
Did you know
38 years old β old enough to be someone's favourite childhood film.

"In a city where everyone is for sale... They're the best money can't buy."
When a local drug dealer shoots a dishonest cop in self-defense, lawyer and renegade undercover cop join forces to clear him. But when their investigation leads them into a maze of greed and corruption, they learn that in a town where everything is for sale, anything can happen.
βIn a city where everyone is for sale... They're the best money can't buy.β

Peter Weller
Roland Dalton

Sam Elliott
Richie Marks

Patricia Charbonneau
Susan Cantrell

Antonio Fargas
Nicky 'N.C.' Carr

Blanche Baker
Gail Feinberger

John C. McGinley
Sean Phillips

Richard Brooks
Michael Jones

Jude Ciccolella
Patrick O'Leary
Credits
Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.
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Cinephile deep dive
James Glickenhaus directs. John Lindley behind the camera. Jonathan Elias scores. Paul Fried cuts. Runs lean at under 100 minutes. Profitable at the box office. Produced in United States of America. Dialogue in English.
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Community reviews
"Shakedown" is much too unremarkable for its own good and obviously somebody somewhere must have realised this so in order to effectively remedy such an unwanted situation somebody somewhere has deemed it appropriate that the film ought to be modelled more upon the box office hit "Lethal Weapon" (1987). So this means we are frequently subjected to an assortment of deliberately eye catching action sequences and stunts. No problem there, you might think. After all, the sequences in question have been incredibly well executed and they do successfully enliven what is a generally unmemorable motion picture experience. However, they are also outrageously laughable and they unquestionably sabotage the more realistic qualities being striven for elsewhere. The film also isn't helped by the fact Peter Weller's and Sam Elliott's characters Roland Dalton and Richie Marks are so completely mismatched they actually look as though they belong in separate films and by bringing them together here leaves us with an unholy mess on our hands.
Production companies
Shapiro-Glickenhaus Entertainment
Blue Jean Cop

Universal Pictures
US
Themes & keywords
Release history Β· US
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