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The Vast of Night poster

The Vast of Night

"There's something in the sky."

2019 1h 31m EN
👍
6.6
SOLID
★6.6TMDB · 1,252
DramaMysteryScience FictionThriller
Synopsis
Spoiler shield

At the dawn of the space-race, two radio-obsessed teens discover a strange frequency over the airwaves in what becomes the most important night of their lives and in the history of their small town.

“There's something in the sky.”

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Cast

Credits

Behind the camera

Director
Andrew Patterson
Languages
English
Countries
United States of America

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 7
ERA

Did you know

Released 7 years ago.

MoodPlayr · trivia#01
2 / 7
DIRECTOR

Did you know

Directed by Andrew Patterson, shot by M.I. Littin-Menz. Note their partnership — DPs and directors often return to each other across a career.

MoodPlayr · trivia#02
3 / 7
DIRECTOR

Did you know

Original score by Erick Alexander. Worth a dedicated listen after — most great films lose half their impact without the score.

MoodPlayr · trivia#03
4 / 7
DIRECTOR

Did you know

Editor Andrew Patterson shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.

MoodPlayr · trivia#04
5 / 7
CAST

Did you know

Sierra McCormick and Jake Horowitz and Bruce Davis carry the top of the cast.

MoodPlayr · trivia#05
6 / 7
FACT

Did you know

Marketing tagline: "There's something in the sky.".

MoodPlayr · trivia#06
7 / 7
WILD

Did you know

IMDB entry: tt6803046 — still the authoritative cross-reference for credits and trivia.

MoodPlayr · trivia#07

Cinephile deep dive

The take

Andrew Patterson directs. M.I. Littin-Menz behind the camera. Erick Alexander scores. Andrew Patterson cuts. Runs lean at under 100 minutes. Produced in United States of America. Dialogue in English.

Trivia

Things worth knowing

  • 1Released 7 years ago.
  • 2Directed by Andrew Patterson, shot by M.I. Littin-Menz. Note their partnership — DPs and directors often return to each other across a career.
  • 3Original score by Erick Alexander. Worth a dedicated listen after — most great films lose half their impact without the score.
  • 4Editor Andrew Patterson shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
  • 5Sierra McCormick and Jake Horowitz and Bruce Davis carry the top of the cast.
  • 6Marketing tagline: "There's something in the sky.".
  • 7IMDB entry: tt6803046 — still the authoritative cross-reference for credits and trivia.
  • 8Classified under 10 themes, including "small town", "new mexico", "basketball", "ufo".

The technical file

Cinematography
M.I. Littin-Menz
Original score
Erick Alexander
Editing
Andrew Patterson
Production design
Adam Dietrich
Makeup / hair
Judy Staats
VFX supervisor
Rodrigo S. Tomasso
Sound
Johnny Marshall
Runtime
91 min · 1h 31m
Aspect ratio (typical)
1.37:1 (Academy)
Status
Released
Original language
EN
Certification (US)
PG-13

Also by

Andrew Patterson

Stills · wallpapers

Selected frames

Full-resolution frames — open one to save it as a wallpaper.

Trailers & featurettes

Watch the pieces

Community reviews

What people are saying

  • SierraKiloBravo
    ★ 8/10

    Click here for a video version of this review: https://youtu.be/Sjqv6iKZTwc Growing up watching The Twilight Zone, The X-Files, and terrifying my childhood self by reading books about UFOs and aliens, its fair to say that I have a bit of a soft spot for a good story about what's in the skies above us. For this reason, the trailer for Amazon's The Vast of Night caught my eye. Here's the official description of what this movie is all about: At the dawn of the space-race, two radio-obsessed teens discover a strange frequency over the airwaves in what becomes the most important night of their lives and in the history of their small town. I recommended this to a friend after watching it and this is how I summed it up: Small town New Mexico, 1950s. While the whole town is at a basketball game, the girl running the local switchboard and the guy at the radio station start getting weird signals coming through their earphones, and reports start to come in about something in the sky... I loved this movie, there's something so great about its simplicity. I think its a good example of how a lot can be done with very little. This was made for under a million dollars but hits like something with a much bigger budget. The way they've made things work within the budget are accomplished by a few simple tricks. Firstly, the events covered in the movie happen over a few short hours on one night in one small town, so the scale is kept small. Additionally there are some fantastic long takes throughout the film including one magnificent one where the camera goes from the desk of the switchboard office out the door, down the street, right across town, across a field and into the stadium where the basketball game is happening. It was so smoothly executed that our eyes just got wider and wider the longer it went on. It was marvellous. Lastly there are some long periods where there is just one or two people talking. Now, usually long dialogue heavy scenes with the camera lingering on one person get very boring very quickly, but the way the lines are delivered and the contribution of the content of the dialogue to the developing story of the movie was masterfully executed. It's almost hard to believe that this is the first film made by Director Andrew Patterson. The skill on display here feels like its someone who has spent years crafting engaging and well fleshed out stories. Tie this in with the sound design, cinematography, and colour grading of this being immaculate, and we thoroughly enjoyed this. It does a brilliant job of slowly building up tension without flashy visuals or on screen pizazz. It’s done with intriguing dialogue that pulls you into the mystery. We were fully on board the whole time, and I reckon you should check it out too.

