Gemini Man

"Who will save you from yourself?"

2019 1h 57m EN

😐

6.3

MID

★6.3TMDB · 5,605

Science FictionActionAdventureThrillerDrama

Synopsis

Spoiler shield

Henry Brogan is an elite 51-year-old assassin who's ready to call it quits after completing his 72nd job. His plans get turned upside down when he becomes the target of a mysterious operative who can seemingly predict his every move. To his horror, Brogan soon learns that the man who's trying to kill him is a younger, faster, cloned version of himself.

“Who will save you from yourself?”

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Where to watch · US

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Cast

Will Smith
Henry Brogen / Junior
Mary Elizabeth Winstead
Danny Zakarweski
Clive Owen
Clay Verris
Benedict Wong
Baron
Douglas Hodge
Jack Willis
Ralph Brown
Del Patterson
Linda Emond
Janet Lassiter
Ilia Volok
Yuri Kovacs

Credits

Behind the camera

Director: Ang Lee
Writers: Darren Lemke, David Benioff, Darren Lemke
Languages: English
Countries: United States of America, China

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 8

MONEY

Did you know

$140M budget — tentpole studio territory.

MoodPlayr · trivia#01

2 / 8

ERA

Did you know

Released 7 years ago.

MoodPlayr · trivia#02

3 / 8

WORLD

Did you know

International production across 2 countries: United States of America, China.

MoodPlayr · trivia#03

4 / 8

CAST

Did you know

339+ people credited in cast and crew — a small city's worth of labour.

MoodPlayr · trivia#04

5 / 8

DIRECTOR

Did you know

Directed by Ang Lee, shot by Dion Beebe. Note their partnership — DPs and directors often return to each other across a career.

MoodPlayr · trivia#05

6 / 8

DIRECTOR

Did you know

Original score by Lorne Balfe. Worth a dedicated listen after — most great films lose half their impact without the score.

MoodPlayr · trivia#06

7 / 8

DIRECTOR

Did you know

Editor Tim Squyres shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.

MoodPlayr · trivia#07

8 / 8

AWARDS

Did you know

Will Smith and Mary Elizabeth Winstead and Clive Owen carry the top of the cast.

MoodPlayr · trivia#08

Cinephile deep dive

The take

Ang Lee directs. Dion Beebe behind the camera. Lorne Balfe scores. Tim Squyres cuts. Profitable at the box office. Produced in United States of America, China. Dialogue in English.

Trivia

Things worth knowing

1$140M budget — tentpole studio territory.
2Released 7 years ago.
3International production across 2 countries: United States of America, China.
4339+ people credited in cast and crew — a small city's worth of labour.
5Directed by Ang Lee, shot by Dion Beebe. Note their partnership — DPs and directors often return to each other across a career.
6Original score by Lorne Balfe. Worth a dedicated listen after — most great films lose half their impact without the score.
7Editor Tim Squyres shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
8Will Smith and Mary Elizabeth Winstead and Clive Owen carry the top of the cast.
9Marketing tagline: "Who will save you from yourself?".
10IMDB entry: tt1025100 — still the authoritative cross-reference for credits and trivia.

The technical file

Cinematography: Dion Beebe
Original score: Lorne Balfe
Editing: Tim Squyres
Production design: Guy Hendrix Dyas
Costume design: Suttirat Anne Larlarb
Makeup / hair: LuAndra Whitehurst
VFX supervisor: Bill Westenhofer
Sound: Ron Bartlett
Stunt coordinator: J.J. Perry
Runtime: 117 min · 1h 57m
Aspect ratio (typical): 1.37:1 (Academy)
Status: Released
Budget: $140,000,000
Box office: $173,469,516
Return: 124% of budget
Original language: EN
Certification (US): PG-13
IMDB: Gemini Man (2019)

