Palm Springs

"Live like there's no tomorrow"

2020 1h 30m EN

👍

7.3

SOLID

🔥

95%

CERTIFIED FRESH

💯

METACRITIC

⭐

7.4

IMDB

★7.3TMDB · 3,926🍅95%Rotten Tomatoes●83Metacritic★7.4IMDB · 208,998

ComedyRomanceScience Fiction

Synopsis

Spoiler shield

When carefree Nyles and reluctant maid of honor Sarah have a chance encounter at a Palm Springs wedding, things get complicated when they find themselves unable to escape the venue, themselves, or each other.

“Live like there's no tomorrow”

WhatsApp X Facebook Telegram

Where to watch · US

HuluSubscription

Cast

Andy Samberg
Nyles
Cristin Milioti
Sarah
J.K. Simmons
Roy
Peter Gallagher
Howard
Meredith Hagner
Misty
Camila Mendes
Tala
Tyler Hoechlin
Abe
Chris Pang
Trevor

Credits

Behind the camera

Director: Max Barbakow
Writers: Andy Siara, Max Barbakow, Andy Siara
Languages: English, Spanish
Countries: United States of America

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 8

RUNTIME

Did you know

90 minutes exactly — the "classic feature" runtime most directors aim for.

MoodPlayr · trivia#01

2 / 8

MONEY

Did you know

Earned back only 36% of its budget on initial theatrical — a commercial disappointment on release.

MoodPlayr · trivia#02

3 / 8

ERA

Did you know

Released 6 years ago.

MoodPlayr · trivia#03

4 / 8

WORLD

Did you know

Dialogue crosses 2 languages: English, Spanish.

MoodPlayr · trivia#04

5 / 8

DIRECTOR

Did you know

Directed by Max Barbakow, shot by Quyen Tran. Note their partnership — DPs and directors often return to each other across a career.

MoodPlayr · trivia#05

6 / 8

DIRECTOR

Did you know

Original score by Matthew Compton. Worth a dedicated listen after — most great films lose half their impact without the score.

MoodPlayr · trivia#06

7 / 8

DIRECTOR

Did you know

Editor Andrew Dickler shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.

MoodPlayr · trivia#07

8 / 8

CAST

Did you know

Andy Samberg and Cristin Milioti and J.K. Simmons carry the top of the cast.

MoodPlayr · trivia#08

Cinephile deep dive

The take

Max Barbakow directs. Quyen Tran behind the camera. Matthew Compton scores. Andrew Dickler cuts. Runs lean at under 100 minutes. A commercial under-performer on release. Produced in United States of America. Dialogue in English, Spanish.

Trivia

Things worth knowing

190 minutes exactly — the "classic feature" runtime most directors aim for.
2Earned back only 36% of its budget on initial theatrical — a commercial disappointment on release.
3Released 6 years ago.
4Dialogue crosses 2 languages: English, Spanish.
5Directed by Max Barbakow, shot by Quyen Tran. Note their partnership — DPs and directors often return to each other across a career.
6Original score by Matthew Compton. Worth a dedicated listen after — most great films lose half their impact without the score.
7Editor Andrew Dickler shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
8Andy Samberg and Cristin Milioti and J.K. Simmons carry the top of the cast.
9Marketing tagline: "Live like there's no tomorrow".
10IMDB entry: tt9484998 — still the authoritative cross-reference for credits and trivia.
11Classified under 16 themes, including "alcohol", "cave", "time travel", "earthquake".

The technical file

Cinematography: Quyen Tran
Original score: Matthew Compton
Editing: Andrew Dickler
Production design: Jason Kisvarday
Costume design: Colin Wilkes
Makeup / hair: Galaxy San Juan
VFX supervisor: Sam Winkler
Sound: Robert Chen
Stunt coordinator: T.J. White
Runtime: 90 min · 1h 30m
Aspect ratio (typical): 1.37:1 (Academy)
Status: Released
Budget: $5,000,000
Box office: $1,818,417
Return: 36% of budget
Original language: EN
Certification (US): R
IMDB: Palm Springs (2020)
Rotten Tomatoes: 95% 🍅 Fresh
Metacritic: 83/100
IMDB rating: 7.4/10 · 208,998 votes
MPAA: R

Awards

16 wins & 43 nominations total

Also by

Max Barbakow

Stills · wallpapers

Selected frames

Full-resolution frames — open one to save it as a wallpaper.

