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Tight 79-minute runtime โ shorter than most television pilots.

"The world's greatest actor in a tremendous story of man at his best and worst!"
A doctor's research into the roots of evil turns him into a hideous depraved fiend.
โThe world's greatest actor in a tremendous story of man at his best and worst!โ
Where to watch ยท US

John Barrymore
Dr. Henry Jekyll / Mr. Edward Hyde

Brandon Hurst
Sir George Carewe

Martha Mansfield
Millicent Carewe

Charles Lane
Dr. Richard Lanyon
Cecil Clovelly
Edward Enfield

Nita Naldi
Miss Gina

Louis Wolheim
Music Hall Proprietor
Alma Aiken
Extra (uncredited)
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Cinephile deep dive
John S. Robertson directs. Roy F. Overbaugh behind the camera. Runs lean at under 100 minutes. Produced in United States of America. Dialogue in No Language.
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A very good early silent with both exquisite direction and a fine acting performance by John Barrymore. Well-worth checking out for cinephiles with a heightened interest in the origins of American horror cinema.
I'd have to admit that John Barrymore was certainly no oil painting. Unlike so many silent-era film stars, he could actually act, rather then just look longingly into the camera and/or the gal's doey eyes. Here he portrays Robert Louis Stevenson's eponymous characters with quite some menace and skill. The story of the eminently respectable "Jekyll" who is fascinated by the human psyche and who experiments with mind/body altering drugs, discovering his inner and pretty unpleasant id in "Mr Hyde" in the process. There now follows a battle royal between the two personalities, the decent and the monstrous, and it rapidly becomes unsafe for those around him - including "Millicent" (Martha Mansfield), whom "Jekyll" loves, and even music hall girl "Gina" (Nita Naldi), the object of the desires of his alter ego. Barrymore is great, here - though some of his transformation scenes did remind me of a rather crazed Richard III playing an invisible piano. Using some dark and dingy locations, the clever use of shadow and Barrymore's own ability to create a considerable sense of menace, this really does have the hairs on the back of your neck paying attention. The visual effects are effective and John Robertson gives us a good solid, adaptation of an eerie, provocative story that still captures the imagination now, but without the characterisations being compromised or overly relying on CGI and the like to distract us from the on-screen antics. Whilst I wouldn't say it was the best - the 1931 version was a cracker too, it is one of those stories that resonates now, as it did then, and this is a terrific interpretation.
Production companies
Famous Players-Lasky Corporation
US
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Release history ยท US
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