Boss Level

"Running out of time. And lives."

2021 1h 41m EN

👍

6.9

SOLID

★6.9TMDB · 2,035

ActionScience FictionThriller

Synopsis

Spoiler shield

A former special forces agent is trapped in a time loop and relives his death over and over again. To escape the terrible situation, he must track down those responsible and stop them.

“Running out of time. And lives.”

WhatsApp X Facebook Telegram

Where to watch · US

HuluSubscription

Cast

Frank Grillo
Roy Pulver
Mel Gibson
Colonel Clive Ventor
Naomi Watts
Jemma Wells
Will Sasso
Brett
Annabelle Wallis
Alice
Sheaun McKinney
Dave
Selina Lo
Guan Yin
Michelle Yeoh
Dai Feng

Credits

Behind the camera

Director: Joe Carnahan
Writers: Joe Carnahan, Eddie Borey, Chris Borey
Languages: English
Countries: United Kingdom, United States of America

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 8

MONEY

Did you know

Earned back only 4% of its budget on initial theatrical — a commercial disappointment on release.

MoodPlayr · trivia#01

2 / 8

ERA

Did you know

Released 5 years ago.

MoodPlayr · trivia#02

3 / 8

WORLD

Did you know

International production across 2 countries: United Kingdom, United States of America.

MoodPlayr · trivia#03

4 / 8

DIRECTOR

Did you know

Directed by Joe Carnahan, shot by Juan Miguel Azpiroz. Note their partnership — DPs and directors often return to each other across a career.

MoodPlayr · trivia#04

5 / 8

RUNTIME

Did you know

Original score by Clinton Shorter. Worth a dedicated listen after — most great films lose half their impact without the score.

MoodPlayr · trivia#05

6 / 8

DIRECTOR

Did you know

Editor Kevin Hale shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.

MoodPlayr · trivia#06

7 / 8

CAST

Did you know

Frank Grillo and Mel Gibson and Naomi Watts carry the top of the cast.

MoodPlayr · trivia#07

8 / 8

FACT

Did you know

Marketing tagline: "Running out of time. And lives.".

MoodPlayr · trivia#08

Cinephile deep dive

The take

Joe Carnahan directs. Juan Miguel Azpiroz behind the camera. Clinton Shorter scores. Kevin Hale cuts. A commercial under-performer on release. Produced in United Kingdom, United States of America. Dialogue in English.

Trivia

Things worth knowing

1Earned back only 4% of its budget on initial theatrical — a commercial disappointment on release.
2Released 5 years ago.
3International production across 2 countries: United Kingdom, United States of America.
4Directed by Joe Carnahan, shot by Juan Miguel Azpiroz. Note their partnership — DPs and directors often return to each other across a career.
5Original score by Clinton Shorter. Worth a dedicated listen after — most great films lose half their impact without the score.
6Editor Kevin Hale shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
7Frank Grillo and Mel Gibson and Naomi Watts carry the top of the cast.
8Marketing tagline: "Running out of time. And lives.".
9IMDB entry: tt7638348 — still the authoritative cross-reference for credits and trivia.
10Classified under 8 themes, including "video game", "time loop", "philosophical", "satirical".
11Released under 14 different titles around the world.

The technical file

Cinematography: Juan Miguel Azpiroz
Original score: Clinton Shorter
Editing: Kevin Hale
Production design: Jon Billington
Costume design: Jayna Mansbridge
Makeup / hair: Pamela Hall
VFX supervisor: Makana Sylva
Sound: Craig Mann
Stunt coordinator: Brian Simpson
Runtime: 101 min · 1h 41m
Aspect ratio (typical): 1.37:1 (Academy)
Status: Released
Budget: $45,000,000
Box office: $2,000,000
Return: 4% of budget
Original language: EN
Certification (US): NR
IMDB: Boss Level (2021)

Also by

Joe Carnahan

Stills · wallpapers

Selected frames

Full-resolution frames — open one to save it as a wallpaper.