Wallpaper

Trailers & featurettes

Watch the pieces

Community reviews

What people are saying

Manuel São Bento2020-07-03
★ 9/10
If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com If you've been following me for a while, you know I'm not the biggest fan of rom-coms. It's not that I don't like the genre (I appreciate and enjoy every single one), but I find its movies tremendously difficult to really love. The massive majority follow the genre's formulas and cliches to such an extent that I rarely end up truly loving one of these films. Some are way too cheesy. Others are way too unrealistic and dream-like. But the aspect that throws me off the most is the lack of originality. I can't remember the last rom-com I watched that didn't borrow from countless other installments. I didn't know a thing about Palm Springs: no trailers, no knowledge of critics/audience's opinion, nothing... And I'm extremely happy about that! I usually watch the main trailer for every film I review after I've seen the actual movie. I ignore all other trailers, clips, images, and so on. I do this so I can have some sort of knowledge regarding how far I can take my spoiler-free reviews. This way, I'm sure that I don't write about something I shouldn't. The official trailer for this film doesn't ruin the experience in any way, but it does tell its viewers the most relevant aspect of its screenplay. So, I could address it in this review, but I won't... because I enjoyed this movie a lot more, not knowing a thing about it than if I knew how it developed its story. Therefore, I'll keep it really vague, and just write that Andy Siara's first feature-film screenplay can easily snatch a couple of nominations when the awards season comes around. This is a rom-com like no other due to its refreshingly unique concept. It's true that it's not an entirely new method of storytelling. Many other movies also employ this idea, but Siara holds so many surprises within his narrative and so few of the genre's common traits that the whole film is elevated by his outstanding writing. It's one of the most entertaining movies of the year. With a short runtime and a fast pace, Palm Springs is constantly being genuinely fun, engaging, and even mysteriously intriguing. Its original plot makes the viewer think and remember previous lines that take a whole different meaning a few minutes later. There are no predictably dumb narrative decisions, and its characters escape the cheesy and forced relationships that these films usually insert them in. The dialogues are hilariously captivating. Almost every single plot point packs an emotional punch, a jaw-dropping revelation that never crossed the viewer's mind. Andy Samberg and Cristin Milioti share such great chemistry. Their characters are exceptionally developed, and their relationship feels incredibly real. I'm rarely that viewer who requires the main characters to be together, kiss, fall in love, and all that, but Nyles and Sarah are two wonderful protagonists I can definitely root for. Both carry an interesting "baggage", which is also explored at a deep level. They deal very differently with the "situation" that the story puts them in, and it's so much fun to watch them go through it and evolve as characters. Oh, and J.K. Simmons (Roy)... this man doesn't know how not to be utterly remarkable! Max Barbakow (directorial debut) demonstrates his talents as well, by allowing Siara's screenplay to shine under impeccable direction. Tonally, it never loses its balance. It keeps its comedy pretty grounded, considering the craziness of its premise. It never relies on the genre's formulas, cliches, and cheesy outcomes. It really separates itself from the majority of modern rom-coms. I don't really have any flaws to point out... The ending does have a "just accept it" narrative component, and there are a couple of unnecessary scenes, but I'm nitpicking here. I can't believe I'm going to write this, but Palm Springs is not only one of the best rom-coms I've ever seen, but it's also one of the best (if not the best) movies of 2020, so far. With the help of their first-time director (Max Barbakow), Andy Samberg and Cristin Milioti spread their extraordinary chemistry all over the innovative, original narrative, written by the also debutant, Andy Siara. The latter is undoubtedly the main responsible for such an entertaining film. Siara takes an imaginative concept and develops it in the most captivating, fun, hilarious, and even intriguing way possible. A surprising screenplay packed with emotionally impactful plot points, revelations, and twists that keep the enjoyment levels extremely high. The two protagonists are exceptionally developed, as well as their compelling relationship. With a fast pace and a perfect balance of its tone, Palm Springs sets itself apart from the other movies of the genre, staying away from all of the cliches, formulas, and stereotypes associated with it. J.K. Simmons also lends his awesomeness because why not? Whether you're a fan of rom-coms or not, I definitely suggest giving this one a look. You won't be disappointed! Rating: A
Hossein2020-07-20
★ 8/10
If you're looking for a wholesome heartwarming movie, This is the movie you're looking for.
Kamurai2020-07-22
★ 8/10
Great watch, will watch again, and can recommend, especially for fans of "time shifting" tropes. Time shifting is where your mind goes back in time, but not your body. Essentially everything resets like a save point, except your have all this knowledge. "Time shifting" was made popular by "Groundhog's Day" and there have been several movies that mainly consist of dying / sleeping and repeating like a video game, and this isn't THAT different with a few exceptions that make all the difference in the experience. Andy Samberg (Brooklyn Nine-Nine) finally steps up and shows everyone that he can do a somewhat serious role, and not just a straight man. Cristin Milioti (How I Met Your Mother) does an excellent job in her lead role, with a great supporting cast, to include J.K. Simmons (Cave Johnson) leading a wonderful supporting cast, except for Tyler Hoechlin (CW Superman: "Supergirl", "Flash", etc.), who I might just not like because he was Superman, but it's supposed to be an disliked character...so....good job? The medium of the transfer being shown is an interesting option as we saw in the "Happy Death Day" movies, but it does allow for a reasoning of how it works, can it be broken / manipulated as opposed to divine will. Most importantly, it allows for more than just one subject being affected, which is really where it gets set apart. The trope bleeds a little when you have multiple people trapped in the loop: you have multiple people trapped in a thing: you have multiple people trapped in a prison. When multiple people are trapped in a environment together, they tend to get a little strange, and we get that sort of thing a plenty. Because we have multiple story threads to follow, we're almost seeing 3 stories all overlapping, and the movie does a great job of showing those, whether or not their in chronological order, or happening at the same time. Whether you see it as a prison break movie, or a time loop movie, this movie has a lot of fun in it, along with deep metaphysical philosophy, so there is something for everyone.