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The Keeping Room

"Some things are worth fighting for."

2014 1h 35m EN
😐
5.8
MID
★5.8TMDB · 231
WesternDramaThriller
Synopsis
Spoiler shield

In this radically reimagined American Western set towards the end of the Civil War, Southerner Augusta encounters two renegade, drunken soldiers who are on a mission of pillage and violence. After escaping an attempted assault, Augusta races back to the isolated farmhouse that she shares with her sister Louise and their female slave Mad. When the pair of soldiers track Augusta down intent on exacting revenge, the trio of women are forced to take up arms to fend off their assailants, finding ways to resourcefully defend their home––and themselves––as the escalating attacks become more unpredictable and relentless.

“Some things are worth fighting for.”

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Cast

Credits

Behind the camera

Director
Daniel Barber
Writers
Julia Hart
Languages
English
Countries
United States of America

Want more? Switch to Cinephile mode in the header for DP, composer, budget, box office, production companies, keywords, and release history.

Did you know?

Fun facts 🍿

1 / 7
ERA

Did you know

Released 12 years ago.

MoodPlayr · trivia#01
2 / 7
DIRECTOR

Did you know

Directed by Daniel Barber, shot by Martin Ruhe. Note their partnership — DPs and directors often return to each other across a career.

MoodPlayr · trivia#02
3 / 7
DIRECTOR

Did you know

Original score by Martin Phipps. Worth a dedicated listen after — most great films lose half their impact without the score.

MoodPlayr · trivia#03
4 / 7
DIRECTOR

Did you know

Editor Alex Rodríguez shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.

MoodPlayr · trivia#04
5 / 7
CAST

Did you know

Hailee Steinfeld and Sam Worthington and Brit Marling carry the top of the cast.

MoodPlayr · trivia#05
6 / 7
FACT

Did you know

Marketing tagline: "Some things are worth fighting for.".

MoodPlayr · trivia#06
7 / 7
WILD

Did you know

IMDB entry: tt2488778 — still the authoritative cross-reference for credits and trivia.

MoodPlayr · trivia#07

Cinephile deep dive

The take

Daniel Barber directs. Martin Ruhe behind the camera. Martin Phipps scores. Alex Rodríguez cuts. Runs lean at under 100 minutes. Produced in United States of America. Dialogue in English.

Trivia

Things worth knowing

  • 1Released 12 years ago.
  • 2Directed by Daniel Barber, shot by Martin Ruhe. Note their partnership — DPs and directors often return to each other across a career.
  • 3Original score by Martin Phipps. Worth a dedicated listen after — most great films lose half their impact without the score.
  • 4Editor Alex Rodríguez shaped the rhythm. On an edit-heavy film, the editor does more to control your pulse than the director.
  • 5Hailee Steinfeld and Sam Worthington and Brit Marling carry the top of the cast.
  • 6Marketing tagline: "Some things are worth fighting for.".
  • 7IMDB entry: tt2488778 — still the authoritative cross-reference for credits and trivia.
  • 8Classified under 8 themes, including "rape", "mistaken identity", "murder", "home invasion".

The technical file

Cinematography
Martin Ruhe
Original score
Martin Phipps
Editing
Alex Rodríguez
Production design
Caroline Hanania
Costume design
Luminita Lungu
Makeup / hair
Annette Field
VFX supervisor
Jason Watts
Sound
Brendan Nicholson
Runtime
95 min · 1h 35m
Aspect ratio (typical)
1.37:1 (Academy)
Status
Released
Original language
EN
Certification (US)
R

Also by

Daniel Barber

Stills · wallpapers

Selected frames

Full-resolution frames — open one to save it as a wallpaper.

