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Waterloo poster

Waterloo

"One incredible afternoon Napoleon met Wellington . . . at Waterloo."

1970 2h 14m EN
πŸ‘
7.1
SOLID
β˜…7.1TMDB Β· 235
HistoryDramaWar
Synopsis
Spoiler shield

After defeating France and imprisoning Napoleon on Elba, ending two decades of war, Europe is shocked to find Napoleon has escaped and has caused the French Army to defect from the King back to him. The best of the British generals, the Duke of Wellington, beat Napolean's best generals in Spain and Portugal, but now must beat Napoleon himself with an Anglo Allied army.

β€œOne incredible afternoon Napoleon met Wellington . . . at Waterloo.”

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Cast

Credits

Behind the camera

Director
Sergei Bondarchuk
Writers
H.A.L. Craig, Sergei Bondarchuk, Vittorio Bonicelli
Languages
English
Countries
Italy, Soviet Union

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 8
MONEY

Did you know

Earned back only 12% of its budget on initial theatrical β€” a commercial disappointment on release.

MoodPlayr Β· trivia#01
2 / 8
ERA

Did you know

56 years old β€” a genuine piece of film history.

MoodPlayr Β· trivia#02
3 / 8
WORLD

Did you know

International production across 2 countries: Italy, Soviet Union.

MoodPlayr Β· trivia#03
4 / 8
DIRECTOR

Did you know

Directed by Sergei Bondarchuk, shot by Armando Nannuzzi. Note their partnership β€” DPs and directors often return to each other across a career.

MoodPlayr Β· trivia#04
5 / 8
DIRECTOR

Did you know

Original score by Nino Rota. Worth a dedicated listen after β€” most great films lose half their impact without the score.

MoodPlayr Β· trivia#05
6 / 8
DIRECTOR

Did you know

Editor Richard C. Meyer shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.

MoodPlayr Β· trivia#06
7 / 8
CAST

Did you know

Rod Steiger and Christopher Plummer and Orson Welles carry the top of the cast.

MoodPlayr Β· trivia#07
8 / 8
FACT

Did you know

Marketing tagline: "One incredible afternoon Napoleon met Wellington . . . at Waterloo.".

MoodPlayr Β· trivia#08

Cinephile deep dive

The take

Sergei Bondarchuk directs. Armando Nannuzzi behind the camera. Nino Rota scores. Richard C. Meyer cuts. A commercial under-performer on release. Produced in Italy, Soviet Union. Dialogue in English.

Trivia

Things worth knowing

  • 1Earned back only 12% of its budget on initial theatrical β€” a commercial disappointment on release.
  • 256 years old β€” a genuine piece of film history.
  • 3International production across 2 countries: Italy, Soviet Union.
  • 4Directed by Sergei Bondarchuk, shot by Armando Nannuzzi. Note their partnership β€” DPs and directors often return to each other across a career.
  • 5Original score by Nino Rota. Worth a dedicated listen after β€” most great films lose half their impact without the score.
  • 6Editor Richard C. Meyer shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
  • 7Rod Steiger and Christopher Plummer and Orson Welles carry the top of the cast.
  • 8Marketing tagline: "One incredible afternoon Napoleon met Wellington . . . at Waterloo.".
  • 9IMDB entry: tt0066549 β€” still the authoritative cross-reference for credits and trivia.

The technical file

Cinematography
Armando Nannuzzi
Original score
Nino Rota
Editing
Richard C. Meyer
Production design
Mario Garbuglia
Costume design
Maria De Matteis
Makeup / hair
Paolo Borselli
Stunt coordinator
Franco Fantasia
Runtime
134 min Β· 2h 14m
Status
Released
Budget
$25,000,000
Box office
$3,052,000
Return
12% of budget
Original language
EN

Awards

  • David di Donatello for Best Film

Individual records documented via Wikidata; the summary above may count more.

