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Get Out poster

Get Out

"Just because you're invited, doesn't mean you're welcome."

2017 1h 44m EN
🙌
7.6
BANGER
★7.6TMDB · 19,445
MysteryThrillerHorror
Synopsis
Spoiler shield

Chris and his girlfriend Rose go upstate to visit her parents for the weekend. At first, Chris reads the family's overly accommodating behavior as nervous attempts to deal with their daughter's interracial relationship, but as the weekend progresses, a series of increasingly disturbing discoveries lead him to a truth that he never could have imagined.

“Just because you're invited, doesn't mean you're welcome.”

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Cast

Credits

Behind the camera

Director
Jordan Peele
Writers
Jordan Peele
Languages
English
Countries
United States of America

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 8
MONEY

Did you know

Shot for just $4.5M — micro-budget by Hollywood standards.

MoodPlayr · trivia#01
2 / 8
MONEY

Did you know

Grossed $255M — a 56.8× return. The kind of profit studios chase for a decade.

MoodPlayr · trivia#02
3 / 8
ERA

Did you know

Released 9 years ago.

MoodPlayr · trivia#03
4 / 8
DIRECTOR

Did you know

Directed by Jordan Peele, shot by Toby Oliver. Note their partnership — DPs and directors often return to each other across a career.

MoodPlayr · trivia#04
5 / 8
DIRECTOR

Did you know

Original score by Michael Abels. Worth a dedicated listen after — most great films lose half their impact without the score.

MoodPlayr · trivia#05
6 / 8
DIRECTOR

Did you know

Editor Gregory Plotkin shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.

MoodPlayr · trivia#06
7 / 8
CAST

Did you know

Daniel Kaluuya and Allison Williams and Catherine Keener carry the top of the cast.

MoodPlayr · trivia#07
8 / 8
FACT

Did you know

Marketing tagline: "Just because you're invited, doesn't mean you're welcome.".

MoodPlayr · trivia#08

Cinephile deep dive

The take

Jordan Peele directs. Toby Oliver behind the camera. Michael Abels scores. Gregory Plotkin cuts. Made its budget back several times over at the box office. Produced in United States of America. Dialogue in English.

Trivia

Things worth knowing

  • 1Shot for just $4.5M — micro-budget by Hollywood standards.
  • 2Grossed $255M — a 56.8× return. The kind of profit studios chase for a decade.
  • 3Released 9 years ago.
  • 4Directed by Jordan Peele, shot by Toby Oliver. Note their partnership — DPs and directors often return to each other across a career.
  • 5Original score by Michael Abels. Worth a dedicated listen after — most great films lose half their impact without the score.
  • 6Editor Gregory Plotkin shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
  • 7Daniel Kaluuya and Allison Williams and Catherine Keener carry the top of the cast.
  • 8Marketing tagline: "Just because you're invited, doesn't mean you're welcome.".
  • 9IMDB entry: tt5052448 — still the authoritative cross-reference for credits and trivia.
  • 1019,445 TMDB user ratings logged — serious cultural footprint.
  • 11Classified under 18 themes, including "kidnapping", "externally controlled action", "manipulation", "dark comedy".

The technical file

Cinematography
Toby Oliver
Original score
Michael Abels
Editing
Gregory Plotkin
Production design
Rusty Smith
Costume design
Nadine Haders
Makeup / hair
Lindsey Interrante
VFX supervisor
David Lebensfeld
Sound
Chase Everett
Stunt coordinator
Mark Vanselow
Runtime
104 min · 1h 44m
Aspect ratio (typical)
1.37:1 (Academy)
Status
Released
Budget
$4,500,000
Box office
$255,407,969
Return
5676% of budget
Original language
EN
Certification (US)
R

Awards

  • Producers Guild Stanley Kramer Award
  • National Board of Review: Top Ten Films
  • Academy Award for Best Writing, Original Screenplay

Individual records documented via Wikidata; the summary above may count more.

Also by

Jordan Peele

Stills · wallpapers

Selected frames

Full-resolution frames — open one to save it as a wallpaper.

Trailers & featurettes

Watch the pieces

Community reviews

What people are saying

  • cevangelista413

    Horror and comedy have blended well since around the beginning of film for one key reason: the release that both allow from the audience. The building set-up is not unlike the quiet before the jump scare. Both utilize equations of timing to provoke an unconscious reaction. Because of these similarities, the horror-comedy is a well-tapped genre, especially in the last couple decades of works aiming their trajectory at the cult DVD bin. So it takes a particular level of skill to mine new ground in the territory, particularly from a first time director. What makes Jordan Peele’s Get Out so engaging, frightening and hysterical is that he knows exactly when to play the material straight; which it turns out is most of the time. <a href="http://www.cutprintfilm.com/reviews/get-out/" rel="nofollow">Full review </a>

  • CuriousAstronaut
    ★ 10/10

    ~ NO SPOILERS ~ This is an extremely impressive film from Peele. Its smart and knows it-- teasing you along the way of what is to unfold at the film's climax. The main character is a photographer goes to visit his GF's house and all-white family. Things are not as they appear at first glance, and as the film progresses it becomes even more disturbingly obvious that the family is hiding a secret. As time goes on, cracks begin to form in the sticky sweet facade of pleasantness surrounding the home. Beyond this I can't spoil it, but the third act of this film is very satisfying. I don't think there was any part of this film that overstayed its welcome or felt weak. The acting performances overall are superb, the cinematography is excellent, and the lighting is also well done. Please go see this movie if you are into horror/comedy, its worth supporting.

