Morgan

"Don't let it out"

2016 1h 32m EN

😐

5.8

MID

★5.8TMDB · 1,663

HorrorScience FictionThriller

Synopsis

Spoiler shield

A corporate risk-management consultant must determine whether or not to terminate an artificial being's life that was made in a laboratory environment.

“Don't let it out”

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Cast

Kate Mara
Lee Weathers
Anya Taylor-Joy
Morgan
Toby Jones
Dr. Simon Ziegler
Rose Leslie
Dr. Amy Menser
Boyd Holbrook
Skip Vronsky
Michelle Yeoh
Dr. Lui Cheng
Jennifer Jason Leigh
Dr. Kathy Grieff
Paul Giamatti
Dr. Alan Shapiro

Credits

Behind the camera

Director: Luke Scott
Writers: Seth W. Owen
Languages: English
Countries: United Kingdom, United States of America

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 8

ERA

Did you know

Released 10 years ago.

MoodPlayr · trivia#01

2 / 8

WORLD

Did you know

International production across 2 countries: United Kingdom, United States of America.

MoodPlayr · trivia#02

3 / 8

DIRECTOR

Did you know

Directed by Luke Scott, shot by Mark Patten. Note their partnership — DPs and directors often return to each other across a career.

MoodPlayr · trivia#03

4 / 8

DIRECTOR

Did you know

Original score by Max Richter. Worth a dedicated listen after — most great films lose half their impact without the score.

MoodPlayr · trivia#04

5 / 8

DIRECTOR

Did you know

Editor Laura Jennings shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.

MoodPlayr · trivia#05

6 / 8

CAST

Did you know

Kate Mara and Anya Taylor-Joy and Toby Jones carry the top of the cast.

MoodPlayr · trivia#06

7 / 8

FACT

Did you know

Marketing tagline: "Don't let it out".

MoodPlayr · trivia#07

8 / 8

WILD

Did you know

IMDB entry: tt4520364 — still the authoritative cross-reference for credits and trivia.

MoodPlayr · trivia#08

Cinephile deep dive

The take

Luke Scott directs. Mark Patten behind the camera. Max Richter scores. Laura Jennings cuts. Runs lean at under 100 minutes. Profitable at the box office. Produced in United Kingdom, United States of America. Dialogue in English.

Trivia

Things worth knowing

1Released 10 years ago.
2International production across 2 countries: United Kingdom, United States of America.
3Directed by Luke Scott, shot by Mark Patten. Note their partnership — DPs and directors often return to each other across a career.
4Original score by Max Richter. Worth a dedicated listen after — most great films lose half their impact without the score.
5Editor Laura Jennings shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
6Kate Mara and Anya Taylor-Joy and Toby Jones carry the top of the cast.
7Marketing tagline: "Don't let it out".
8IMDB entry: tt4520364 — still the authoritative cross-reference for credits and trivia.

The technical file

Cinematography: Mark Patten
Original score: Max Richter
Editing: Laura Jennings
Production design: Tom McCullagh
Costume design: Stefano De Nardis
Makeup / hair: Deborah McCarthy
VFX supervisor: Angela Barson
Sound: Markus Stemler
Stunt coordinator: Paul Herbert
Runtime: 92 min · 1h 32m
Aspect ratio (typical): 1.37:1 (Academy)
Status: Released
Budget: $8,000,000
Box office: $8,810,591
Return: 110% of budget
Original language: EN
Certification (US): R
IMDB: Morgan (2016)

