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1917 poster

1917

"Time is the enemy."

2019 1h 59m EN
πŸ™Œ
8.0
BANGER
β˜…8.0TMDB Β· 13,987
WarDramaHistory
Synopsis
Spoiler shield

At the height of the First World War, two young British soldiers must cross enemy territory and deliver a message that will stop a deadly attack on hundreds of soldiers.

β€œTime is the enemy.”

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Cast

Credits

Behind the camera

Director
Sam Mendes
Writers
Jim Cornish, Krysty Wilson-Cairns, Sam Mendes
Languages
English, French, German
Countries
United States of America, United Kingdom, Spain, India

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 8
MONEY

Did you know

$100M budget β€” tentpole studio territory.

MoodPlayr Β· trivia#01
2 / 8
MONEY

Did you know

Made its money back 4.5Γ— over at the box office.

MoodPlayr Β· trivia#02
3 / 8
ERA

Did you know

Released 7 years ago.

MoodPlayr Β· trivia#03
4 / 8
WORLD

Did you know

Dialogue crosses 3 languages: English, French, German.

MoodPlayr Β· trivia#04
5 / 8
WORLD

Did you know

International production across 4 countries: United States of America, United Kingdom, Spain, India.

MoodPlayr Β· trivia#05
6 / 8
CAST

Did you know

288+ people credited in cast and crew β€” a small city's worth of labour.

MoodPlayr Β· trivia#06
7 / 8
DIRECTOR

Did you know

Directed by Sam Mendes, shot by Roger Deakins. Note their partnership β€” DPs and directors often return to each other across a career.

MoodPlayr Β· trivia#07
8 / 8
DIRECTOR

Did you know

Original score by Thomas Newman. Worth a dedicated listen after β€” most great films lose half their impact without the score.

MoodPlayr Β· trivia#08

Cinephile deep dive

The take

Sam Mendes directs. Roger Deakins behind the camera. Thomas Newman scores. Lee Smith cuts. Made its budget back several times over at the box office. Produced in United States of America, United Kingdom, Spain, India. Dialogue in English, French, German.

Trivia

Things worth knowing

  • 1$100M budget β€” tentpole studio territory.
  • 2Made its money back 4.5Γ— over at the box office.
  • 3Released 7 years ago.
  • 4Dialogue crosses 3 languages: English, French, German.
  • 5International production across 4 countries: United States of America, United Kingdom, Spain, India.
  • 6288+ people credited in cast and crew β€” a small city's worth of labour.
  • 7Directed by Sam Mendes, shot by Roger Deakins. Note their partnership β€” DPs and directors often return to each other across a career.
  • 8Original score by Thomas Newman. Worth a dedicated listen after β€” most great films lose half their impact without the score.
  • 9Editor Lee Smith shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
  • 10George MacKay and Dean-Charles Chapman and Mark Strong carry the top of the cast.
  • 11Marketing tagline: "Time is the enemy.".
  • 12IMDB entry: tt8579674 β€” still the authoritative cross-reference for credits and trivia.
  • 13The top-rated still from this film on TMDB has 7 community votes β€” a signal the frame composition stuck with viewers.
  • 1413,987 TMDB user ratings logged β€” serious cultural footprint.
  • 15Classified under 14 themes, including "race against time", "world war i", "british army", "survival".

The technical file

Cinematography
Roger Deakins
Original score
Thomas Newman
Editing
Lee Smith
Production design
Dennis Gassner
Costume design
David Crossman
Makeup / hair
Norma Webb
VFX supervisor
Greg Butler
Sound
Michael Fentum
Stunt coordinator
Ben Cooke
Runtime
119 min Β· 1h 59m
Aspect ratio (typical)
1.37:1 (Academy)
Status
Released
Budget
$100,000,000
Box office
$446,064,352
Return
446% of budget
Original language
EN
Certification (US)
R

Awards

  • Golden Globe Award for Best Motion Picture – Drama
  • Academy Award for Best Sound
  • Golden Globe Award for Best Director
  • Dallas-Fort Worth Film Critics Association Award for Best Film
  • National Board of Review: Top Ten Films
  • Academy Award for Best Visual Effects
  • Academy Award for Best Cinematography

Individual records documented via Wikidata; the summary above may count more.

Also by

Sam Mendes

Stills Β· wallpapers

Selected frames

Full-resolution frames β€” open one to save it as a wallpaper.