  • IncendiaryIndie
    ★ 9/10

    Opening Remarks I went out to see this film armed only with the snippets I watched in the form of television commercials and YouTube ads. The film had a very interesting look and that really caught my attention. I noticed that the film focused primarily on race, which seemed like an interesting concept for a horror/psychological thriller. I also saw that Jordan Peele (of "Key and Peele" fame) was the director of the film and I was thrown completely off about what type of movie I was going to get. First Impressions To start off, this film is gorgeous and this presents itself fairly early into the film. Gorgeous quality, gorgeous scenery, gorgeous people. Added with the minimal soundtrack, the film seems very open. Many horror movies try to go for a claustrophobic approach, while "Get Out" uses its spacious atmosphere to bring out the unnerving fear of the unknown. Going Smoothly Other than a few moments of "How exactly is this scientifically possible?," you do not have to suspend your belief too often throughout the film. "Get Out" has an easy to follow, coherent story line that is aided by its pacing. Honestly, this is some of the best pacing have seen a modern horror film in a long time. Every sequence in this film seems to take the same amount of time and keeps the film moving along at a brisk pace. Every scene is refreshing and contains a new bit of information, instead of lingering on unimportant details. Every sequence is shot with purpose. Getting to Know the Cast The acting in this movie is very well done. The interactions between characters seemed genuine and characters reacted to situations in appropriate manners. This isn't your average horror movie where the characters make stupid decisions to continue the plot; it all seems very organic. The characters act in a manner that you really connect with and do things that you could see yourself doing in these situations. Further Considerations As I mentioned earlier, the film was directed by Jordan Peele, who has almost exclusively worked in comedy. As a fan of "Key and Peele" skits and their major film, "Keanu," I thought I had this film figured out before going to see it. With its subject matter about race, I figured this movie would be more of a joke than it was a straight-up horror film. And while the film is a very witty satire on race relations in America and features some very humorous dialogue and situations, the film drives the horrors of racism to the furthest point. The humor stems mostly from the absurdity of the films premise. That Ending I do not have any major complaints about the movie. It didn't drag on, it mimicked reality, and gave me some very uneasy feelings, which is a plus for a horror film. The only problem I have with the film is the ending. It wraps itself up way too quickly and throws everything at you all at once. Luckily, the ending does resolve itself and doesn't leave any glaring loose ends. The film does end a bit too abruptly for my taste and it would have been nice to see what happens afterwards. Closing I would recommend this film to anybody looking for a different horror experience. It is tasteful and tame compared to other films, but it certainly doesn't distract from its purpose.

Production companies

Who made it

  • Monkeypaw Productions

    Monkeypaw Productions

    US

  • Blumhouse Productions

    Blumhouse Productions

    US

  • QC Entertainment

    QC Entertainment

    US

Key crew

  • Visual Effects ProducerKieley Culbertson
  • Visual Effects SupervisorDavid Lebensfeld
  • Set DresserBrett Fahle
  • Set DresserJonathan Dossman
  • Set DresserApril Hopkins
  • Sound Re-Recording MixerChase Everett
  • Visual Effects SupervisorGrant Miller
  • Set DresserKyle Descenna
  • Makeup ArtistLindsey Interrante
  • VFX ArtistPratik Pradeep Singh
  • Sound Re-Recording MixerJonathan Wales
  • VFX ArtistChad Goei
  • VFX ArtistAleksandr Kilimnik
  • Stunt DoubleChelsea Bruland
  • ProducerJason Blum
  • EditorGregory Plotkin
  • CastingTerri Taylor
  • Costume DesignNadine Haders
  • Construction CoordinatorJohn Rezner
  • Casting AssociateSarah Domeier Lindo
  • Costume SupervisorRachel Stringfellow
  • ProducerEdward H. Hamm Jr.
  • ProducerSean McKittrick
  • Art Department CoordinatorJackson Rambo

Themes & keywords

What it's about, really

  • kidnapping
  • externally controlled action
  • manipulation
  • dark comedy
  • hypnosis
  • parents-in-law
  • satire
  • racist
  • revenge
  • interracial relationship
  • disappearance
  • racism
  • psychological thriller
  • neurosurgeon
  • missing person
  • stereotype
  • brain surgery
  • race-conscious

Release history · US

When it landed

  • Premiere2017-01-23R· Sundance Film Festival
  • Theatrical2017-02-24R
  • Physical2017-05-23R· 4k Ultra HD Blu-ray / Blu-ray / DVD

Also known as

International titles

  • Get Out - Rette deine HautDE
  • 訪.嚇HK
  • ลวงร่างจิตหลอนTH
  • Çıx Get BurdanAZ
  • Бежи!RS

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