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Harold and Maude poster

Harold and Maude

"They were meant to be. But exactly what they were meant to be is not quite clear."

1971 1h 32m EN
πŸ™Œ
7.6
BANGER
πŸ…
86%
FRESH
πŸ‘Œ
62
METACRITIC
⭐
7.8
IMDB
β˜…7.6TMDB Β· 1,253πŸ…86%Rotten Tomatoes●62Metacriticβ˜…7.8IMDB Β· 85,774
ComedyDramaRomance
Synopsis
Spoiler shield

A deadpan young man obsessed with death meets an eccentric septuagenarian who teaches him to live life to the fullest.

β€œThey were meant to be. But exactly what they were meant to be is not quite clear.”

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Cast

Credits

Behind the camera

Director
Hal Ashby
Writers
Colin Higgins
Languages
English
Countries
United States of America

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 7
MONEY

Did you know

Shot for just $1.2M β€” micro-budget by Hollywood standards.

MoodPlayr Β· trivia#01
2 / 7
ERA

Did you know

55 years old β€” a genuine piece of film history.

MoodPlayr Β· trivia#02
3 / 7
DIRECTOR

Did you know

Directed by Hal Ashby, shot by John A. Alonzo. Note their partnership β€” DPs and directors often return to each other across a career.

MoodPlayr Β· trivia#03
4 / 7
DIRECTOR

Did you know

Editor William A. Sawyer shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.

MoodPlayr Β· trivia#04
5 / 7
CAST

Did you know

Ruth Gordon and Bud Cort and Vivian Pickles carry the top of the cast.

MoodPlayr Β· trivia#05
6 / 7
FACT

Did you know

Marketing tagline: "They were meant to be. But exactly what they were meant to be is not quite clear.".

MoodPlayr Β· trivia#06
7 / 7
WILD

Did you know

IMDB entry: tt0067185 β€” still the authoritative cross-reference for credits and trivia.

MoodPlayr Β· trivia#07

Cinephile deep dive

The take

Hal Ashby directs. John A. Alonzo behind the camera. William A. Sawyer cuts. Runs lean at under 100 minutes. Produced in United States of America. Dialogue in English.

Trivia

Things worth knowing

  • 1Shot for just $1.2M β€” micro-budget by Hollywood standards.
  • 255 years old β€” a genuine piece of film history.
  • 3Directed by Hal Ashby, shot by John A. Alonzo. Note their partnership β€” DPs and directors often return to each other across a career.
  • 4Editor William A. Sawyer shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
  • 5Ruth Gordon and Bud Cort and Vivian Pickles carry the top of the cast.
  • 6Marketing tagline: "They were meant to be. But exactly what they were meant to be is not quite clear.".
  • 7IMDB entry: tt0067185 β€” still the authoritative cross-reference for credits and trivia.
  • 8Classified under 18 themes, including "dying and death", "depression", "suicide", "life and death".

The technical file

Cinematography
John A. Alonzo
Editing
William A. Sawyer
Production design
Michael D. Haller
Makeup / hair
Bob Stein
Sound
Richard Portman
Stunt coordinator
Buddy Joe Hooker
Runtime
92 min Β· 1h 32m
Aspect ratio (typical)
1.37:1 (Academy)
Status
Released
Budget
$1,200,000
Original language
EN
Certification (US)
PG
Rotten Tomatoes
86% πŸ… Fresh
Metacritic
62/100
IMDB rating
7.8/10 Β· 85,774 votes
MPAA
PG

Awards

Nominated for 1 BAFTA Award3 wins & 3 nominations total

Also by

Hal Ashby

Stills Β· wallpapers

Selected frames

Full-resolution frames β€” open one to save it as a wallpaper.

Trailers & featurettes

Watch the pieces

Community reviews

What people are saying

  • CinemaSerf
    β˜… 7/10

    So poor little rich kid "Harold" (Bud Cort) really does like a bit of attention seeking - constantly vying for the recognition of his mother by faking every more outlandish suicide attempts. Things is, she (Vivian Pickles) is pretty impervious to his antics and so he seeks something to alleviate his boredom elsewhere... He starts attending funerals. That's where he encounters the eccentric "Maude" (Ruth Gordon) who also has a penchant for the ceremonies - and for also pinching a car from the cemetery for a bit of a joyride afterwards. As his mother increases her activities in finding him a love match, "Harold" finds himself and his new friend spending more and more time together and he begins to learn that her live today policy is vibrant, exhilarating and contagious! Their bond grows ever stronger as the pair begin to rely more and more on each other, even to fall in love! There's a great dynamic between Cort and Gordon here. She brings out the best in her young acting companion with confident and engaging performances from both delivering a story that is funny, poignant and surreal - in almost equal measure. At times it's a touch on the wordy side, but Pickles is fun as the mother and the whole story is one of interesting characters and truth. It is short and sweet and right from the start we never get to hang around long before the pace picks up again. Great fun.

