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Tight 74-minute runtime — shorter than most television pilots.

Nikander, a rubbish collector and would-be entrepreneur, finds his plans for success dashed when his business associate dies. One evening, he meets Ilona, a down-on-her-luck cashier, in a local supermarket. Falteringly, a bond begins to develop between them.
“Some stories are better left unspoiled.”
Where to watch · US

Matti Pellonpää
Nikander

Kati Outinen
Ilona

Sakari Kuosmanen
Melartin

Esko Nikkari
Nikander's Co-Worker

Kylli Köngäs
Ilona's Friend

Pekka Laiho
Store Manager

Jukka-Pekka Palo
Third Man
Svante Korkiakoski
Police Officer
Credits
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Cinephile deep dive
Aki Kaurismäki directs. Timo Salminen behind the camera. Raija Talvio cuts. Runs lean at under 100 minutes. Produced in Finland. Dialogue in Swedish, Finnish, English.
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Community reviews
Released in 1986, Aki Kaurismaki's <i>Varjoja paratiisissa</i> (Shadows in Paradise) is one of the Finnish filmmaker's earliest efforts, and it stands as one of the most idiosyncratic romantic comedies of all time. The painfully shy Nikander (Matti Pellonpää), a garbage man, means the moody Ilona, a supermarket checkout girl. The film tracks their bumbling attempt to establish a lasting relationship: dates that end as soon as they've begun, a romantic getaway where they each retreat to separate hotel rooms, and rare conversations which employ the absolute bare minimum of words. Nikander's best and only friend Melartin (Sakari Kuosmanen), whom the garbage man only recently met through a spell in jail, gives some needed encouragement. The film's soundtrack is rooted in early rock-and-roll, though unlike later Kaurismaki films where the characters seem to be living in a 1950s bubble, all the action takes place in contemporary Helsinki. I've criticized Kaurismaki's vision of Finland in other films, but <i>Varjoja paratiisissa</i> does, in my opinion, accurately depict the collection of gloomy, taciturn binge drinkers that are the Finns. <i>Varjoja paratiisissa</i> is an early work and doesn't show the confidence of later efforts, but it's still quite entertaining, its leads and their struggles extremely charming, and I would recommend the film. Certainly the performances of Pellonpää (in a typical Pellonpää role) and Outinen (who seemingly reinvents herself in every film) will prove quite memorable.
Production companies
Villealfa Filmproductions
FI
Themes & keywords
Release history · US
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