
Did you know
89 minutes exactly — the "classic feature" runtime most directors aim for.

"Hollywood Never Faced a Zanier Zero Hour!"
A conniving Broadway producer and his meek accountant plan to profit from charming wealthy old biddies to invest in an overbudget production, and then put on a sure-fire disaster, so nobody will ask for their money back — and what's more disastrous than a tasteless musical celebrating Adolf Hitler.
“Hollywood Never Faced a Zanier Zero Hour!”

Zero Mostel
Max Bialystock

Gene Wilder
Leo Bloom

Dick Shawn
Lorenzo St. DuBois (L.S.D.)

Kenneth Mars
Franz Liebkind

Estelle Winwood
"Hold Me Touch Me"

Christopher Hewett
Roger De Bris

Andréas Voutsinas
Carmen Ghia

Lee Meredith
Ulla
Credits
Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.
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Cinephile deep dive
Mel Brooks directs. Joseph F. Coffey behind the camera. John Morris scores. Ralph Rosenblum cuts. Runs lean at under 100 minutes. Produced in United States of America. Dialogue in German, English.
Trivia
Awards
Won 1 Oscar. 4 wins & 5 nominations total
Individual records documented via Wikidata; the summary above may count more.
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Trailers & featurettes
Community reviews
Greatest of all Time - GOAT - Best comedies. Easily my number one. This film can be rewatched over and over again - always just as hilarious and timeless.
THE PRODUCERS (1967) - Mel Brooks' first feature film starts with the funniest opening credits sequence I've ever seen - a monetarily motivated rendezvous between a serial Broadway failure and a sexually insatiable octogenarian - and then proceeds to get even more hilarious as it progresses. The fabulous Zero Mostel somehow manages to chew scenery for breakfast, lunch and dinner while never overshadowing any of the other players (whose performances are all also appropriately broad, to be honest). Interestingly, were it not for a little known film by the name of THE GRADUATE (1967) casting while this film was going into production, we would have had Dustin Hoffman as the starry-eyed Nazi playwright. So Dustin went on to fame in another picture; Kenneth Mars ended up with a juicy role in just his second feature film; and Mel got to skewer the Third Reich and win an Academy Award for writing while doing it. Sometimes things just work out.
Production companies
Crossbow Productions
US
Springtime Productions
U-M Productions

AVCO Embassy Pictures
US
Themes & keywords
Release history · US
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