The Nice Guys

Cinephile deep dive

The take

Shane Black directs. Philippe Rousselot behind the camera. John Ottman scores. Joel Negron cuts. Profitable at the box office. Produced in United States of America. Dialogue in English.

Trivia

Things worth knowing

• 1Mid-budget at $50M — the now-extinct middle tier of Hollywood.
• 2Released 10 years ago.
• 3Directed by Shane Black, shot by Philippe Rousselot. Note their partnership — DPs and directors often return to each other across a career.
• 4Original score by John Ottman. Worth a dedicated listen after — most great films lose half their impact without the score.
• 5Editor Joel Negron shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
• 6Russell Crowe and Ryan Gosling and Angourie Rice carry the top of the cast.
• 7Marketing tagline: "They're not that nice.".
• 8IMDB entry: tt3799694 — still the authoritative cross-reference for credits and trivia.
• 9Classified under 18 themes, including "daughter", "detective", "1970s", "investigation".

The technical file

Cinematography

Philippe Rousselot

Original score

John Ottman

Editing

Joel Negron

Production design

Richard Bridgland

Costume design

Kym Barrett

Makeup / hair

Barbara Lorenz

Sound

Paul Massey

Stunt coordinator

Markos Rounthwaite

Runtime

116 min · 1h 56m

Aspect ratio (typical)

1.37:1 (Academy)

Status

Released

Budget

$50,000,000

Box office

$71,261,763

Return

143% of budget

Original language

EN

Certification (US)

R

IMDB

The Nice Guys (2016) ↗

Rotten Tomatoes

91% 🍅 Fresh

Metacritic

70/100

IMDB rating

7.4/10 · 410,135 votes

MPAA

R

Also by

Shane Black

• 
  Kiss Kiss Bang Bang

  2005 · ★ 7.2
• 
  Iron Man 3

  2013 · ★ 6.9
• 
  Play Dirty

  2025 · ★ 6.6
• 
  The Predator

  2018 · ★ 5.6
• 
  Edge

  2015 · ★ 5.0
• 
  Edge

  2015

Stills · wallpapers

Selected frames

Full-resolution frames — open one to save it as a wallpaper.

Wallpaper Wallpaper Wallpaper Wallpaper Wallpaper Wallpaper Wallpaper Wallpaper

Trailers & featurettes

Watch the pieces

• 

  ▶
  The Nice Guys - In Cinemas Friday

  Teaser · Official
• 

  ▶
  The Nice Guys - 70s Trailer (2016)

  Teaser · Official
• 

  ▶
  The Nice Guys - TV Spot #3 (2016)

  Teaser · Official
• 

  ▶
  The Nice Guys - TV Spot (2016)

  Teaser · Official
• 

  ▶
  The Nice Guys - TV Spot #2 (2016)

  Teaser · Official
• 

  ▶
  The Nice Guys - Slowing Me Down Clip

  Clip · Official

Community reviews

What people are saying

• Reno2016-09-01
  ★ 8/10

  An unexpected and thoroughly entertained retro comedy! It all began from this year's Oscars, I saw this pair for the first time and I knew its their film promotion strategy. So I went to look for the full details and I thought I'll end up as another silly comedy like 'Daddy's Home'. That's why I did not bother to check it out its teaser and trailer, but now I feel terrible for my crappy judgement. Because this was an awesome movie, definitely not just in the comedy category, but overall one of the best films of the year and it should be in everybody's top ten or twenty and nothing less. It is a retro type film that takes place in the late 70s, LA. Where two private investigators unlikely come together to probe a mysteriously reappeared porn star from the dead as what her aunt says. But later that connects with another high profile missing girl case and so with all the leads, these two goes the length risking their lives to solve it. The remaining story reveals whether they succeed or end up as the losers. It was from the director of 'Iron Man 3' who wrote it keeping in mind as a television series, but later turned into this beautiful comedy. The first thing is I loved the Ryan and Russell's performances. They totally nailed it, especially Ryan Gosling in many comedy scenes. I think I laughed a lot and better after a long time. That's a surprise, you know, I did not think they can do comedies, but they're beyond all the praising words. It's not just two of them, there is a mini 'Nancy Drew Reporter' kind of character. A teen girl joins them in the investigation and her part as well had a great impact on the narration. You would think you can predict the story, but it is a well written screenplay with many twists. Everybody did their job so well, even the two hours did not look too long, but went very quick. The cast, crew, production, all must return for a sequel and I hope it will happen very soon. A must see film, but for the grown ups only. 8/10

  Read full review ↓
• Gimly2016-09-19
  ★ 7/10

  I've never been a Ryan Gosling fan. No movie ever before has come as close to turning me around in that than The Nice Guys. Director Shane Black is in top form with broad appeal, terrific performances, and honestly more humour than anything I've seen in years. Final rating:★★★½ - I strongly recommend you make the time.

