The Witch

"Evil takes many forms."

2016 1h 32m EN

👍

7.0

SOLID

★7.0TMDB · 7,932

HorrorFantasyMystery

Synopsis

Spoiler shield

In 1630, a farmer relocates his family to a remote plot of land on the edge of a forest where strange, unsettling things happen. With suspicion and paranoia mounting, each family member's faith, loyalty and love are tested in shocking ways.

“Evil takes many forms.”

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Cast

Anya Taylor-Joy
Thomasin
Ralph Ineson
William
Kate Dickie
Katherine
Harvey Scrimshaw
Caleb
Ellie Grainger
Mercy
Lucas Dawson
Jonas
Julian Richings
Governor
Bathsheba Garnett
The Witch

Credits

Behind the camera

Director: Robert Eggers
Writers: Robert Eggers
Languages: English
Countries: Brazil, Canada, United Kingdom, United States of America

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 8

MONEY

Did you know

Shot for just $4.0M — micro-budget by Hollywood standards.

MoodPlayr · trivia#01

2 / 8

MONEY

Did you know

Grossed $40M — a 10.1× return. The kind of profit studios chase for a decade.

MoodPlayr · trivia#02

3 / 8

ERA

Did you know

Released 10 years ago.

MoodPlayr · trivia#03

4 / 8

WORLD

Did you know

International production across 4 countries: Brazil, Canada, United Kingdom, United States of America.

MoodPlayr · trivia#04

5 / 8

DIRECTOR

Did you know

Directed by Robert Eggers, shot by Jarin Blaschke. Note their partnership — DPs and directors often return to each other across a career.

MoodPlayr · trivia#05

6 / 8

DIRECTOR

Did you know

Original score by Mark Korven. Worth a dedicated listen after — most great films lose half their impact without the score.

MoodPlayr · trivia#06

7 / 8

DIRECTOR

Did you know

Editor Louise Ford shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.

MoodPlayr · trivia#07

8 / 8

CAST

Did you know

Anya Taylor-Joy and Ralph Ineson and Kate Dickie carry the top of the cast.

MoodPlayr · trivia#08

Cinephile deep dive

The take

Robert Eggers directs. Jarin Blaschke behind the camera. Mark Korven scores. Louise Ford cuts. Runs lean at under 100 minutes. Made its budget back several times over at the box office. Produced in Brazil, Canada, United Kingdom, United States of America. Dialogue in English.

Trivia

Things worth knowing

1Shot for just $4.0M — micro-budget by Hollywood standards.
2Grossed $40M — a 10.1× return. The kind of profit studios chase for a decade.
3Released 10 years ago.
4International production across 4 countries: Brazil, Canada, United Kingdom, United States of America.
5Directed by Robert Eggers, shot by Jarin Blaschke. Note their partnership — DPs and directors often return to each other across a career.
6Original score by Mark Korven. Worth a dedicated listen after — most great films lose half their impact without the score.
7Editor Louise Ford shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
8Anya Taylor-Joy and Ralph Ineson and Kate Dickie carry the top of the cast.
9Marketing tagline: "Evil takes many forms.".
10IMDB entry: tt4263482 — still the authoritative cross-reference for credits and trivia.
11Classified under 22 themes, including "witch", "isolation", "magic", "possession".
12Released under 44 different titles around the world.

The technical file

Cinematography: Jarin Blaschke
Original score: Mark Korven
Editing: Louise Ford
Production design: Craig Lathrop
Costume design: Linda Muir
Makeup / hair: Traci Loader
VFX supervisor: Geoff D.E. Scott
Sound: Orest Sushko
Stunt coordinator: Robert Racki
Runtime: 92 min · 1h 32m
Aspect ratio (typical): 1.37:1 (Academy)
Status: Released
Budget: $4,000,000
Box office: $40,423,945
Return: 1011% of budget
Original language: EN
Certification (US): R
IMDB: The Witch (2016)

Awards

Sundance U.S. Directing Award: Dramatic

Individual records documented via Wikidata; the summary above may count more.

