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Pretty Poison

"What Brought A Nice Kid Like Sue Ann To A Shocking Moment Like This?"

1968 1h 29m EN
👍
6.8
SOLID
★6.8TMDB · 97
CrimeDramaRomanceThriller
Synopsis
Spoiler shield

A troubled arsonist spins a tale of espionage to a captivating girl, who becomes enthralled and entangled in his dangerous fantasies, leading to unexpected murder and chaos that change their lives forever.

“What Brought A Nice Kid Like Sue Ann To A Shocking Moment Like This?”

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Cast

Credits

Behind the camera

Director
Noel Black
Writers
Lorenzo Semple Jr.
Languages
English
Countries
United States of America

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 8
RUNTIME

Did you know

89 minutes exactly — the "classic feature" runtime most directors aim for.

MoodPlayr · trivia#01
2 / 8
MONEY

Did you know

Shot for just $1.3M — micro-budget by Hollywood standards.

MoodPlayr · trivia#02
3 / 8
ERA

Did you know

58 years old — a genuine piece of film history.

MoodPlayr · trivia#03
4 / 8
DIRECTOR

Did you know

Directed by Noel Black, shot by David L. Quaid. Note their partnership — DPs and directors often return to each other across a career.

MoodPlayr · trivia#04
5 / 8
DIRECTOR

Did you know

Original score by Johnny Mandel. Worth a dedicated listen after — most great films lose half their impact without the score.

MoodPlayr · trivia#05
6 / 8
DIRECTOR

Did you know

Editor William H. Ziegler shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.

MoodPlayr · trivia#06
7 / 8
CAST

Did you know

Anthony Perkins and Tuesday Weld and Beverly Garland carry the top of the cast.

MoodPlayr · trivia#07
8 / 8
FACT

Did you know

Marketing tagline: "What Brought A Nice Kid Like Sue Ann To A Shocking Moment Like This?".

MoodPlayr · trivia#08

Cinephile deep dive

The take

Noel Black directs. David L. Quaid behind the camera. Johnny Mandel scores. William H. Ziegler cuts. Runs lean at under 100 minutes. Profitable at the box office. Produced in United States of America. Dialogue in English.

Trivia

Things worth knowing

  • 189 minutes exactly — the "classic feature" runtime most directors aim for.
  • 2Shot for just $1.3M — micro-budget by Hollywood standards.
  • 358 years old — a genuine piece of film history.
  • 4Directed by Noel Black, shot by David L. Quaid. Note their partnership — DPs and directors often return to each other across a career.
  • 5Original score by Johnny Mandel. Worth a dedicated listen after — most great films lose half their impact without the score.
  • 6Editor William H. Ziegler shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
  • 7Anthony Perkins and Tuesday Weld and Beverly Garland carry the top of the cast.
  • 8Marketing tagline: "What Brought A Nice Kid Like Sue Ann To A Shocking Moment Like This?".
  • 9IMDB entry: tt0063456 — still the authoritative cross-reference for credits and trivia.
  • 10Only 97 TMDB ratings — you're getting ahead of the curve on this one.
  • 11Classified under 14 themes, including "central intelligence agency (cia)", "based on novel or book", "parent child relationship", "cheerleader".
  • 12Released under 13 different titles around the world.

The technical file

Cinematography
David L. Quaid
Original score
Johnny Mandel
Editing
William H. Ziegler
Costume design
Ann Roth
Makeup / hair
Robert Jiras
Runtime
89 min · 1h 29m
Aspect ratio (typical)
1.37:1 (Academy)
Status
Released
Budget
$1,300,000
Box office
$2,075,000
Return
160% of budget
Original language
EN
Certification (US)
R

Also by

Noel Black

Stills · wallpapers

Selected frames

Full-resolution frames — open one to save it as a wallpaper.

