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West Side Story poster

West Side Story

"A city divided. Their love will challenge everything."

2021 2h 36m EN
👍
6.9
SOLID
★6.9TMDB · 1,854
DramaRomanceCrime
Synopsis
Spoiler shield

Two youngsters from rival New York City gangs fall in love, but tensions between their respective friends build toward tragedy.

“A city divided. Their love will challenge everything.”

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Cast

Credits

Behind the camera

Director
Steven Spielberg
Writers
Tony Kushner, Raymond Prado, William Shakespeare
Languages
English, Spanish
Countries
United States of America

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 8
RUNTIME

Did you know

Clocks in at 156 minutes — on the longer side of feature-length cinema.

MoodPlayr · trivia#01
2 / 8
MONEY

Did you know

$100M budget — tentpole studio territory.

MoodPlayr · trivia#02
3 / 8
MONEY

Did you know

Earned back only 76% of its budget on initial theatrical — a commercial disappointment on release.

MoodPlayr · trivia#03
4 / 8
ERA

Did you know

Released 5 years ago.

MoodPlayr · trivia#04
5 / 8
WORLD

Did you know

Dialogue crosses 2 languages: English, Spanish.

MoodPlayr · trivia#05
6 / 8
CAST

Did you know

265+ people credited in cast and crew — a small city's worth of labour.

MoodPlayr · trivia#06
7 / 8
DIRECTOR

Did you know

Directed by Steven Spielberg, shot by Janusz Kamiński. Note their partnership — DPs and directors often return to each other across a career.

MoodPlayr · trivia#07
8 / 8
DIRECTOR

Did you know

Original score by Leonard Bernstein. Worth a dedicated listen after — most great films lose half their impact without the score.

MoodPlayr · trivia#08

Cinephile deep dive

The take

Steven Spielberg directs. Janusz Kamiński behind the camera. Leonard Bernstein scores. Sarah Broshar cuts. A commercial under-performer on release. Produced in United States of America. Dialogue in English, Spanish.

Trivia

Things worth knowing

  • 1Clocks in at 156 minutes — on the longer side of feature-length cinema.
  • 2$100M budget — tentpole studio territory.
  • 3Earned back only 76% of its budget on initial theatrical — a commercial disappointment on release.
  • 4Released 5 years ago.
  • 5Dialogue crosses 2 languages: English, Spanish.
  • 6265+ people credited in cast and crew — a small city's worth of labour.
  • 7Directed by Steven Spielberg, shot by Janusz Kamiński. Note their partnership — DPs and directors often return to each other across a career.
  • 8Original score by Leonard Bernstein. Worth a dedicated listen after — most great films lose half their impact without the score.
  • 9Editor Sarah Broshar shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
  • 10Ansel Elgort and Rachel Zegler and Ariana DeBose carry the top of the cast.
  • 11Marketing tagline: "A city divided. Their love will challenge everything.".
  • 12IMDB entry: tt3581652 — still the authoritative cross-reference for credits and trivia.
  • 13Classified under 13 themes, including "new york city", "dancing", "dance", "street gang".

The technical file

Cinematography
Janusz Kamiński
Original score
Leonard Bernstein
Editing
Sarah Broshar
Production design
Adam Stockhausen
Costume design
Paul Tazewell
Makeup / hair
Amy Sue Nahhas
VFX supervisor
Edson Williams
Sound
Andy Nelson
Stunt coordinator
Mark Fichera
Runtime
156 min · 2h 36m
Aspect ratio (typical)
1.37:1 (Academy)
Status
Released
Budget
$100,000,000
Box office
$76,016,171
Return
76% of budget
Original language
EN
Certification (US)
PG-13

Awards

  • Golden Globe Award for Best Motion Picture – Musical or Comedy

Individual records documented via Wikidata; the summary above may count more.

