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Looking: The Movie

"The End Is A New Beginning"

2016 1h 25m EN
👍
7.1
SOLID
★7.1TMDB · 247
DramaRomanceTV Movie
Synopsis
Spoiler shield

Patrick returns to San Francisco for the first time in almost a year to celebrate a momentous event with his old friends. In the process, he must face the unresolved relationships he left behind and make difficult choices about what’s important to him.

“The End Is A New Beginning”

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Cast

Credits

Behind the camera

Director
Andrew Haigh
Writers
Andrew Haigh, Michael Lannan
Languages
English
Countries
United States of America

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 7
RUNTIME

Did you know

85 minutes exactly — the "classic feature" runtime most directors aim for.

MoodPlayr · trivia#01
2 / 7
ERA

Did you know

Released 10 years ago.

MoodPlayr · trivia#02
3 / 7
DIRECTOR

Did you know

Directed by Andrew Haigh, shot by Xavier Grobet. Note their partnership — DPs and directors often return to each other across a career.

MoodPlayr · trivia#03
4 / 7
DIRECTOR

Did you know

Editor Jonathan Alberts shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.

MoodPlayr · trivia#04
5 / 7
CAST

Did you know

Jonathan Groff and Frankie J. Alvarez and Murray Bartlett carry the top of the cast.

MoodPlayr · trivia#05
6 / 7
FACT

Did you know

Marketing tagline: "The End Is A New Beginning".

MoodPlayr · trivia#06
7 / 7
WILD

Did you know

IMDB entry: tt4552118 — still the authoritative cross-reference for credits and trivia.

MoodPlayr · trivia#07

Cinephile deep dive

The take

Andrew Haigh directs. Xavier Grobet behind the camera. Jonathan Alberts cuts. Runs lean at under 100 minutes. Produced in United States of America. Dialogue in English.

Trivia

Things worth knowing

  • 185 minutes exactly — the "classic feature" runtime most directors aim for.
  • 2Released 10 years ago.
  • 3Directed by Andrew Haigh, shot by Xavier Grobet. Note their partnership — DPs and directors often return to each other across a career.
  • 4Editor Jonathan Alberts shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
  • 5Jonathan Groff and Frankie J. Alvarez and Murray Bartlett carry the top of the cast.
  • 6Marketing tagline: "The End Is A New Beginning".
  • 7IMDB entry: tt4552118 — still the authoritative cross-reference for credits and trivia.

The technical file

Cinematography
Xavier Grobet
Editing
Jonathan Alberts
Production design
Todd Fjelsted
Costume design
Danny Glicker
Runtime
85 min · 1h 25m
Aspect ratio (typical)
1.37:1 (Academy)
Status
Released
Original language
EN

Also by

Andrew Haigh

Stills · wallpapers

Selected frames

Full-resolution frames — open one to save it as a wallpaper.

Trailers & featurettes

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Community reviews

What people are saying

  • CinemaSerf
    ★ 6/10

    I thought that the two television series' this follows rather petered out, so I was a little surprised that Andrew Haigh and Jonathan Groff decided to make a sequel. "Patrick" (Groff) has returned to San Francisco for the wedding of "Agustin" (Frankie J. Alvarez) and "Eddie" (Daniel Franzese) but as expected, much of the focus here is on how he is going to deal with his two exes. "Richie" (Raúl Castillo) has ambitions to take his barbering onto the road whilst he learns that his former boss "Kevin" (Russell Tovey) had reunited with the boyfriend ("John") whom he had been instrumental in splitting up. His other lifelong pal "Dom" (Murray Bartlett) still hasn't really progressed since his relationship with florist "Lynn" (Scott Bakula) came a cropper and finally, there's the long suffering "Doris" (Lauren Weedman) who seems to be constantly treading on the eggshells of the failing and flailing relationships from the men she loves. What follows now does offer us a little more by way of closure that the abruptly cancelled television series didn't really have time to, but as I watched this rumble along I felt I appreciated more why it had been ditched. There really isn't anything original, or especially engaging, in this and after a while I also recalled that I felt the character of "Patrick" to be a bit of a self-centred pain in the ass whom the affable and decent "Richie" ought to have given a wide berth pretty much from the start. Barring a slightly unexpected revelation from the one-scene with Tovey, the rest of this comes across as little better than a couple of tightly stitched television episodes that lack for much character, charisma or even jeopardy and neither the dialogue nor the acting really sustained my interest. If you were a fan of their earlier and more entertainingly spontaneous antics, then this is probably an useful tying off of loose ends, but otherwise it's nothing special at all, sorry.

Production companies

Who made it

  • HBO

    HBO

    US

  • FA

    Fair Harbor Productions

    US

Key crew

  • EditorJonathan Alberts
  • Production DesignTodd Fjelsted
  • Art DirectionMichael E. Goldman
  • Set DecorationRyan Watson
  • Costume DesignDanny Glicker
  • Executive ProducerSarah Condon
  • Executive ProducerAndrew Haigh
  • Co-ProducerShana Fischer Huber
  • Executive ProducerMichael Lannan
  • Associate ProducerEmily Ann Rupp
  • Consulting ProducerRuben Malaret
  • Co-Executive ProducerKathy Landsberg
  • CastingCarmen Cuba
  • First Assistant DirectorAntonio Graña

Themes & keywords

What it's about, really

  • friendship
  • san francisco, california
  • romance
  • love
  • lgbt
  • gay theme

Release history · US

When it landed

  • Premiere2016-06-26· San Francisco's Frameline Film Festival
  • TV2016-07-23· HBO

Also known as

International titles

  • Looking - Der FilmDE

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