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La Ronde poster

La Ronde

1950 1h 35m FR
👍
7.3
SOLID
★7.3TMDB · 148
RomanceComedyDrama
Synopsis
Spoiler shield

An all-knowing interlocutor guides us through a series of affairs in Vienna, 1900. A soldier meets an eager young lady of the evening. Later he has an affair with a young lady, who becomes a maid and does similarly with the young man of the house. The young man seduces a married woman. On and on, spinning on the gay carousel of life.

“Some stories are better left unspoiled.”

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Cast

Credits

Behind the camera

Director
Max Ophüls
Languages
French
Countries
France

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 6
ERA

Did you know

76 years old — a genuine piece of film history.

MoodPlayr · trivia#01
2 / 6
DIRECTOR

Did you know

Directed by Max Ophüls, shot by Christian Matras. Note their partnership — DPs and directors often return to each other across a career.

MoodPlayr · trivia#02
3 / 6
AWARDS

Did you know

Original score by Oscar Straus. Worth a dedicated listen after — most great films lose half their impact without the score.

MoodPlayr · trivia#03
4 / 6
DIRECTOR

Did you know

Editor Léonide Azar shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.

MoodPlayr · trivia#04
5 / 6
CAST

Did you know

Anton Walbrook and Simone Signoret and Serge Reggiani carry the top of the cast.

MoodPlayr · trivia#05
6 / 6
WILD

Did you know

IMDB entry: tt0042906 — still the authoritative cross-reference for credits and trivia.

MoodPlayr · trivia#06

Cinephile deep dive

The take

Max Ophüls directs. Christian Matras behind the camera. Oscar Straus scores. Léonide Azar cuts. Runs lean at under 100 minutes. Produced in France. Dialogue in French.

Trivia

Things worth knowing

  • 176 years old — a genuine piece of film history.
  • 2Directed by Max Ophüls, shot by Christian Matras. Note their partnership — DPs and directors often return to each other across a career.
  • 3Original score by Oscar Straus. Worth a dedicated listen after — most great films lose half their impact without the score.
  • 4Editor Léonide Azar shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
  • 5Anton Walbrook and Simone Signoret and Serge Reggiani carry the top of the cast.
  • 6IMDB entry: tt0042906 — still the authoritative cross-reference for credits and trivia.
  • 7Released under 12 different titles around the world.

The technical file

Cinematography
Christian Matras
Original score
Oscar Straus
Editing
Léonide Azar
Production design
Jean d'Eaubonne
Costume design
Georges Annenkov
Makeup / hair
Carmen Brel
Runtime
95 min · 1h 35m
Status
Released
Original language
FR

Also by

Max Ophüls

Community reviews

What people are saying

  • CinemaSerf
    ★ 7/10

    The hugely charismatic Anton Walbrook takes on the role of our guide - using a carousel quite effectively as his prop - through this charming tale of sex. Delicately delivered - nothing graphic, vulgar or sleazy, but it's essentially a story of sex - with or without love! Aside from underpinning the narrative, Walbrook also portrays half a dozen ancillary characters as we embark on a Viennese Waltz with a difference. Initially, it's the gorgeous lady of the night "Léocadie" (Simone Signoret) who ensnares the poverty stricken soldier "Franz" (Serge Reggiani) and then like a 4x400m relay race, he in turn has a dalliance with "Marie" (Simone Simon) who meets "Alfred" (Daniel Gélin) who himself has his own cougar in the form of "Emma" (Danielle Darrieux) who is married to the wealthy "Charles" (Fernand Gravey) who has his own regular assignation with... Ultimately it all comes full circle with poor old "Léocadie" again! There's an inevitability to the story, I suppose, but somehow that doesn't really matter. It's quite a potent, sometimes honest sometimes idealistic, sometimes just plain daft - series of delightfully delivered vignettes that depict human nature in quite a natural way. Those that want, want to have; those that have are always the ones who want more, or don't know what they want - the grass is always greener? The writing allows the talented array of actors assembled here to each shine (or even glow) in their own way and Christian Matras has created a clever accompaniment to our peccadillo-strewn adventures that partnered with the sagely interventions of Walbrook add up to a thoroughly enjoyable ninety minutes from Max Ophuls that looks great, makes us smile - and probably rings at least a little true for all of us.

Production companies

Who made it

  • FI

    Films Sacha Gordine

Key crew

  • ProducerRalph Baum
  • Assistant DirectorTony Aboyantz
  • Makeup ArtistCarmen Brel
  • Costume DesignGeorges Annenkov
  • Unit Production ManagerRenée Bardon
  • SoundPierre-Louis Calvet
  • Production ManagerRalph Baum
  • Production DesignJean d'Eaubonne
  • Assistant DirectorPaul Feyder
  • ProducerSacha Gordine
  • EditorLéonide Azar
  • Set DesignerCharles Merangel
  • Set DesignerHenri Vergnes
  • Theatre PlayArthur Schnitzler
  • AdaptationJacques Natanson
  • DialogueJacques Natanson
  • AdaptationMax Ophüls

Release history · US

When it landed

  • Theatrical1954-03-16

Also known as

International titles

  • Intohimojen karuselliFI
  • 라운더바우트KR
  • RoundaboutNL
  • Kärlekens husSE
  • 요정의 춤KR
  • 원무곡KR
  • 라 롱드KR
  • 윤무KR
  • 요정의 론도KR
  • A RondaBR
  • Conflitos de PrazerBR
  • Conflitos de AmorBR

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