Wallpaper

Trailers & featurettes

Watch the pieces

Community reviews

What people are saying

SWITCH.2021-03-08
★ 5/10
At its core, the model is still the Phil Connors self-improvement plan. In trying to finally make it to tomorrow, will Roy become a better father, a better ex-husband, a better version of himself? 28 years ago, Murray and writer/director Harold Ramis wrung this ingenious conceit for everything it was worth. All a diverting riff like 'Boss Level' can do is throw a few sword fights and bazookas in with the recycled pleasures and hope they look like its own. It's inchoate, but mostly fun. - Jake Watt Read Jake's full article... https://www.maketheswitch.com.au/article/review-boss-level-nostalgic-action-and-quirky-foes
Dark Jedi2021-08-08
★ 7/10
Didn’t really know what this movie was when I got it but I have to say that it was a quite fun action romp and although I am usually very much against time travel stories this one worked for me. As the name implies the movie kind of plays out like a first person shooter game. Start, run and shoot, die, rinse, restart and repeat. I know, it sound rather boring but it actually works. There’s enough variation in each run to make it interesting and each iteration advances the story and adds another piece to the puzzle. Obviously there is a lot of action in this movie and it is good and fun action. Luckily they didn’t try to go for some silly PG-13 or TV-PG rating. This is a mature audience movie and both the language and the action is for adults and not the whining easily offended variety of adults. Heads fly, people explode and bullet wholes appear in all kinds of places. At the same time it is fun, over the top and sometimes quite comical action. The background voice from the main protagonist and his matter of fact but also “I’m tired of this bullshit” attitude is adding nicely to the fun-factor. There is a story underneath all of this, believe it or not, and it’s actually not that bad. Sure there are holes in it large enough to drive a battleship through but it doesn’t really matter. The story is good enough to drive the movie and the action forward and the movie makes no pretense of having any form of science or such logic in it anyway. It’s kind of a over the top action version of Groundhog Day with first person shooter elements. Frank Grillo is doing a good job of being the bored, violent main protagonist and it was rather fun seeing Mel Gibson again even though he, unfortunately, was one of the bad guys. The rest of the actors, well they are more or less as forgettable as they are expendable (over and over again). It is a fun movie clearly meant to entertain by showering the audience in outrageous (violent) action stunts and some snarky dialogue and it succeeds quite well in achieving this.
tmdb280390232022-08-28
★ 5/10
What simultaneously saves and sinks Boss Level is that co-writer/director Joe Carnahan handles the material as if it were a video game, so that the conventions of the time loop genre suddenly make perfect sense; for example, whenever the hero dies, he respawns at the previous checkpoint while retaining the knowledge gained from previous attempts (any gamer will tell you that sometimes the only way to beat a level is knowing beforehand what’s coming). Thus, when Roy (Frank Grillo) needs a vehicle, he simply procures himself one à la Grand Theft Auto. And every time Guan-Yin (Selina Lo) kills him, she says her catchphrase “I am Guan-Yin, and Guan-Yin has done this”. She repeats this phrase so much it’s infuriating, but that’s precisely the point – to recreate the experience of having a Boss kick your ass so bad (and taunt you mercilessly in the process) that you just have to keep coming back for more, relishing in advance the moment when you finally get the best of him/her. The problem with this is that once Roy figures out where he has to go and what he has to do, and that he has unlimited opportunities to go there and do that, the film is drained of all sense of urgency, becoming as engaging as watching someone else play a video game for hours on end. Even the end of the world is no big deal when there is literally one every day; after all, Roy will always wake up in his bed and the world will always be there for him to save. Grillo’s cocky neanderthal schtick is an acquired taste, but considering that his character suffers what essentially is a Rasputinian Death in increments, it’s safe to say that Roy pays his dues. Moreover, Roy shares some genuinely emotional scenes with his preteen son – who happens to be Grillo’s real-life son as well. And then there’s Mel Gibson as the sinister and menacing main villain (Will Sasso, as his lackey, is also surprisingly effective). This is the second time in as many years, following Force of Nature, that Gibson’s presence alone is enough to elevate what would otherwise be little more than a collection of clichés.