Trailers & featurettes

Watch the pieces

Community reviews

What people are saying

  • John Chard
    ★ 8/10

    There are many kind of monsters in the world. The Keeping Room is directed by Daniel Barber and written by Julia Hart. It stars Brit Marling, Hailee Steinfeld, Muna Otaru, Sam Worthington and Kyle Soller. Music is by Martin Phipp and cinematography by Martin Ruhe. It's the back end of the American Civil War and 3 women fight to defend their home from 2 Union Army "Bummers"... Uncle Billy is coming! As genres go, the Western (Re: Southerns - Civil Wars) are primarily male dominated, but just occasionally female led pictures from this ilk come forth to shine bright. It's refreshing that in this modern era of film making, genre film makers are not afraid to pitch the female angle to remind all that women had a key part in the shaping of the frontiers all those years ago. Or as is the case here, they were not merely token fodder, but often women of strength prepared to take up the fight to protect themselves when under duress. Daniel Barber and Julia Hart have crafted a magnetic piece, that aside from a daft misstep at pic's finale booms with feminist wiles. Opening with a burst of shocking violence and sexual assault inference, this is merely an attention grabbing appertiser as the pic then settles into a languid realm. The makers are in no hurry here, those expecting an action fuelled piece are in for great disappointment. Not to say further jolts to the system are not forthcoming, they exist and are truly throat grabbing, but tone is set at earthy realism, the sparse locations sidling up nicely with the lives of the women functioning while their loved ones are lost to the war that rages on the edge of the frame. Performances are top end, the girls superb, the boys frighteningly on the boil for the dark side that the war would bore out. As for the look as per tech credits? With the pic being shot in Romania it is natural to approach this thinking it will lack for period flavours, yet it very much does come up trumps there. Anyone familiar with the Barber and Ruhe collaboration Harry Brown 2009, and liked its aesthetical look, will appreciate the craft on show here, more so as Phipps' musical score compliments like some sort of edgy spectre. Barber has an eye for stunning shots, here with such things as a burning carriage in flight post crime committed, or our heroine on white horse in flight through a lonely tree laden pathway, there is beauty here in a world containing monsters. SPOILER Resolution of the play is frustrating and rewarding in equal measure, the women strong and correctly earning our admiration - that they have to dress as men to escape the horrors of war just doesn't strike the right chord in a play with such a strong feminine bent - but that could just be me being picky... Not one for those lacking patience, or misogynistic geezers who expect women in Westerns to be token fodder or punch bags, The Keeping Room has much to offer genre fans embracing this sort of story telling as a whole. 8/10

  • Wuchak
    ★ 7/10

    Near the end of the Civil War three women fight for their lives During the Carolinas Campaign near the bitter end of the Civil War in spring, 1865, two sisters & a former slave (Brit Marling, Hailee Steinfeld & Muna Otaru) have been waiting out the war at their rural homestead. A couple of Yankee cutthroats enter the picture and they have to use their wits to survive. A slowburn Western that takes place in the East, "The Keeping Room" (2014) has sparse settings, but a competent cast, profiscient filmmaking and a realistic, grim tone. Similar movies include "Pharaoh's Army" (1995) and “Echoes of War” (2015). “War Flowers” (2012) is another one but, unlike that flick, “The Keeping Room” features top-of-the-line filmmaking for a modest-budget picture. The film runs 1 hour, 35 minutes, and was shot in Poienari, Arges County, Romania. GRADE: B+

Production companies

Who made it

  • Anonymous Content

    Anonymous Content

    US

  • GI

    Gilbert Films

    US

  • WI

    Wind Dancer Productions

Key crew

  • Co-ProducerNicole Romano
  • EditorAlex Rodríguez
  • ProducerDavid McFadzean
  • ProducerJudd Payne
  • Production DesignCaroline Hanania
  • ProducerDete Meserve
  • Co-ProducerTrevor Adley
  • Executive ProducerGary Gilbert
  • Line ProducerPatricia Poienaru
  • Executive ProducerMichael Sugar
  • ProducerPatrick Newall
  • ProducerJordan Horowitz
  • Associate ProducerMark Bakunas
  • CastingGail Stevens
  • CastingMary Vernieu
  • CastingVenus Kanani
  • Art DirectionAdrian Curelea
  • Script SupervisorAndra Barbuica
  • First Assistant CameraTiti Gavrila
  • Set CostumerDoina Raducut
  • Visual Effects CoordinatorCharles Gillett
  • Visual Effects SupervisorJason Watts
  • Sound Re-Recording MixerBrendan Nicholson
  • Construction CoordinatorCrina Cartos

Themes & keywords

What it's about, really

  • rape
  • mistaken identity
  • murder
  • home invasion
  • american civil war
  • union army
  • female slave
  • old south

Release history · US

When it landed

  • Theatrical2014-09-25R

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