Also by

Steven Spielberg

Stills · wallpapers

Selected frames

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Trailers & featurettes

Watch the pieces

Community reviews

What people are saying

  • dfle3
    ★ 8/10

    West Side story: Gritty morality tale with an emotional punch. 85% Not having seen the stage production of "West Side story" or its first film version, which I understand is regarded as a classic, I really don't have a point of comparison for this new film version of the long-running musical theatre staple. Of course, with the US being so effective at exporting its pop culture around the world, I was aware of songs and scenes from the original Hollywood film, which had positive associations for me, even though I live in Australia. The story was inspired by a much earlier tale, which I won't mention here because...spoilers. In any case, the second film version (presumably...at least as far as US film versions go) of this story is set in a slum in New York in the 1950s (the "West Side" of the title). The setting is very nicely established, with an opening shot of some partially destroyed buildings which a sign states are being demolished to make way for the gentrification of the area. The flats in the high-rise buildings nearby have a suitably "slummy" look without the aesthetic being overdone. From out of this no man's land emerges what turns out be a gang of Anglo background, known as "The Jets". You can tell that they they are bad because they soon terrorise the neighbourhood with dancing and singing, with no one daring to stop them. It has to be said, at this point, the realisation of a musical in the modern era hasn't lost my interest. Fit young blokes dancing and singing and clicking their fingers in time in the streets of a big city doesn't seem all that ridiculous now. We soon learn that The Jets have a rival group which they want to remove from 'their turf', a gang known as "The Sharks", which are of Puerto Rican ethnicity. The basis of The Jets' animosity to The Sharks is basically an issue of race (and that is also the basis of the police department's animosity towards The Sharks as well). The Sharks do not 'belong' in the US and they should 'go back to where they came from'. The first encounter we see between these two rival gangs is a violent one and it's pretty clear that things will escalate from here between them. If you're thinking that nothing thrown into this tinderbox could make it any more flammable, well...enter Tony (played by Ansel Elgort) and Maria (Rachel Zegler). Tony is the co-founder of The Jets but after a stint in prison for a shocking beating he gave to an Eyptian man, he is trying to be a better person, now holding down a steady job and no longer involved in his gang's activities. Maria is the sister of Bernardo (David Alvarez), a man who is trying to fight his way out of the slum (literally). Bernardo has a chip on his shoulder about the Anglos, who make life difficult for his community. He plays the father-figure at the flat that he shares with his girlfriend and Maria. The prospect of Maria dating a "gringo" is unacceptable to him, as we later find out when...Tony and Maria meet at a dance event and...instantly fall in love. He is also the leader of The Sharks. That moment when Tony and Maria fall in love at first sight is very sweetly done. Maria, as played by Zegler, seems like an old-fashioned Disney princess at first, being very timid but then being quite forward...perhaps like a (modern day?) Disney princess? (Since I'm not well-versed in Disney films about princesses, I'll have to defer to the judgement of people more informed than me on this subject.) The lyric from the song "Hurts so good" by John Cougar comes to mind about her: "you ain't as green as you are young". Zegler/Maria is very attractive in a winsome way. Director Steven Spielberg has really captured a winning performance from her. It occurred to me after writing down my initial thoughts on this film that Zegler would be a worthy nominee for "Best actress" at awards time. Even though I haven't really seen many 'quality' films this year, I think I know a quality performance when I see one and I don't think that a best actress award for her would be undeserved. If you think that Maria couldn't be any more adorable, well, you should hear her sing. She has a lovely voice, in my view. To me, she's the standout voice of the musical. Elgort tends towards falsetto at times. On the subject of the music, I'd say that I'm pretty sure that if you just wanted to listen to the musical on CD or whatever, then there would be better versions of that from previous productions of this story, whether on stage or screen. By that I mean perhaps the music elsewhere is bolder, brassier or arranged more pleasingly (to my ears, at least) and that would apply to the vocal performances as well. However, since I haven't heard other versions, I can't recommend one for you. It also later occurred to me how similar Tony and Bernardo are (which I've retrospectively alluded to in my earlier comments about how both of them plan to get out of the slum). Another point of comparison with Bernardo would be The Jets' new leader, "Riff" (Mike Faist). They both mirror each other as far as attitudes to "the other" goes. In any case, just when Tony thought he was out, Riff pulls him back in again, as far as gang activities go. I liked this film and had moments of recognition with it, with regards to clicking fingers and many songs. One event which did jar with me was how Maria reacted to Tony when she heard some fateful news about him. It just didn't ring true to me. Maybe with a greater passage of time it could have worked. Later, when the police officer goes over the whole timeline, the short duration was a shock too. The film was on track for a score of 80% from me but since the drama near the end of the film elicited emotion from me, I added another 5% to my score to reflect that. Random notes: *Is the ending different to previous versions of this story? If it is, you can either read it as a return to sanity as far as character motivation goes or as a Steven Spielberg tendency. *There is some realism to the violence, so not suitable for very young children, I don't think. *I couldn't quite tell if there was some strong swearing at times or if it was toned down. *Curios: 5c for a Milky Way chocolate bar, $15 for a fashionable store scarf, I think.