Also by

Ang Lee

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Trailers & featurettes

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Community reviews

What people are saying

SWITCH.2019-10-05
★ 6/10
A century ago, man was just getting started with movies - heck, we even had sound and colour to explore. ‘Gemini Man’ deserves to be acknowledged for its purposeful step towards discovering what potentially lies out there for the future of movies and the capacity of the technology. Sure, the film finished and Michael and I both agreed the plot was safe and it really does stick to the “boy runs, meets girl and keeps running“ framework - but if you want to see it for more than that, at least respect it’s go-getter exploration of a new digital world. - Lily Meek Read Lily's full article... https://www.maketheswitch.com.au/article/review-gemini-man-ang-lee-vs-ang-lee-has-technology-gone-too-far
Manuel São Bento2019-10-10
★ 4/10
If you enjoy reading my Spoiler-Free reviews, please follow my blog :) Usually, I leave the technical aspects to the end of my reviews since story, characters, and the critical element of each genre (action in action flicks, comedy in comedies, and so on) are way more important. However, having in mind the whole marketing campaign surrounding Gemini Man's "groundbreaking innovations", I'll address them now. Even after sleeping on it, my experience in high frame rate still feels very … weird. In case you need some explaining, HFR adds a lot more detail to the image since it captures more frames per second hence making the image smoother, which can be extremely distracting. I always disable motion smoothing on my TV since I hate that feeling of knowing that "something's not right". It doesn't have to do with speed, which is something people are going to wrongly state regarding this film. The action isn't faster, don't make the mistake of saying this. Since there's 2.5x more detail (24 FPS is the standard frame rate), movements become easier to follow, so there's the illusion of watching something faster than normal. Truth is, it just FEELS like it. When characters are just talking, and there's no action involved, it works because it simply looks better. However, the action sequences are very hit-and-miss. Some pieces look absolutely amazing, but it's clear this technology needs a few more years of experience to reach its full potential. Scenes featuring car/motorbike chases, running, or shootings are stunningly filmed, but any hand-to-hand combat is frustratingly off-putting. Additionally, Ang Lee applies an excessive use of CGI to a lot of these moments, which makes some fights look incredibly absurd. HFR is not the only technical attribute people are going to discuss. That young version of Will Smith … Honestly, it doesn't really work for me. People who complained about The Lion King (2019) not being able to show animals emoting will surely hate this attempt of replicating a young Will Smith (if they don't, then Joker was right, society is indeed extremely hypocritical). It's just like the action sequences with HFR: hit-and-miss. There are some genuinely mind-blowing scenes with medium shots of young Will Smith, and he looks 99.9% real. In these specific shots, it's impossible to tell the difference between the clone and a real version. However, it still fails to deliver this realism throughout the entire runtime. First of all, young Henry barely shows any emotions (except a brilliant crying moment), which is obviously meant to facilitate the VFX team's work. But even with his face completely still and empty of emotions, the eyes just look too doll-like. The eyebrows move strangely, and the forehead seems odd. In the end, it all comes down to forgetting that it's a digital character and that almost never happens. I always felt like I was watching a blend of CGI, motion-capture, and whatever other technology they used to try to pull this off. In a few years from now, if Gemini Man gets a remake or some other movie tries to do something similar, I bet it will look near-perfect. Right now, it's more of a disturbance than an achievement. Put this together with the already not-that-good HFR, and we get a visually striking yet distracting film. And if you thought the story would save it… It's pretty bad. Generic, predictable, and filled with almost offensive exposition. I would have to go through my reviews, but this is definitely one of the most exposition-heavy screenplays of the year. I lost count of the number of times a character starts ranting with the purpose of explaining something evident to another character. The worst thing a screenplay can do is treat the audience like they are 5-year-old children. The whole plot revolves around people asking someone else what happened, what's happening, and what's next. We already know from the trailer Will Smith is being hunted by a young version of himself, a clone. Try to imagine how many ways you can tell someone there's an individual exactly like that person. Now, just lazily insert all of those sentences on a character's script and make it say them in a single scene. I'm sorry, but it's laughably bad. There are no surprises! It ends abruptly, utterly disregarding the only interesting plot point (still very predictable), by not developing it any further than one sequence. If it wasn't for the truly fantastic cast (Will Smith is always impeccable, Mary Elizabeth Winstead and Benedict Wong deliver great performances), Gemini Man would easily be one of the absolute worst movies of the year. Shoutout to Lorne Balfe's score, which is by far the technical aspect worthy of only compliments. All in all, Ang Lee's attempt to deliver a groundbreaking film doesn't quite hit the mark. Honestly, it's still far from it. The 60 FPS HFR and the young version of Will Smith are occasionally jaw-dropping, but both technical aspects need years of improvement to be able to work seamlessly. As of now, these only serve as a frustrating distraction. However, the biggest problem with Gemini Man is its exposition-heavy screenplay, which besides treating the audience like dumb people, doesn't carry any sort of surprise or novelty. As generic and predictable as it could be. The unbelievably talented cast, a spectacular score from Lorne Balfe, and a few notable action sequences save this technological hit-and-miss from missing its target entirely. Rating: C-
JPV8522020-01-17
★ 7/10
Not at all bad and pretty watchable action-thriller, but also outside some of the effects and fight choreography (when you can see what's going on), not terribly memorable either. Also, using 60 fps was a bit off-putting, especially with the daylight scenes making this look cheaper than it probably was, at times feeling like you're watching something online or even on 1x fast forward. Not entirely sure why Ang Lee went in that direction, but didn't work for me. All in all, maybe worth a rental but certainly far from a best effort from both Lee and Will Smith. 3.25/5