Trailers & featurettes

Watch the pieces

Community reviews

What people are saying

  • John Chard
    ★ 8/10

    The Pitt and the Poison. Pretty Poison is directed by Noel Black and adapted to screenplay by Lorenzo Semple Junior from the novel “She Let Him Continue” written by Stephen Geller. It stars Anthony Perkins, Tuesday Weld, Beverly Garland, John Randolph and Dick O’Neill. Music is by Johnny Mandel and cinematography by David Quaid. Pure definition of a culter movie? Probably Pretty Poison. A wonderfully odd neo-noir that’s as cunning as a fox, Noel Black’s movie flummoxed many upon release but the underground swell of the cult enthusiasts has ensured this particular poison is still around to be swallowed. Plot finds Perkins as troubled Dennis Pitt, an arsonist as a youth and fantasist as an adult, he’s just been released from a mental health facility, in spite of his parole officer’s reservations. Beginning his employment at a chemical factory, Dennis comes into contact with young high school drum majorette, Sue Anne Stepanek (Weld), and lets her believe he is a secret agent. Little does he know, but Sue is only too happy to indulge his fantasies, since she herself is harbouring some unhealthy desires. Much like the brilliant film noir movie Gun Crazy (1950), Pretty Poison upturns the standard boy and girl crime spree formula by having the girl be the one doing the damage. Dennis Pitt has absolutely no idea how not in control of the relationship he is, he’s beguiled by Sue, thinking he has finally found a soul mate to share in his fantasies, but she’s pulling all the strings, luring him into a web of chaos from which he is completely incapable of escaping from. With the characterisations firmly in place, where both Weld and Perkins are on top form, Black and his tech team pump discoloured blood through the picture’s veins. Pic actually breathes as a black comedy, for the first third the makers are toying with us the audience, making us unsure as to if we should be laughing? Or feeling edgy? Maybe even daring us to walk out? Yes! The film “is” that off-kilter with its tonal flows. Then the light dawns on us, but not the hapless Dennis of course, that we are in a deceptively menacing Americana, one that’s even strangely sexy, and cynical into the bargain. Subversive, intelligent and utterly compelling, Pretty Poison deserves to be better known. 8/10

  • Wuchak
    ★ 6/10

    A psychopath is loose in western Massachusetts When a young man is released from a mental institution for a crime committed when he was 15 (Anthony Perkins), he gets a mundane job at a chemical factory while drawn to a fetching high school cheerleader (Tuesday Weld). "Pretty Poison" (1968) is a psychological drama with a couple crime-oriented thrills that some consider a subtle black comedy. It comes in the tradition of “Gun Crazy” from eighteen years prior. Debuting eight years after Perkin’s breakout success with “Psycho,” he’s still relatively young at 35, but looks ten years younger. It came out between Weld’s “Lord Love a Duck” and “I Walk the Line” (1970) and is sort of a meshing of those two films. While it failed to acquire an audience at the box office, it went on to cult status and thus was remade in 1996 with Grant Show and Wendy Benson-Landes, albeit shot in Montreal. It was also the inspiration for Bart Simpson’s girlfriend in an episode of The Simpsons, as well as influenced future flicks, like “Joyride” (1977). There are some interesting psychological gems to mine and I liked the locations (listed below), but I found the drama relatively boring. Those enamored with Perkins and Weld should find it more rewarding. It runs 1 hour, 29 minutes, and was shot in southwestern Massachusetts in the area of Great Barrington and Egremont, as well as North Adams, which is an hour’s drive north of there. GRADE: B-

Production companies

Who made it

  • 20th Century Fox

    20th Century Fox

    US

  • LA

    Lawrence Turman Productions

    US

Key crew

  • NovelStephen Geller
  • Costume DesignAnn Roth
  • EditorWilliam H. Ziegler
  • Executive ProducerLawrence Turman
  • ProducerNoel Black
  • Art DirectionJack Martin Smith
  • ProducerMarshall Backlar
  • Art DirectionHarold Michelson
  • Associate ProducerJack Grossberg
  • SoundDennis Maitland
  • Special EffectsRalph Winiger
  • Unit Production ManagerJack Grossberg
  • Assistant DirectorRoger M. Rothstein
  • SoundDavid Dockendorf
  • Special EffectsBilly King
  • Special EffectsWilliam O. King
  • Set DecorationJohn Mortensen
  • Makeup ArtistRobert Jiras

Themes & keywords

What it's about, really

  • central intelligence agency (cia)
  • based on novel or book
  • parent child relationship
  • cheerleader
  • deception
  • femme fatale
  • murder
  • excitement
  • parole
  • arsonist
  • parole officer
  • disturbed teenager
  • dramatic
  • tense

Release history · US

When it landed

  • Theatrical1968-07-19R

Also known as

International titles

  • Les pervertisFR
  • Der Engel mit der MörderhandDE
  • Сладкий ядRU
  • Słodka truciznaPL
  • Szép méregHU
  • 美丽的毒药CN
  • Сладка отроваBG
  • Dolce velenoIT
  • O Despertar AmargoPT
  • Un maravilloso venenoES
  • Dulce venenoMX
  • Ängel med mördarhandSE
  • 프리티 포이즌KR

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