Love Actually

"Love actually is all around."

2003 2h 15m EN

👍

7.1

SOLID

🍅

65%

FRESH

😬

METACRITIC

⭐

7.5

IMDB

★7.1TMDB · 7,591🍅65%Rotten Tomatoes●55Metacritic★7.5IMDB · 577,665

ComedyRomanceDrama

Synopsis

Spoiler shield

Eight very different couples deal with their love lives in various loosely interrelated tales all set during a frantic month before Christmas in London.

“Love actually is all around.”

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Cast

Hugh Grant
The Prime Minister
Alan Rickman
Harry
Emma Thompson
Karen
Liam Neeson
Daniel
Martine McCutcheon
Natalie
Colin Firth
Jamie Bennett
Bill Nighy
Billy Mack
Laura Linney
Sarah

Credits

Behind the camera

Director: Richard Curtis
Writers: Richard Curtis, Jane Clark
Languages: English, French, Portuguese
Countries: France, United Kingdom

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 8

MONEY

Did you know

Made its money back 6.3× over at the box office.

MoodPlayr · trivia#01

2 / 8

ERA

Did you know

Released 23 years ago.

MoodPlayr · trivia#02

3 / 8

WORLD

Did you know

Dialogue crosses 3 languages: English, French, Portuguese.

MoodPlayr · trivia#03

4 / 8

WORLD

Did you know

International production across 2 countries: France, United Kingdom.

MoodPlayr · trivia#04

5 / 8

CAST

Did you know

408+ people credited in cast and crew — a small city's worth of labour.

MoodPlayr · trivia#05

6 / 8

DIRECTOR

Did you know

Directed by Richard Curtis, shot by Michael Coulter. Note their partnership — DPs and directors often return to each other across a career.

MoodPlayr · trivia#06

7 / 8

DIRECTOR

Did you know

Original score by Craig Armstrong. Worth a dedicated listen after — most great films lose half their impact without the score.

MoodPlayr · trivia#07

8 / 8

DIRECTOR

Did you know

Editor Nick Moore shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.

MoodPlayr · trivia#08

Cinephile deep dive

The take

Richard Curtis directs. Michael Coulter behind the camera. Craig Armstrong scores. Nick Moore cuts. Made its budget back several times over at the box office. Produced in France, United Kingdom. Dialogue in English, French, Portuguese.

Trivia

Things worth knowing

1Made its money back 6.3× over at the box office.
2Released 23 years ago.
3Dialogue crosses 3 languages: English, French, Portuguese.
4International production across 2 countries: France, United Kingdom.
5408+ people credited in cast and crew — a small city's worth of labour.
6Directed by Richard Curtis, shot by Michael Coulter. Note their partnership — DPs and directors often return to each other across a career.
7Original score by Craig Armstrong. Worth a dedicated listen after — most great films lose half their impact without the score.
8Editor Nick Moore shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
9Hugh Grant and Alan Rickman and Emma Thompson carry the top of the cast.
10Marketing tagline: "Love actually is all around.".
11IMDB entry: tt0314331 — still the authoritative cross-reference for credits and trivia.
12Classified under 19 themes, including "london, england", "usa president", "rock star", "school performance".
13Released under 12 different titles around the world.

The technical file

Cinematography: Michael Coulter
Original score: Craig Armstrong
Editing: Nick Moore
Production design: Jim Clay
Costume design: Joanna Johnston
Makeup / hair: Graham Johnston
VFX supervisor: Tim Webber
Sound: Graham Daniel
Stunt coordinator: Lee Sheward
Runtime: 135 min · 2h 15m
Aspect ratio (typical): 1.37:1 (Academy)
Status: Released
Budget: $40,000,000
Box office: $250,779,876
Return: 627% of budget
Original language: EN
Certification (US): R
IMDB: Love Actually (2003)
Rotten Tomatoes: 65% 🍅 Fresh
Metacritic: 55/100
IMDB rating: 7.5/10 · 577,665 votes
MPAA: R