  • Chad Jordahl
    ★ 4/10

    Good production. I liked the performers, except Ansel Elgort as the lead male, Tony, who I found to be uninteresting. I never got into the story or the songs. A couple of other thoughts: * Carefully choreographed Broadway-style dance routines severely diminish the menace of street gangs. * Love at first sight is a myth and is a very bad reason to kill or be killed. (Intense attraction, curiosity, and lust at first sight, sure, but love takes longer.)

  • beyondthecineramadome
    ★ 9/10

    Full review: <a>https://www.tinakakadelis.com/beyond-the-cinerama-dome/2021/12/28/it-all-begins-tonight-west-side-story-review<a> This film is a still (sadly) all-too-relevant story about how hatred infiltrates communities and the struggle to find a place to belong. West Side Story is about creating a home, however, you choose to define the word. Unfortunately, the miscasting of Tony brings down what could have been a near-perfect movie. His role is simply too large to be ignored and impossible to compare to his co-stars’ formidable, sublime performances.

Production companies

Who made it

  • 20th Century Studios

    20th Century Studios

    US

  • Amblin Entertainment

    Amblin Entertainment

    US

  • TSG Entertainment

    TSG Entertainment

    US

Key crew

  • Executive ProducerRita Moreno
  • CastingCindy Tolan
  • Visual Effects ProducerJennifer Meislohn
  • Theatre PlayArthur Laurents
  • Theatre PlayJerome Robbins
  • Music ArrangerDavid Newman
  • ChoreographerJerome Robbins
  • Executive ProducerTony Kushner
  • First Assistant DirectorAdam Somner
  • Executive ProducerDaniel Lupi
  • Unit Production ManagerDaniel Lupi
  • ThanksDamian Woetzel
  • Unit Production ManagerCarla Raij
  • ThanksStephen Sondheim
  • ThanksF. Richard Pappas
  • ConductorGustavo Dudamel
  • Second Assistant DirectorJeremy Marks
  • Associate ProducerDavid Saint
  • Makeup ArtistAmy Sue Nahhas
  • Utility StuntsAaron Vexler
  • Makeup ArtistMargina Dennis
  • Makeup ArtistEtzel Ecleston
  • Assistant Art DirectorJurasama Arunchai
  • Makeup ArtistJeong-Hwa Fonkalsrud

Themes & keywords

What it's about, really

  • new york city
  • dancing
  • dance
  • street gang
  • love at first sight
  • forbidden love
  • musical
  • based on play or musical
  • interracial relationship
  • racism
  • young love
  • 1950s
  • latino

Release history · US

When it landed

  • Premiere2021-11-29PG-13· New York City, New York
  • Theatrical2021-12-10PG-13
  • Digital2022-03-02PG-13· Disney+ / HBO Max
  • Digital2022-03-01PG-13
  • Physical2022-03-15PG-13
  • TV2022-03-12PG-13· HBO

Also known as

International titles

  • Batı Yakasının HikâyesiTR
  • Steven Spielberg's West Side StoryUS

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