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Hitler: The Last Ten Days poster

Hitler: The Last Ten Days

1973 1h 46m EN
😐
6.2
MID
★6.2TMDB · 42
DramaWarHistory
Synopsis
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Hitler: The Last Ten Days takes us into the depths of der Furher’s Berlin bunker during his final days. Based on the book by Gerhard Boldt, it provides a bleak look at the goings-on within, and without.

“Some stories are better left unspoiled.”

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Cast

Credits

Behind the camera

Director
Ennio De Concini
Writers
Ennio De Concini, Wolfgang Reinhardt, Maria Pia Fusco
Languages
English
Countries
Italy, United Kingdom

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 7
ERA

Did you know

53 years old — a genuine piece of film history.

MoodPlayr · trivia#01
2 / 7
WORLD

Did you know

International production across 2 countries: Italy, United Kingdom.

MoodPlayr · trivia#02
3 / 7
DIRECTOR

Did you know

Directed by Ennio De Concini, shot by Ennio Guarnieri. Note their partnership — DPs and directors often return to each other across a career.

MoodPlayr · trivia#03
4 / 7
DIRECTOR

Did you know

Editor Kevin Connor shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.

MoodPlayr · trivia#04
5 / 7
CAST

Did you know

Alec Guinness and Simon Ward and Adolfo Celi carry the top of the cast.

MoodPlayr · trivia#05
6 / 7
WILD

Did you know

IMDB entry: tt0070184 — still the authoritative cross-reference for credits and trivia.

MoodPlayr · trivia#06
7 / 7
WILD

Did you know

Only 42 TMDB ratings — you're getting ahead of the curve on this one.

MoodPlayr · trivia#07

Cinephile deep dive

The take

Ennio De Concini directs. Ennio Guarnieri behind the camera. Kevin Connor cuts. Produced in Italy, United Kingdom. Dialogue in English.

Trivia

Things worth knowing

  • 153 years old — a genuine piece of film history.
  • 2International production across 2 countries: Italy, United Kingdom.
  • 3Directed by Ennio De Concini, shot by Ennio Guarnieri. Note their partnership — DPs and directors often return to each other across a career.
  • 4Editor Kevin Connor shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
  • 5Alec Guinness and Simon Ward and Adolfo Celi carry the top of the cast.
  • 6IMDB entry: tt0070184 — still the authoritative cross-reference for credits and trivia.
  • 7Only 42 TMDB ratings — you're getting ahead of the curve on this one.

The technical file

Cinematography
Ennio Guarnieri
Editing
Kevin Connor
Production design
Roy Walker
Costume design
Sonia Quemell
Makeup / hair
Giancarlo De Leonardis
Runtime
106 min · 1h 46m
Aspect ratio (typical)
1.37:1 (Academy)
Status
Released
Box office
$2,250,000
Original language
EN
Certification (US)
PG

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Trailers & featurettes

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Community reviews

What people are saying

  • CinemaSerf
    ★ 6/10

    Alec Guinness quite convincingly throws himself into the title role here in what is otherwise a rather theatrically dry depiction of the last few days in Hitler's Berlin bunker. With the Allies closing in, the Fuhrer is becoming increasingly desperate, increasingly frustrated and even more mistrusting of those around him. Those once trusted and powerful are being summarily dismissed; his rantings are becoming even more maniacal and his mood swings vacillate wildly so that even the most deft at dealing with him have to tread on eggshells else a firing squad might still be his response. Central to controlling him, insofar as that's possible, is his mistress Eva Braun (Doris Kunstmann) - but even she faces quite a challenge as he sees traitors everywhere and she has to contend with the inevitable for both herself and their children. The supporting cast makes up a powerful who's who of international cinema with Adolfo Celi standing out as the stoic General Krebs, Mark Kingston as the odious Martin Boorman and John Bennett as Josef Goebbels also contributing well to the sense of claustrophobic isolation in the bunker. The audio editing also works well, increasing the sound effects gradually to suggest the imminent arrival of their foes. To break up the rather visual monotony of the thing, it's interspersed with some fairly horrific actuality that illustrates not only the terror the Nazis inflicted on others, but also the extent to which Hitler was prepared to use every resource, even his Youth Movement, to sustain his flailing grip on power. I think this would work better on stage, it lacks an intensity here on screen that despite the best efforts of it's star just doesn't quite get off the ground, and it's also just a bit too verbose to sustain the potency of the sense of imminent threat.

Production companies

Who made it

  • WE

    West Film

    IT

  • WO

    Wolfgang Reinhardt Productions

  • WO

    World Film Services

    GB

Key crew

  • EditorKevin Connor
  • Costume DesignSonia Quemell
  • Key Hair StylistGiancarlo De Leonardis
  • CastingIrene Lamb
  • AdaptationIvan Moffat
  • Makeup ArtistOtello Sisi
  • WigmakerGiancarlo De Leonardis
  • ProducerWolfgang Reinhardt
  • MusicMischa Spoliansky
  • Sound RecordistBob Jones
  • Supervising Sound EditorJohn Ireland
  • Sound RecordistPeter Handford
  • Set DecorationMichael Lamont
  • Camera OperatorGiulio Battiferri
  • BookGerhardt Boldt
  • Production DesignRoy Walker
  • GafferMaurice Gillett

Themes & keywords

What it's about, really

  • suicide
  • nazi
  • bunker
  • biography
  • nazism

Release history · US

When it landed

  • Theatrical1973-05-09PG

Also known as

International titles

  • Les Dix Derniers Jours d'HitlerFR
  • Hitler - Die letzten 10 TageDE

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