  • tmdb28039023
    ★ 6/10

    The Vast of Night (2020) is a spiritual successor to Orson Welles’ War of the Worlds broadcast. This film understands the power of the spoken word (its heroes are a late night DJ and a phone operator), and puts it to great use to tell a fascinating story that relies more on the viewer’s imagination than on visual effects. This is the rare low-budget ($700,000) sci-fi flick that doesn’t strive to mask its technical shortcomings with a layer of shoddy CGI, instead focusing on a character and dialogue-driven plot. This is not a cheap movie, but an economic one — austere, even; a ‘less is more’ approach that turns at times into 'nothing is better.’ Co-writer/director Andrew Patterson isn’t trying to convince us that his aliens are real, but neither does he expose them to unforgivably prying eyes; sticking to the Lovecraftian definition of fear, Patterson wisely makes them conspicuous precisely by their absence (only at the very end do we see the outline of a spaceship, a convincing shot not least because it takes place under cover of night). The Vast of Night works because it isn’t about the visceral horror caused by a monster from outer space as it is about the psychological terror of the unknown — what we can’t see but sense is there, lurking in the dark, watching us.

  • For_What_It_Be

    A throwback to the radio plays of old. The title is perfect, as it sets the exact mood for viewing. With the modern world getting brighter and more interconnected with satellites filling the sky, true darkness is disappearing. This film takes us back to a time when a few unusual happenings can shift your entire world view, when what we know to be true, just ain't so. Things like this don't get made very often, but because of the streaming wars hunger for content, we are lucky enough to be able to enjoy this. Solid overall in basically every aspect, but with nothing exceptional; which is a plus, as what I remember most is the truly unique feeling I was left with in the end. This is a watch for quiet evenings when you're feeling confident and want a reminder on just how vast the unknown is. Be able to dedicate your full attention to it, with headphones or surround sound - immerse yourself. It's unsettling in the best way.

Production companies

Who made it

  • G.E.D. Media

    G.E.D. Media

    US

Key crew

  • Production DesignAdam Dietrich
  • Art DirectionJonathan Rudak
  • ProducerMelissa Kirkendall
  • Executive ProducerCaleb Henry
  • ProducerAndrew Patterson
  • Executive ProducerMarcus Ross
  • Executive ProducerEric A. Williams
  • CastingSally Allen
  • CastingToni Cobb Brock
  • Makeup Department HeadJudy Staats
  • Hair Department HeadJanet Tallent-Dickson
  • Boom OperatorJoseph Duemig
  • Sound Re-Recording MixerJohnny Marshall
  • Sound DesignerDavid Rosenblad
  • TeleplayAndrew Patterson
  • TeleplayCraig W. Sanger
  • Visual Effects ProducerMarcelo G. García
  • Visual Effects SupervisorRodrigo S. Tomasso
  • Sound DesignerJohnny Marshall
  • Unit Production ManagerMelissa Kirkendall
  • First Assistant DirectorJeff Weiss
  • Second Assistant DirectorBrandi Price
  • Property MasterElliott Gilbert
  • Production Sound MixerEcho Duemig

Themes & keywords

What it's about, really

  • small town
  • new mexico
  • basketball
  • ufo
  • tape recorder
  • radio show
  • phone call
  • 1950s
  • telephone switchboard operator
  • audio static

Release history · US

When it landed

  • Premiere2019-01-26· Slamdance Film Festival
  • Theatrical (limited)2020-05-15PG-13
  • Theatrical (limited)2019-06-01· Overlook Film Festival
  • Theatrical (limited)2019-09-30· Beyond Fest
  • Theatrical (limited)2019-09-20· Fantastic Fest
  • Digital2020-05-29PG-13

Also known as

International titles

  • Die Weite der NachtDE
  • Безкрайня нічUA
  • Velká NocCZ
  • A Vastidão da NoiteBR

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