known as

International titles

  • My New York YearGB
  • 我的塞林格之年CN
  • 当我成为塞林格CN
  • My New York DiaryKR
  • O Meu Ano Com SalingerPT
  • Meu Ano em Nova YorkBR
  • Мой год в Нью-Йорке [My Salinger Year (2020)]RU
  • Mi año con SalingerES
  • Мой год СэлинджераRU

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