Zola

Cinephile deep dive

The take

Janicza Bravo directs. Ari Wegner behind the camera. Mica Levi scores. Joi McMillon cuts. Runs lean at under 100 minutes. A commercial under-performer on release. Produced in United States of America. Dialogue in English, Spanish.

Trivia

Things worth knowing

• 186 minutes exactly — the "classic feature" runtime most directors aim for.
• 2Earned back only 70% of its budget on initial theatrical — a commercial disappointment on release.
• 3Released 5 years ago.
• 4Dialogue crosses 2 languages: English, Spanish.
• 5Directed by Janicza Bravo, shot by Ari Wegner. Note their partnership — DPs and directors often return to each other across a career.
• 6Original score by Mica Levi. Worth a dedicated listen after — most great films lose half their impact without the score.
• 7Editor Joi McMillon shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
• 8Taylour Paige and Riley Keough and Colman Domingo carry the top of the cast.
• 9Marketing tagline: "Y'all wanna hear a story?".
• 10IMDB entry: tt5439812 — still the authoritative cross-reference for credits and trivia.
• 11Classified under 13 themes, including "florida", "waitress", "narration", "stripper".

The technical file

Cinematography

Ari Wegner

Original score

Mica Levi

Editing

Joi McMillon

Production design

Katie Byron

Costume design

Derica Cole Washington

Makeup / hair

Hannah Berke

VFX supervisor

Andrew Lim

Sound

Leslie Shatz

Stunt coordinator

Eric Salas

Runtime

86 min · 1h 26m

Aspect ratio (typical)

1.37:1 (Academy)

Status

Released

Budget

$5,000,000

Box office

$3,500,000

Return

70% of budget

Original language

EN

Certification (US)

R

IMDB

Zola (2021) ↗

Also by

Janicza Bravo

• 
  The Bear

  2022 · ★ 8.2
• 
  Eat

  2011 · ★ 8.0
• 
  Atlanta

  2016 · ★ 8.0
• 
  In Treatment

  2008 · ★ 7.7
• 
  Them

  2021 · ★ 7.6
• 
  Poker Face

  2023 · ★ 7.4

Stills · wallpapers

Selected frames

Full-resolution frames — open one to save it as a wallpaper.

Wallpaper Wallpaper Wallpaper

Trailers & featurettes

Watch the pieces

• 

  ▶
  Be Ready Clip

  Clip · Official
• 

  ▶
  Respect Clip

  Clip · Official
• 

  ▶
  Same Bitch Clip

  Clip · Official
• 

  ▶
  Word Clip

  Clip · Official
• 

  ▶
  Official Greenband Trailer

  Trailer · Official
• 

  ▶
  5 Minute Preview

  Clip · Official

Community reviews

What people are saying

• Louisa Moore - Screen Zealots2020-03-27
  ★ 7/10

  “You wanna hear a story about why me and this b--ch here fell out? It’s kind of long but full of suspense.” On paper (or on an iPhone screen), “Zola” sounds like one of the worst ever ideas for a feature-length film. Based on a real-life Twitter thread between a Hooters waitress and a stripper, this stranger than fiction story played out over social media in 2015 — and damn if it doesn’t make for a wildly original, outrageously entertaining movie. Zola (Taylour Paige) meets Stefani (Riley Keough) at a restaurant in Detroit, where the two begin chatting about their common interest: pole dancing. Soon after they meet, Stefani invites Zola on a cross-country road trip to Tampa, where they hope to make thousands of dollars dancing in the swanky Florida strip clubs. What starts out as a promising business venture turns into an absolutely crazy (and dangerous) outing with violent pimps, prostitution, attempted suicide, and murder. You have to see it to believe it. It’s crazy. The story is (mostly) true, and writer – director Janicza Bravo focuses on Zola’s side of the story (although Stefani has a chance to present her version in one of the most hilarious bits in the film). You could say it’s all about individual perspective, but Zola is presented as the lone truth teller. Will we ever know the full truth? It’s unlikely. The performances are as sensational as the story, with challenging and risky roles for all of the actors involved. Paige and Keough (in what was my favorite performance at Sundance this year) are particularly fearless as they go all-in on Zola and Stefani, Nicholas Braun is sympathetic as a kind, long-suffering boyfriend, and Colman Domingo is downright frightening as an intimidating, violent pimp. The cast takes the script and runs wild with it, and it works. Bravo has achieved something incredible here, as she literally takes tweets and has crafted them into a saucy screenplay. The film has an appealing eccentricity to it, and it’s directed with a tongue-in-cheek style that fits the material like a glove. Her attention to detail is stellar, and the look of the film is perfectly matched to its source material. “Zola” has a few missteps and feels overly long, but the confidence from Bravo and her cast makes the majority of its flaws disappear. It manages to stay funny, even when things get very, very dark. This is one of those wacky movies that is sure to be talked about, if only for the sheer insanity of the story.