Also by

Sergei Bondarchuk

Trailers & featurettes

Watch the pieces

Community reviews

What people are saying

  • SWITCH.
    β˜… 8/10

    'Waterloo' is a film that, while technically impressive, feels emotionally distant. Bondarchuk and cinematographer Armando Nannuzzi never hide the influence of Napoleonic paintings on the visual language of the film, but that's essentially what 'Waterloo' becomes - a piece of history told at arm's length from the distance of time. As difficult as it is to emotionally engage with, 'Waterloo' is still an impressive production, all the more so as a demonstration of Sergei Bondarchuk's remarkable ability for balancing the inner world of his characters and the spiritual horror of war with the ultimate expression of the epic in cinema. For those reasons alone, 'Waterloo' is certainly a film that deserves attention. Read Daniel's full article... https://www.maketheswitch.com.au/article/review-waterloo-an-epic-recreation-of-the-legendary-battle

  • CinemaSerf
    β˜… 7/10

    Sergei Bondarchuk ought to be commended for his really rather sterling effort at re-creating some of the one hundred days of Napoleon's campaign following his escape from exile on Elba in 1815. Rod Steiger is superbly cast and imperious as the maniacal but genius French Emperor who very nearly conquered the mainland continent of Europe, despite the comprehensive alliance lined up against him - and led, at the denouement, but his nemesis the Duke of Wellington (Christopher Plummer). Some considerable effort has gone into designing and delivering this whole spectacle of a film - from the grand palatial settings, the costumes, intricate uniforms - and the battle scenes are as authentic as I've seen since that other Napoleonic epic "Austerlitz" (1960). Steiger portrays the Emperor in a characterful and personal fashion; he is full of the megalomaniac but also the portrayal indicates a little more of what made the great man tick (or not). Having read somewhat more about Wellington (I'm a Brit), I was somewhat disappointed by the slightly smug - almost foppish - portrayal of the "Grand Old" Duke by Plummer. He looked the part, but somehow his efforts were always outshone onscreen - by the fleeting appearances of Jack Hawkins, the glamorous Virginia McKenna - even by a squealing piglet. That said, though - this is a film about a battle and the action scenes are superb. They look and sound genuine engendering no end of sympathy for the soldiers who served as little more than cannon/bullet/bayonet fodder as they marched around (and fell) in the mud. The narrative is quite tight; we don't get distracted by too many romantic interludes or other daft diversions, and once it gets up steam it is an effective depiction of a pretty gruesome conflagration that history (for the winners, at any rate) has successfully sanitised. Bit long, we could do with less of the preamble, but once it gets going it presents a convincing effort from Steiger and is well worth watching as an example of large scale epic cinema before the computer took over the role of the extras, the sets, the story....

Production companies

Who made it

  • Mosfilm

    Mosfilm

    SU

  • DD

    DDL Cinematografica

    IT

Key crew

  • Scenario WriterH.A.L. Craig
  • Scenario WriterSergei Bondarchuk
  • Scenario WriterVittorio Bonicelli
  • Associate ProducerRichard C. Meyer
  • ProducerDino De Laurentiis
  • EditorRichard C. Meyer
  • Production DesignMario Garbuglia
  • Art DirectionFerdinando Giovannoni
  • Art DirectionA. Menyalshchikov
  • Art DirectionSemyon Valyushok
  • Set DecorationEmilio D'Andria
  • Set DecorationKen Muggleston
  • ConductorBruno Nicolai
  • Production ManagerGuglielmo Ambrosi
  • Production SupervisorGuy Luongo
  • Production SupervisorPiotor M. Sviridov
  • First Assistant DirectorVladimir Dostal
  • Stunt CoordinatorFranco Fantasia
  • Camera OperatorGiuseppe Bernardini
  • Camera OperatorJ.N. Carpuchin
  • Second Unit CinematographerNino Cristiani
  • Still PhotographerAlfonso Avincola
  • Still PhotographerPaul Ronald
  • Costume DesignMaria De Matteis

Themes & keywords

What it's about, really

  • biography
  • napoleon bonaparte
  • 19th century
  • waterloo

Release history Β· US

When it landed

  • Theatrical1970-10-26

Also known as

International titles

  • Π’Π°Ρ‚Π΅Ρ€Π»ΠΎΠΎSU
  • μ›Œν„°λ£¨KR
  • μ›Œν„Έλ£¨KR
  • La batalla de WaterlooMX
  • ワーテルローJP
  • Ξ’Ξ±Ο„Ξ΅ΟΞ»ΟŒGR

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