Trailers & featurettes

Watch the pieces

Community reviews

What people are saying

  • SWITCH.
    β˜… 9/10

    I really wanted to give this film five stars, but there is a curious introspection that prevents me from calling it perfection. Nevertheless, β€˜1917’ is a brilliant piece of art, and clearly a personal project for Sam Mendes. Blending groundbreaking technology with detailed production components, it's sure to entertain audiences and garner respect from critics for its execution. Just don’t say I didn’t warn you when the Oscar nominations come out. - Charlie David Page Read Charlie's full article... https://www.maketheswitch.com.au/article/review-1917-sam-mendes-personal-war-story

  • Lenny/Mosko

    Without a doubt, cinematically this is a visual tour de force. The one-shot approach becomes a distraction, at times, especially when one ponders "how did they do that?", but generally not enough to take away the wow factor. The story, and dialogue, not to mention logic are the real problems that take this movie from great, to merely good. The initial concept of sending two men on an imperitive mission to save 1600 men is ludicrous in itself, especially in a war where men were gassed and gunned down by the thousands. Sending only two of them into unknown situations, in no-man's-land was illogical. Then there was the fact the hero seems to never get shot by enemy soldiers, despite being in dead-duck situations. When he does get injured, his wounds seem to magically heal and disappear instantly. Director Sam Mendes must have never had the concussive effects of explosions explained to him, because while some fall from explosions, the heroes seem immune to physics. The most ludicrous scene involves booby-trapped explosives, and a collapsed ton of rocks leaving not only no visible injuries, but no effects at all on clothing or hearing. But there was dust in the eyes. There are many more scenes involving lack of logic, or credibility. Over-all, the movie is worth it for the cinematography, attention to detail, costumes and acting, but the trite story, and credibilty problems drag it down from what it should, and could have been.

  • Luis_989
    β˜… 8/10

    Finally yesterday I was able to experience 1917 and I ended up doing it at IMAX, something I didn't plan on, but after seeing it there, I can say this film deserves to be seen and heard in an IMAX room to remember why movies still need to be lived on a big screen. The visual odyssey of Sam Mendes and Roger Deakins is an incredible journey. Yes, the story is very thin but that's something that made 1917 a somewhat different film It's not a war epic, nor does it try to be one. It's kind of a lone wolf war story, though at the beginning it wasn't like that, and that's good because despite everything that happens, the film doesn't lose that sense of camaraderie at the task that remains after the loss. 1917 is a story of survival and that although it could not be considered completely original, that's totally the least of its problems because after all the experience is just spectacular. I admit the film has certain rhythm dropouts that I didn't like, especially the scene where Schofield loses consciousness, but at that point we are given the extraordinary night sequence, so my discomfort ended up disappearing. 1917 is not a perfect film, but it's a reminder of how wonderful is to enjoy a film as they should be, even if it's a film that deals with the horrors of war. This is the kind of film that should be lived and experienced that way, otherwise it loses its resonance, so if you have the chance to see 1917 at a big screen do it.

Production companies

Who made it

  • DreamWorks Pictures

    DreamWorks Pictures

    US

  • Reliance Entertainment

    Reliance Entertainment

    IN

  • New Republic Pictures

    New Republic Pictures

    US

  • Neal Street Productions

    Neal Street Productions

    GB

  • Mogambo Films

    Mogambo Films

    ES

Key crew

  • GafferJohn Higgins
  • Dialect CoachJane Karen
  • Rigging GripJames Starr
  • 3D ArtistReetu Aggarwal
  • Military ConsultantPaul Biddiss
  • Second Assistant DirectorJoey Coughlin
  • Unit Production ManagerHannah Godwin
  • Unit Production ManagerCallum McDougall
  • First Assistant Sound EditorHugh Sherlock
  • First Assistant Sound EditorThomas Fennell
  • ADR SupervisorRachael Tate
  • Sound DesignerMichael Fentum
  • Sound Effects DesignerJames Harrison
  • Assistant Sound EditorAran Clifford
  • Foley SupervisorHugo Adams
  • Foley MixerAdam Mendez
  • Foley ArtistAndrea King
  • Foley ArtistSue Harding
  • ADR MixerMark Appleby
  • ADR RecordistMaria Kelly
  • Music EditorPeter Clarke
  • OrchestratorJ.A.C. Redford
  • Costume DesignDavid Crossman
  • Production ConsultantJames Ellis Deakins

Themes & keywords

What it's about, really

  • race against time
  • world war i
  • british army
  • survival
  • soldier
  • period drama
  • real time
  • trenches
  • 1910s
  • trench warfare
  • no man's land
  • intense
  • horrified
  • war epic

Release history Β· US

When it landed

  • Theatrical (limited)2019-12-25R
  • Theatrical2020-01-10R
  • Digital2020-03-10R
  • Physical2020-03-24R

Also known as

International titles

  • 일ꡬ일칠KR
  • 一九一七CN
  • 1917οΌšι€†ζˆ˜ζ•‘ε…΅CN
  • One Nine One SevenUS
  • 1917CN
  • 1917BR

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