  • Filipe Manuel Neto
    β˜… 7/10

    Knowing how to live or knowing how to die are virtues, difficult and debatable themes that a film almost never has the courage to address. Harold is a young man, just arrived at adulthood, who has a morbid fascination with death: he drives hearses, goes to funerals for β€œfun”, rehearses his own suicide a thousand and one times. He will change under the influence of an elderly woman, whose desire to live every moment to the fullest leads her to very incorrect attitudes, such as β€œborrowing” other people's things without even bothering to ask for them. In a way, both have to learn from each other, and the film shows us this mutual learning process, and the special bond that is created between them. Black comedies are never consensual, as you know, but this one is especially touching and charged with a positive spirit. The film tackles difficult, even hard themes, with a certain spirit of informality and lightness that, however, does not reduce or diminish them: what it means to die, how to live, how to enjoy life or know how to die with dignity, how to educate and understand a child, anyway. For this reason, and due to the dark comic load, it is not an easy film and will displease certain people either because of its humor or because of the themes it addresses. The film has good production values, but still feels very cheap. The film is set in the US, but it's so inherently British that we forget about it and assume it's all set in some rural English corner. We have tasteful cinematography, low contrast and good lighting, we have good sets and costumes. I would particularly highlight the houses of Harold and Maude, because they couldn't be more different and, at the same time, more characterizing their personalities: an old-fashioned mansion turned to the past and a pleasant little house with cozy details. There's nothing very flashy, technically, and the only negative call to attention goes to the soundtrack, strident and overly flashy. I couldn't close this text without praising the impeccable work of Bud Cort, an actor I've never seen before and who doesn't seem to have made much of a career in cinema, and the inspired performance of his counterpart, Ruth Gordon, a high-level veteran who played a huge variety of roles over the next few years.

Production companies

Who made it

  • Paramount Pictures

    Paramount Pictures

    US

  • MI

    Mildred Lewis and Colin Higgins Productions

    US

Key crew

  • ProducerColin Higgins
  • EditorWilliam A. Sawyer
  • ProducerCharles Mulvehill
  • Production DesignMichael D. Haller
  • CastingLynn Stalmaster
  • EditorEdward Warschilka
  • First Assistant DirectorMichael J. Dmytryk
  • Stunt DoublePamela Bebermeyer
  • Stunt DoubleJerry Randall
  • Stunt DoubleBuddy Joe Hooker
  • Best Boy ElectricianRandy Glass
  • PropsStephen R. Ferry
  • Camera OperatorJoe R. Marquette Jr.
  • SongsCat Stevens
  • Recording SupervisionPaul Samwell-Smith
  • Second Assistant DirectorRobert Enrietto
  • Title DesignerPablo Ferro
  • Sound EditorFrank E. Warner
  • Assistant EditorSam Gemette
  • Makeup ArtistBob Stein
  • Set DresserJames Cane
  • Special EffectsA.D. Flowers
  • HairstylistKathryn Blondell
  • Sound Re-Recording MixerRichard Portman

Themes & keywords

What it's about, really

  • dying and death
  • depression
  • suicide
  • life and death
  • age difference
  • birthday
  • suicide attempt
  • dead wish
  • cemetery
  • life planning
  • banjo
  • cliff
  • arranged marriage
  • coming of age
  • wealth
  • older woman younger man relationship
  • elderly lady
  • age-gap relationship

Release history Β· US

When it landed

  • Premiere2017-10-11Β· Mill Valley Film Festival
  • Theatrical1971-12-20PG
  • Physical1990-05-29PG

Also known as

International titles

  • ε“ˆζ΄›δΈŽθŒ‚εΎ·CN
  • Ensina-me a ViverBR
  • Enséñame a vivirMX
  • Harold y MaudeES
  • Harold & MaudeFR
  • ν•΄λ‘€λ“œμ™€ λͺ¨λ“œKR
  • ε“ˆζ΄›δΈŽζ…•εΎ·CN

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