Awards

Won 1 BAFTA Award11 wins & 30 nominations total

Also by

Richard Curtis

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Trailers & featurettes

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Community reviews

What people are saying

John Chard2015-12-27
★ 8/10
God only knows what I'd be without you. London, England, and it's the run up to Christmas, and we are in the company of a number of couples dealing with the joys and problems that love can bring. We open with a narration from Hugh Grant who tells us that when he is troubled by the hate in the world, he thinks of the arrivals area of Heathrow airport. A place where loved ones greet returning loved ones, a place that indeed showcases a strand of love in its joyous form. He further ventures that when the aeroplanes hit the twin towers on 9/11, as far as he knows, all those phone calls from those sadly involved were messages of love, not hate. Pertinent musings that although somewhat sombre for an opening, sets it up nicely for what Richard Curtis (writer and director) wants to say. A roll call of fine British and Irish actors, and American Laura Linney, lend their considerable talents to Curtis' ensemble piece. The structure is surprisingly simple considering the number of stories being woven together, the result being that there is sure to be a story in there to either love, or, yes, even hate. Is it sentimental? Of course. Is it as stuffed as a turkey on Xmas day? Naturally. Does it stretch credibility in some strands? For sure. But only the coldest of hearts could truly decry that Love Actually is all around. Very often it's funny too. Curtis, following on from writing credits such as Four Weddings And A Funeral, continues to show himself to be a very fine writer of comedy. None more so than with Bill Nighy's past his sell by date pop star, Billy Mack. There's something for everyone in here, indeed there's likely to be something that many can associate with. It's a lovely affecting film that should hopefully perk up those that get blue around the holiday season. With perceptive writing, some excellent acting (Nighy, Emma Thomson, Colin Firth et al) and a soundtrack of some worth, Love Actually is a winner. 8/10
Peter McGinn2021-07-27
★ 7/10
Love Actually coulda been somebody; it coulda been a contender. There were scenes and characters I loved, but the movie was all but ruined by the irritatingly bad bits. They could have dropped two entire subplots and raised the quality considerably: I am thinking pf the needlessly crass over the hill singer with the Christmas song competition, and the male fantasy thread about the idiot going to Wisconsin and encountering three shapely nymphomaniacs. The time saved cutting those scenes could have been allocated to Laura Linney’s special needs brother and her infatuation, a plot that just petered out near the end, and to the Emma Thompson character’s marriage, which showed promise but similarly fizzled out with a half-hearted scene at the end. Or they could have given more screen time to Natalie, the prime minister’s love interest, who stole a few scenes and deserved many more. So it was fun in places and touching at other times, and I can just about see myself watching this star-studded near-miss again, as long as I can keep a finger on the fast forward button.
Filipe Manuel Neto2022-10-30
★ 8/10
Bringing together several plots, the film is not about love, but about Love in its most diverse facets… and not always happy. Unlike most romantic movies, which stick to a sugary story and follow it to the end, with the invariable marriage at the end, and everything in rosy, this movie seems to care more about love itself. , as a feeling. In fact, there are nine sub-plots involved and each one explores a different facet of love: we have teenage love, we have illicit loves, we have unlikely romances, we have love triangles, we even have a love that blossoms without one or the other. speak the same language… and all during the pre-Christmas times! So I won't waste time sifting through each plot, maybe it's for the best. The movie could have gone terribly wrong, but the truth is that it works reasonably well. It's not a film where we can like all the characters, obviously many of them are making mistakes in the name of love, but the truth is that the film brings, with all this, a much more human and realistic tone than others of its genre. : who has never made a mistake because they fell in love, or found themselves in love with the wrong person and with full awareness of it? Even so, and despite the merits, there are indeed some subplots that seem underwritten and poorly developed, and others that I just don't understand why they were added. And I'm not in favor of some of the jokes that were being made, there's some humor that doesn't work, even though the dialogue is good and well written. I lost count of the number of great actors that went into this film. It seems that all the good British actors of the decade decided to book a coffee and show up. Some are more prominent, others not so much. Hugh Grant is one of the highlights of the film and he is really good in the role he has been given, and he plays very well with Martine McCutcheon, who also does well in her role. I also enjoyed the performances by Liam Neeson and his teenage stepson, Thomas Brodie-Sangster (who would later break out as an actor in Maze Runner). It is still beautiful to see the way their characters relate to each other and the intimacy that is created between them. Bill Nighy is funny and irreverent, but I didn't understand his subplot here, and Laura Linney is good at what she does, but I wasn't captivated by the character. The same can be said of Keira Knightley (I never particularly liked this actress). Emma Thompson is better, and she does a good job here. Finally, a small word of praise to Colin Firth, and also to my compatriot Lúcia Moniz. It feels good to see someone from our country shining abroad, and to hear our mother tongue in a foreign film. The film is not brilliant on a technical level. Betting everything, or almost, on the script, on the performance of the actors and on the very competent direction by Richard Curtis, the film is not particularly remarkable in these points, assuming a standard aesthetic and having almost nothing at the visual level that surpasses the average. There are, however, some good aspects, related to the scenarios and the choice of filming locations, very well selected and used.