  Read full review ↓
• John Chard2019-01-13
  ★ 9/10

  Waltons, Poronography, Tricky Dicky, Hitler, Equanimity, Bumble Bees ... And Stuff! The Nice Guys is directed by Shane Black and Black co-writes the screenplay with Anthony Bagarozzi. It stars Russell Crowe, Ryan Gosling and Angourie Rice. Music is by John Ottman and David Buckley and cinematography by Philippe Rousselot. 1977 Los Angeles and a private detective and a muscle for hire enforcer wind up on the same case looking for a missing girl. Can opposites really attract? More importantly, can they survive not just the perils of a case that gets murkier the longer it goes on? But also each other? I don't care if Colonel Mustard did it in the study with a candlestick. I just wanna know who he did it with and get the pictures. How wonderful to have had Shane Black back in his comfort zone and producing such a joyful buddy buddy neo-noir of considerable substance. It was eleven years since the superb Kiss Kiss Bang Bang had reminded us that Black had few peers when it came to blending high action macho twosomes who are also armed with sharp tongues to match, this was after all the guy who also penned Lethal Weapon and The Last Boy Scout. The idea for The Nice Guys had sat in gestation for a number of years, finally it was unleashed to reward fans of his work and for those in sync with the style of film making he homages. Much like his other buddy scriptings, we are in the company of two mismatched guys. Gosling's ex-cop Holland March is a bit goofy, afraid of the sight of blood and morally bankrupt. Crowe's muscle for hire Jackson Healy beats people up for money, but he's a stand-up guy, likes his pet fish, even has a hero streak. What binds them together is troubled family baggage, that they are both men in search of a better world, to be better men themselves, and thus Black - to give them a chance of life improvement - pitches them into the seamy underbelly of the L.A. pornography industry - with some corruption elsewhere thrown into the equation. As a coupling March and Healy prove to be a riot. Crowe is menacing and funny with it, Gosling is affably flaky but charm personified, and thankfully both men have a knack for visual comedy (see Gosling's Lou Costello homage and Crowe's reaction to a henchman's act of fish murder). Crucially both actors can deliver killer lines, which is an absolute must for a Shane Black inspired production, for here there is never any let up, zingers are unbound. Then there is Rice (superb and actually the third lead in the play) as March's 13 year old daughter, she's got youthful zest and a killer matter of fact skill in reacting smartly to the two men currently dominating her life. The L.A. of the 70s is expertly designed, all blink blink blinkity blink neon lighting, side-burns and disco music, dubious fashions and protest groups protesting about the most mundane of things. Then you got the pornography angle, the 70s a hot-bed (no pun intended) for the sex sells profiteers, the perfect setting for Black to trawl through it all in noir clobber. As a noir piece it has it all, femme fatales, thugs, conspiracies, voice overs and an array of colourfully odd characters (excitable and troubling henchmen, a porno Pinocchio, a young lad willing to flash the contents of his underpants for cash!). And of course there's mysteries to be solved and rocks to be upturned, all of which is played out in a whirl of stylish violence, situational comedy and fluid camera work. Black kind of wants it all, to stay cool whilst having wry observations on the Americana of the era, and he enjoys going close to the knuckle when he can, which to some (not me) will come off as a shock value humour tactic just to ruffle feathers. It's also a minor itch that he sort of snatches from his previous works in search of reassurance - note for instance the similarities between the opening to Lethal Weapon and here with The Nice Guys. But itches be damned, so much fun and hidden dramatic depth on show here, a real treasure that makes you wish Black would stroll down neo-noir lane a bit more often. Don't believe me? Then may Richard Nixon come after you the next time you go for a swim in the pool! 9/10

  Read full review ↓

Production companies

Who made it

• 

  Silver Pictures

  US

• 

  Waypoint Entertainment

  US

Key crew

• Executive ProducerNorman Merry
• First Assistant DirectorNilo Otero
• Second Assistant DirectorEric Richard Lasko
• Hair Department HeadBarbara Lorenz
• 3D SupervisorBen Shepherd
• EditorJoel Negron
• CastingSarah Halley Finn
• Production DesignRichard Bridgland
• Art DirectionDavid Utley
• Set DecorationDanielle Berman
• Costume DesignKym Barrett
• ProducerJoel Silver
• Co-ProducerAaron Auch
• Co-ProducerEthan Erwin
• Executive ProducerAnthony Bagarozzi
• Executive ProducerKen Kao
• Executive ProducerMichael J. Malone
• Executive ProducerHal Sadoff
• StuntsJennifer Cocker
• Script SupervisorLuca Kouimelis
• Script SupervisorJulia Tasker
• Set DesignerSean Ryan Jennings
• Set DesignerMayumi Konishi-Valentine
• Graphic DesignerJason Sweers

Themes & keywords

What it's about, really

• daughter
• detective
• 1970s
• investigation
• alcoholism
• private investigator
• conspiracy
• whodunit
• alcoholic
• buddy cop
• private eye
• neo-noir
• father daughter relationship
• dramatic
• amused
• bold
• vibrant
• bumbling detective

Release history · US

When it landed

• Premiere2016-05-10· Hollywood (Los Angeles, California)
• Theatrical2016-05-20R
• Physical2016-08-23R

Also known as

International titles

• בלשים בע"מIL
• The Nice Guys - Nett war gestern!DE
• 黐筋雙響炮HK
• مردان نازنینIR