
Did you know
Made its money back 7.0Γ over at the box office.

"In New York City, he was the ultimate insider. But out here, he was on the outside, looking in."
A biopic of writer Truman Capote and his assignment for The New Yorker to write the non-fiction book "In Cold Blood".
βIn New York City, he was the ultimate insider. But out here, he was on the outside, looking in.β

Philip Seymour Hoffman
Truman Capote

Catherine Keener
Harper Lee

Clifton Collins Jr.
Perry Smith

Bruce Greenwood
Jack Dunphy

Bob Balaban
William Shawn

Mark Pellegrino
Dick Hickock

Marshall Bell
Warden Marshall Krutch

Amy Ryan
Marie Dewey
Credits
Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.
Did you know?
Cinephile deep dive
Bennett Miller directs. Adam Kimmel behind the camera. Mychael Danna scores. Christopher Tellefsen cuts. Made its budget back several times over at the box office. Produced in United States of America, Canada. Dialogue in English.
Trivia
Awards
Won 1 Oscar. 59 wins & 89 nominations total
Individual records documented via Wikidata; the summary above may count more.
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Trailers & featurettes
Community reviews
Actor or mimic or both? Philip Seymour Hoffman certainly delivers a plausible and captivating portrayal of the eponymous acclaimed novelist in the late 1950s. He is researching his latest novel when he alights on news of the brutal murder of a Kansas family. Pretty unscrupulously, this rather unfulfilled writer decides this is a rich vein for him to exploit, and so using just about every (legal) means at his disposal manages to ingratiate himself with friends of the victims and then once the police apprehend two suspects, he does the same with Perry Smith (Clifton Collins Jnr.). He intends to use the template of this case and the true nature of the personalities to construct a novel - but one based in fact not fiction. What ensues here is quite a cleverly crafted look at just how the shrewd and intelligent man uses his intellect to manipulate the scenario so as to provide him what what he wants, when he wants it - but it also exposes his slightly controlling character to some fault lines. He begins to form a relationship, of sorts, with his quarry - he has a fondness that compromises his objectivity to his story; the accused serves to begin to humanise this rather aloof and frankly quite arrogant figure. There is a distinct power shift here. It's a tightly cast effort this, with most of the emphasis on the efforts of Hoffman, a strong performance from Collins and a useful supporting contribution from Catherine Keener as the foil/conduit for much of her friend Capote's thoughts and behaviour. The style of the production, the attention to detail and the Mychael Danna score all add to the richness of this, admittedly quite speculative, drama that shines a bit of a light not just into what made this man tick, but also just what made the USA tick too.
Production companies

United Artists
US
A-Line Pictures
US
Cooper's Town
US
Infinity Media
US

Eagle Vision
CA

Sony Pictures Classics
US
Themes & keywords
Release history Β· US
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