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Luke Scott

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Frank Ochieng2016-09-04
Following in your film-making father’s footsteps can be perceived either as a credible career choice or an inevitable curse. So the question is put forth to Morgan first-time director Luke Scott as he oversees this kinetic but overly familiar choppy and saggy sci-fi horror-thriller. Of course Luke is the son of famed Alien and Blade Runner movie mastermind Ridley Scott–the co-producer of his offspring’s muddled and mediocre futuristic feature. Sure, the young Scott incorporates some of the elder Scott’s cinematic flourishes but for the most part Morgan toys around with interesting philosophical concepts and perceptions but fails to make any of these adventurous ingredients gel with any lingering forethought beyond the identity of a probing and generic genetics-oriented melodrama. Indeed, Morgan has its moments of energetic lapses but the tension is telegraphed from miles away. There is something superficial about the manufactured dilemma in Morgan that simply misses the mark in mustering any legitimate skepticism about artificial intelligent ingenues gone roguish. The continued genre of artificial human beings–male or female–seems like a fascinating fable to tap into the mind of humanistic arrogance and progression. With past showcases as Michael Crichton’s Westworld or Steven Spielberg’s A.I. one can see the preoccupation with revisiting this film phenom topic especially in the age of millennium movie-making. Unfortunately, the arrival of the mediocre Morgan does not quite follow a glorious path in this cinematic tradition. The center of attention in this lucrative experimentation of artificial life forms involves a “girl” named Morgan (Anya Taylor-Joy). The construction of Morgan is quite ambitious as she is composed of synthetic DNA while placed physically in the body of a wild-child acting teenager. Morgan has the mentality (and physicality) of 5-year old lab-grown specimen kid and we get to check out her so-called psychological malfunctioning when she aggressively attacks Dr. Kathy Grieff (Academy Award nominee Jennifer Jason Leigh, “The Hateful Eight”) in her claustrophobic room. When Morgan tragically stabs Dr. Grieff in the eyeball we are bluntly hit over the head with the brutal hinting that this little hoodie-wearing dangerous diva is a walking disastrous time-bomb waiting to happen among the opportunistic human lab technician capitalists that invented her caustic existence. Enter Lee Weathers (Kate Mara). Corporate risk analyst consultant Lee is sent by her profitable employer to the remote testing lab where Morgan was conceived to obviously oversee their expensive investment in the artificially crafted feminine pet project that now is showing telling signs of defiance and disobedience. The uncontrollable Morgan is an unhinged handful to contain and the lab staff at the facility are scattering about to contain the selective damage done by her destructive hands. In general, the massive and deep-wooded compound that houses Morgan and the various doctors, lab techs, researchers and business associates that come in unison for the sake of human technological tampering is a sinister setting to say the least. Morgan is downright deadly and not a techno-tart to tangle with at will. As Dr. Kathy continues to nurse her severe eye-related wounds inflicted by the haunting human-like honeybun with indescribable speed and strength the other facility caretakers realize that the brooding Morgan may in fact be too much to handle for the self-appointed brilliant scientific minds that gave her questionable life. Among the brainy bunch that are trying to lasso the unpredictable tiny terror is Morgan’s main creator in the Nervous Ned-like persona of geeky Dr. Simon Ziegler (Toby Jones). Dr. Lui Cheng (Michelle Yeoh from “Mechanic: Resurrection”) is not new to the controversial rodeo where humanoid experimentation is concerned (resulting in Lui’s former colleague’s tragic fates). Married doctors in Brenda and Darren Finch (Vinette Robinson and Chris Sullivan) hold some glossy parental fondness for the hostile teen-experiment-in-turmoil. Dr. Amy Menser (“Game of Thrones” star Rose Leslie) has eerily taken some head-scratching “fancy” to the youthful Morgan that goes beyond inappropriate means. Rounding out the colorful group that cater to the facility functioning (and Morgan’s every step of chaos) is Lee’s tour guide Ted (Michael Yare) and cooking guru Skip Vronsky (Boyd Holbrook). Morgan has some tension-filled wallop that resonates occasionally but the draggy drama never quite stimulates to the point of presenting Taylor-Joy’s lab-table vixen as nothing more that a brutish brat with a temper. The thought of Taylor-Joy’s minor-aged monster being unleashed on an unsuspecting world must have looked intriguing on the creative drawing board. However, being a pesky thorn in the side of misguided scientific minds does not exactly spell tasty devastation on society as a whole. In fact, we find ourselves cheering for the maligned Morgan to knock off these myopic medical duds to get some guilty pleasure relief from this lethal but lumbering horror sideshow. Owens’s labored script is never challenging enough to buy into the cynicism of the profitable propaganda involving artificial intelligence at the expense of human curiosities. Morgan routinely dips into the blank coldness of hollow despair with only Taylor-Joy’s random naughtiness as the reliant stimulant. Mara’s Lee Weathers is surprisingly effective as the truth-seeking corporate drone out to uncover the mysteries of Morgan and the pricey lab compound that needs to prove its usefulness to her inquiring organization. Paul Giamatti pops up as the only sensible soul diagnosing the unwound Morgan as a potential toxic teen to the world environment. There is some slickness and saucy sentiments to the uneven Morgan but it channels nothing dynamically distinctive from other considerable fare that competently tapped into this theme with more profoundly in-depth pizzazz and promise. Morgan may be a super-powered enigma and the hard-nosed Lee Weathers wants this frenzied freak show deactivated and put out of her misery. This is rather funny because the true troubleshooters that need deactivation are the Morgan-made manipulators (both on screen and off screen) that should return to the lukewarm lab room. Morgan (2016) Scott Free Films 1 hr. 32 mins. Starring: Kate Mara, Anya Taylor-Joy, Toby Jones, Rose Leslie, Jennifer Jason Leigh, Paul Giamatti, Michelle Yeoh, Rose Leslie, Vinette Robinson, Chris Sullivan, Boyd Holbrook, Michael Yare Directed by: Luke Scott MPAA Rating: R Genre: Horror & Science Fiction/Fantasy & Technology/Artificial Intelligence Drama Critic’s rating: stars (out of 4 stars) (c) Frank Ochieng 2016
Simon Foster2016-11-15
"Alex Garland’s 2015 cult hit Ex Machina, with Alicia Vikander as the robo-girl, trod similar ground; it proved more intellectually ambitious, though Morgan is a dash more fun..." Read the full review here: http://screen-space.squarespace.com/reviews/2016/11/16/morgan.html
Reno2016-12-14
★ 5/10
Knowing it's a research, the mistake is emotionally attached to the subject! A nicely made sci-fi-thriller, but the entire storyline was built on a very familiar plot. You can find it similarities with 'Splice', 'Uncanny' and 'Ex Machina', but I think overall not a bad attempt. I did not get impressed, so do most of the people who saw those films, especially the end scene. Though it is entertaining, particularly when it turns into an action mode. The corporate that invested in a research sends an investigator named Lee after the project was met with a small accident. During an interview, the chaos unleashes and the lab started to fall apart. The survivours does not know who to trust, but decides to save their subject. What really follows after that will be totally unexpected and another twist before the final credits. Knowing it's a research, the mistake is emotionally attached to the subject. That's what all the similar topic films reveal. Then what's the point of doing such test, being doctor, studied psychology. For a film plot, they wanted to use the human sentiments and errors. Otherwise, science does not really deal like what was shown in this film. From a new director, with the decent actors, particularly Kate Mara's best in an action avatar. I liked the Anya in the film 'The Witch' and this is another good performance by her in the title role. Felt like it is a short film, because the pace was so good, even though the story was a one-liner. Minimal cast film and takes place in a remote place secret research lab. A film not for everyone, but not bad for once viewing. 5/10