  Read full review ↓
• beyondthecineramadome2022-06-20
  ★ 10/10

  Full review: <a>https://www.tinakakadelis.com/beyond-the-cinerama-dome/2021/12/28/american-nightmare-zola-review<a> Janicza Bravo’s long-awaited star of Sundance, @zola, could not feel more timely, despite the year-long delay. Adapted from the viral Twitter thread of 2015 by Aziah “Zola” King, @zola tells the story of a trip to Tampa gone horribly wrong. After a chance meeting in a Detroit restaurant, Zola (an impeccable Taylour Paige) agrees to accompany Stefani (Riley Keough), Stefani’s roommate X (Colman Domingo), and Stefani’s boyfriend (Nicolas Braun) on a trip to Tampa to earn money by dancing in strip clubs. Stefani has done this before and assures Zola that she can make really good money. What follows is a nightmare of Floridian proportions.

  Read full review ↓
• r96sk2022-07-11
  ★ 8/10

  Different, but I actually liked it. <em>'Zola'</em> takes a few scenes to get into it and to get used to the stylistic choices, namely with the editing and dialogue, though by the end I did in fact enjoy this film. It's a bonkers story, one that I semi heard about when it became known that a film was going to be made based on a thread of tweets. It's probably much better than it was any right to be in truth, all things considered, but the filmmakers made it work and deserve credit for that - and also for the astutely chosen short run time, too. The acting talent bring noteworthy performances, with particularly Taylour Paige and also Riley Keough putting in the work. Colman Domingo is also good - I already like that guy from TV's <em>'<a href="https://en.wikipedia.org/wiki/Fear_the_Walking_Dead" rel="nofollow">Fear the Walking Dead</a>'</em>, so it's always a pleasure to see him act elsewhere. Recommended.

  Read full review ↓

Production companies

Who made it

• 

  Killer Films

  US

• 

  Ramona Films

  US

• 

  Gigi Films

  US

Key crew

• Boom OperatorFernanda Starling
• LeadmanChris Scharffenberg
• Visual Effects SupervisorAndrew Lim
• Visual Effects ProducerJason Sanford
• ThanksIsrael Vasquez
• Sound MixerDiana Sagristá
• CompositorLauren Hulsey
• Assistant Costume DesignerNicole D. Jones
• Foley ArtistLeslie Bloome
• Foley ArtistJoanna Fang
• Assistant Property MasterAlexandra Tibbe
• Visual Effects SupervisorAlex Noble
• StuntsMichael Opal
• Location ManagerSherrill Smith
• Costume SupervisorMildred Brignoni
• CostumerCatharine Stuart
• PropsJohn Rusnak
• Script SupervisorMichael Kefeyalew
• Second Assistant DirectorEric Scott Williamson
• Visual Effects CoordinatorZach Hamelton
• Stunt CoordinatorEric Salas
• ADR RecordistKristin Catuogno
• Location ScoutWill Hammargren
• Boom OperatorRose Bladh

Themes & keywords

What it's about, really

• florida
• waitress
• narration
• stripper
• based on true story
• pole dancer
• boyfriend
• twitter
• road movie
• woman director
• sex worker
• tampa, florida
• euphoric

Release history · US

When it landed

• Premiere2020-01-24· Sundance Film Festival
• Theatrical2021-06-30R
• Digital2021-07-21R· A24 Screening Room
• Digital2021-07-23R
• Physical2021-09-14R

Also known as

International titles

• @ZolaUS