Also by

Robert Eggers

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Trailers & featurettes

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Community reviews

What people are saying

Reno2016-06-04
★ 8/10
While an evil force slowly possessing them, the family bond is put on a test. The film was based on the collection of a series of the real events that takes place in the 17th century New England. The story of a farmer family who came across the ocean, but now lives on the edge of the forest after denied permission to build a house in a village. When the newborn baby disappears in a thin air, the family begins to experience the mysterious events. Without a clue about the happenings, the evil force begins to possess them while the unity of the family is tested. Wow, finally a wonderful horror-psychological-thriller. Usually horror films are the worst kind compared with other genres, because most of them overly rely on the sudden sound/noise and gore. But there are many awesome horror films I had liked which were better story than the graphical presentation, like this one. So I love good narration than those try to scare me with make-ups, stunts and sound mixings. It was a limited cast film, sets in a beautiful remote place and the language was awesome that perfectly suits for the horror theme like this. Everyone's performance was brilliant. It is just a one million dollar film and the entire film was shot within a month. The records are not matter when the writing and the direction were top notch. Especially for a first timer it was a remarkable achievement. A simple plot, developed greatly and the suspense was the highlight. Yet viewers expect more explanation, but I'm happy for what it is and it should not go deeper than that which might spoil its unique flavour. Not just horror film fans, everyone should try it if they're capable to handle the slow narration. Finally, like usual, here I won't ask for a sequel, because it'll make an amazing one off film than the dozens of crappy follow ups. 8/10
mattwilde1232017-03-09
★ 8/10
This was a really good horror film. The direction was very interesting and Robert Egger plays with darkness and shadows in a really horrifying way. The tension is unbearable at times. The dialogue is a bit hard to follow as it is very "oldé English" to add to the historical accuracy of the piece. The actors are all good at reciting this strange dialect and demonstrating the paranoia spreading through the family thanks to religion and superstition.The film is based on accounts and texts found from the era and so everything seen on screen has been taken from sources and barely been touched. Every part of the film seems authentic. It is refreshing to see a film that doesn't really on jump-scares and annoying "cattle-prod" techniques to make audiences scared. 'The Witch' is genuinely disturbing without resorting to these techniques. It is very strange and gory when it needs to be. I also found these strange scenes quite fascinating and educational as the film almost seems like a historical document. ★★★★
Sheldon Nylander2019-10-24
★ 8/10
Talk about old school! “The Witch” is a painstaking recreation of Puritan life in New England. The lifestyle is mimicked. The clothes are period-accurate. The dialogue is actually based off of documents and speeches from that time. It’s as if Mel Gibson decided to update “The Passion of the Christ” by 1600 years. As mentioned, the movie is set in Puritan New England as a family is banished from the larger community and has to make their own way out in the wilderness. As they build their home, strange things begin to happen, starting with the abduction of the infant Samuel. Things continue to get worse and worse, until… okay, no spoilers. See the movie. This is a dark and effective movie. I can’t remember the last time I actually had a start from the all too often used jump scares, but the movie is absorbing enough that it did manage to “get” me a couple times. Robert Eggers seems to have kicked off a new wave in old-school, deep supernatural and existential horror. I won’t lie that I drew some comparisons between this and Ari Aster’s “Hereditary,” if nothing else than by simply the way the movie felt and left me feeling at the end. That being said, the film isn’t perfect. In fact, oddly enough, it’s perfection is what gives it imperfection. The period is so painstakingly recreated, in particular the dialogue, that sometimes hearing it can be jarring, making me stop for just a second to think about what was just said, which unfortunately interrupts the flow and managed to pull me out of the film. It’s kind of a strange complaint that something could be so accurate that it fails to suspend disbelief, but here we are. “The Witch” is quite an achievement and I’m glad that this film, which would otherwise be relegated to underground status, has managed to achieve a following, enough so that Robert Eggers got to do a follow-up with the Lovecraftian-looking “The Lighthouse.” Definitely worth checking out.